Submitted by KARLA DI GIACOMO DIAS OLIVEIRA DOS SANTOS null (digiacomokarla@gmail.com) on 2016-11-12T18:59:58Z No. of bitstreams: 1 Karla Di Giacomo Dias Oliveira dos Santos.pdf: 17488200 bytes, checksum: d5b635875668e8a647b80bf542f7be58 (MD5) / Approved for entry into archive by Felipe Augusto Arakaki (arakaki@reitoria.unesp.br) on 2016-11-18T15:43:55Z (GMT) No. of bitstreams: 1 santos_kdgdo_me_bauru.pdf: 17488200 bytes, checksum: d5b635875668e8a647b80bf542f7be58 (MD5) / Made available in DSpace on 2016-11-18T15:43:55Z (GMT). No. of bitstreams: 1 santos_kdgdo_me_bauru.pdf: 17488200 bytes, checksum: d5b635875668e8a647b80bf542f7be58 (MD5) Previous issue date: 2016-09-12 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / A arquitetura eclética destacou-se em cidades do interior paulista devido, principalmente, à presença do café e à riqueza gerada por suas plantações. No entanto, Bauru, não apresentou uma arquitetura eclética expressiva, mas possui, ainda hoje, um número significativo de construções denominadas bangalô, destinadas à classe média, que obedeciam a determinados padrões arquitetônicos, formais, técnicos e construtivos. Mesmo diante de sua quantidade significativa, ainda é pouco estudado pelos especialistas. Assim, este trabalho tem como objetivo distinguir essa habitação como elemento importante no desenvolvimento da arquitetura, reconhecendo-a como parte do contexto histórico da cidade. Para atingir esse objetivo, a pesquisa contará com levantamento bibliográfico voltado à compreensão da evolução da tipologia do Bangalô desde a Índia, sua chegada ao país e a Bauru. Pretende-se, também, caracterizar e analisar detidamente os bangalôs bauruenses, em seus espaços internos, através das plantas arquitetônicas preservadas; verificar as diversas linguagens formais utilizadas como ornamentação, bem como os materiais e técnicas construtivas aplicadas em sua construção. Esses estudos possibilitarão a análise das diferenças entre os bangalôs e as residências ecléticas da época. Deste modo, esta pesquisa detalhará o bangalô no sentido de avaliá-lo como um novo conceito de moradia erguido em Bauru a partir dos anos 1920 até meados do século XX, e que esteve presente e ainda permanece em meio à malha urbana contemporânea da cidade, aguardando o reconhecimento de suas peculiaridades. / The eclectic architecture stood out in cities of São Paulo, due to the presence and the wealth generated by coffee plantations. Bauru city, however, did not present an expressive eclectic architecture, but it has, today, a significant number of buildings called "bungalow". This villa, which obeyed certain architectural, formal, technical and construction standards was aimed at the middle class, and even before his significant amount, it is still little studied by experts. Therefore, this paper aims to distinguish this housing as an important element in the development of architecture, recognizing it as part of the city historical context. To achieve this objective the research will include literature aimed at understanding the evolution of the bungalow typology since India, its arrival in the country and Bauru city. It is intended also to characterize and analyze carefully the bungalows, in their internal spaces through the preserved architectural plans; check the various formal languages used as ornamentation, as well as construction materials and techniques used in its construction, studies that will enable the analysis of the differences between the bungalows and the eclectic residences of the time. Thus, this research project will detail the bungalow in order to evaluate it as a new concept of housing built in Bauru from 1920 until the mid-twentieth century, and who was present and remains in the midst of contemporary urban mesh city, waiting for the recognition of its peculiarities. / CAPES: 3300405-6

This diploma thesis deals with design of ventilation and heating of bungalow single-storey house. The work is divided into three parts. In the first part is presented the design of the house with calculation of heat losses. The second part deals with the design, calculations and regulation of the heating of the house. In the third part there is designed a system of forced ventilation for the house.

