Thesis (Ph. D.)--University of Chicago, Dept. of Political Science, August 2000. / Includes bibliographical references. Also available on the Internet.

Thesis (Ph. D.)--Kgl. bayrische Friedrich-Alexanders-Universität zu Erlangen, 1912. / "Die vorliegende Schrift ist die erste Hälfte einer grösseren Arbeit, die demnächst unter dem Titel: 'Das bulgarische Exarchat' erscheinen wird"--T.p. verso. Vita. Includes bibliographical references (p. [iii]-iv).

Thesis (M.A.) in History--University of Maine, 2004. / Includes vita. Includes bibliographical references (leaves 90-97).

Thesis (M.S. in Defense Analysis and M.A. in National Security Affairs)--Naval Postgraduate School, March 2006. / "March 2006." Thesis Advisor(s): Glenn Robinson, Anne Marie Baylouny. Includes bibliographical references (p. 97-104). Also available online.

This thesis is aimed at Ilija Trojanow's reception in Bulgaria. Ilija Trojanow is Bulgarian born author who writes his works in German. The thesis researches his reception through book reviews published in newspapers in Bulgaria and for a constractive point of view in Germany. At first there is the work of Trojanow presented in the thesis, particular focus is put on the following three books: the novels Die Welt ist groß und Rettung lauer überall, Der Weltensammler and the literary travelogue Hundezeiten. Heimkehr in ein fremdes Land. Consequently, the Bulgarian and the German reviews are analysed. The reception of Ilija Trojanow in Bulgaria is based upon the analysis. Key words: Ilija Trojanow, Bulgaria, reception in Bulgaria, Germany, Die Welt ist groß und Rettung lauer überall, Der Weltensammler, Hundezeiten. Heimkehr in ein fremdes Land, literature, publicism

No description available.

Thesis (Ph. D.)--UCLA, 2007. / Vita. Includes bibliographical references (leaves 419-450).

555 pages / This study focuses on the development of harmonic vocabulary in Bulgarian music. It analyzes the incorporation of harmony in village music from the 1930s to the 1990s, "wedding music" from the 1970s to 2000, and choral and instrumental arrangements (obrabotki, creations of the socialist period (1944-1989). This study also explains that terms which are frequently applied to Bulgarian music, such as "westernization," "socialist-style arrangements," or "Middle Eastern influence," depict sophisticated networks of codified and non-codified rules for harmonization which to date have not been studied. The dissertation classifies different approaches to harmony in the above mentioned styles and situates them in historical and cultural contexts, examines existing principles for harmonizing and arranging Bulgarian music, and establishes new systems for analysis. It suggests that the harmonic language of the layers of Bulgarian music is based upon systems of rules which can be approached and analyzed using Western music theory. TV1y analysis of harmony in Bulgarian music focuses on representative examples of each style discussed. These selections are taken from the most popular and well-received compositions available in the repertoire. / 10000-01-01

Inaug.-diss.--Berlin. / Lebenslauf.

Thesis (M.M.) Florida State University, 2007. / Advisor: Michael Bakan, Florida State University, College of Music. Title and description from dissertation home page (viewed 8-22-2007). Document formatted into pages; contains 48 pages. Includes biographical sketch. Includes bibliographical references.