La Société Centrale d'Hypothèques et de Logement (SCHL) a été instaurée le 1er janvier 1946 en tant qu'instance suprême en matière d'habitation au Canada. L'histoire de l'architecture domestique canadienne lui attribue la responsabilité de la répétitivité architecturale et de l'homogénéité sociale de nos banlieues. Il nous semble que la Société soit moins responsable de la monotonie suburbaine que de la création d'une image archétypale de l'architecture pavilIonnaire : une maison fonctionnaIiste matérialisant les valeurs de la classe moyenne salariée intégrée à la vie de banlieue nord-américaine. Entre 1946 et 1974, la SCHL a contribué de manière peu ordinaire à la popularisation de la maison individuelle au Canada. Entre autres, elle a conçu et diffusé une image particulière de la maison par l'entremise de publications didactiques adressées aux clients, bâtisseurs, architectes et planificateurs urbains canadiens. Nous avons considéré ces publications comme des documents historiques à part entière et nous les avons analysés dans le but d'identifier l'image que la SCHL projette de la maison. La Société a tout d'abord créé Monsieur Canada, père de famille nucléaire ordinaire et client fictif du concours d'architecture de maisons de 1946. La SCHL a ensuite réagi aux banlieues dortoirs monotones en proposant un nouveau modèle suburbain basé sur Radburn au New Jersey, banlieue pittoresque qui intègre des maisons individuelles dans un tracé urbain novateur et diversifié. Puis la Société a créé une maison pour cette famiIle et cette banlieue: elle a favorisé un système constructif industriel à ossature de bois, elle a mis sur pied un programme domestique articulé autour des principes modernes de zonage, et elle a publié des catalogues contenant 630 modèles de maisons reflétant les tendances esthétiques de l'époque. L'image qui en résulte est celle d'une maison normalisée, économique, fonctionnelle et symbolique de l'American way of life que la Société cherche à implanter en sol canadien. Cette maison représente une amélioration des conditions du logement par rapport à la norme antérieure. Nos analyses révèlent que l'architecture de la maison de la SCHL reflète le mode de vie de la classe moyenne intégrée à la vie de banlieue et en ce sens, l'action de la SCHL est idéologique. Elle fait passer l'image de la famille nucléaire et de la maison fonctionnaliste de banlieue comme allant de soi pour les couples en recherche d'un logis pour fonder un foyer, alors que cette image cache un attachement à la société de consommation et à la culture de masse, condition associée à la réception du Mouvement moderne en Amérique du Nord. En faisant la promotion d'une mythologie fonctionnaliste adaptée à l'architecture domestique des années 1950, la SCHL reflète la culture architecturale savante de son temps; son rôle de médiateur peut être considéré comme une contribution significative à la modernisation sociale et architecturale du Canada urbain. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : Architecture domestique, Bungalows, Fonctionnalisme, Banlieue, SCHL, Canada.

O objetivo desta pesquisa é o estudo da arquitetura residencial que se desenvolveu na cidade de São Paulo nos anos 1920, e das influências que ajudaram a moldá-la. Entre estas, a do movimento Arts and Crafts, que revolucionou a arquitetura doméstica britânica no final do século XIX e teve repercussão internacional. Tais ressonâncias ocorreram de forma direta e também através de uma triangulação com os Estados Unidos. Ali, haverá certa popularização do movimento inglês na figura do bangalô, juntamente com o aprimoramento da cultura burguesa da habitação do Arts and Crafts. Esta nova cultura da habitação chegará ao Brasil principalmente através das revistas de decoração, trazendo uma nova maneira de morar para a classe média, que se estabelecerá principalmente nos novos subúrbios que se constituem em São Paulo nas primeiras décadas do século XX, particularmente o Jardim América, executado pela Companhia City. / The subject of this work is the domestic architecture that arises in the city of São Paulo, Brazil, in the 1920\'s decade and the influences it has suffered. Among them, there is the resonance from the Arts and Crafts movement, which changed the course of the british domestic architecture in the 1890\'s and acquired international reputation. The influences on brazilian architecture probably came by two ways; straight from britain and also through the United States. In this country, there will be a mass production of a new kind of dwelling, the bungalow, which embodies the spirit of the british movement, in a more democratic way. This bourgeois housing culture, inherited from England, will arrive in Brazil mainly through domestic interior magazines. These domestic life-styles will settle in the suburbs that arise in São Paulo in the first decades of twentieth century, mainly in Jardim America from the Companhia City.

O objetivo desta pesquisa é o estudo da arquitetura residencial que se desenvolveu na cidade de São Paulo nos anos 1920, e das influências que ajudaram a moldá-la. Entre estas, a do movimento Arts and Crafts, que revolucionou a arquitetura doméstica britânica no final do século XIX e teve repercussão internacional. Tais ressonâncias ocorreram de forma direta e também através de uma triangulação com os Estados Unidos. Ali, haverá certa popularização do movimento inglês na figura do bangalô, juntamente com o aprimoramento da cultura burguesa da habitação do Arts and Crafts. Esta nova cultura da habitação chegará ao Brasil principalmente através das revistas de decoração, trazendo uma nova maneira de morar para a classe média, que se estabelecerá principalmente nos novos subúrbios que se constituem em São Paulo nas primeiras décadas do século XX, particularmente o Jardim América, executado pela Companhia City. / The subject of this work is the domestic architecture that arises in the city of São Paulo, Brazil, in the 1920\'s decade and the influences it has suffered. Among them, there is the resonance from the Arts and Crafts movement, which changed the course of the british domestic architecture in the 1890\'s and acquired international reputation. The influences on brazilian architecture probably came by two ways; straight from britain and also through the United States. In this country, there will be a mass production of a new kind of dwelling, the bungalow, which embodies the spirit of the british movement, in a more democratic way. This bourgeois housing culture, inherited from England, will arrive in Brazil mainly through domestic interior magazines. These domestic life-styles will settle in the suburbs that arise in São Paulo in the first decades of twentieth century, mainly in Jardim America from the Companhia City.

Diploma thesis deals with the complex design documentation of newly-built motel near the Novomlýnských ponds with separate buildings. The building is situated near the D52 motorway in the cadastral Perná. The motel is designed for temporary accommodation, eating and recreation. It is a two-storey building with flat roof and without a basement. Besides the main building, there are also four bungalows. The building is designed with traditional building materials. The hotel is desingned for visitors with limited mobility and orientation.

This diploma thesis deals with functional parts and their standards standards on single-family family houses. The theoretical part deals with concepts such as budgets, prices, costs, valuations and functional parts of buildings. The task is to define the types of standard of selected functional parts and to determine their indices which take into account the different material and design solutions of individual parts of the building.