Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-01-13T12:34:53Z No. of bitstreams: 1 AlgonizAlexCordeiroDiniz_DISSERT.pdf: 1566478 bytes, checksum: e9b776efa3ba7e8b1a2bd79411cb4e65 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-01-23T13:42:17Z (GMT) No. of bitstreams: 1 AlgonizAlexCordeiroDiniz_DISSERT.pdf: 1566478 bytes, checksum: e9b776efa3ba7e8b1a2bd79411cb4e65 (MD5) / Made available in DSpace on 2017-01-23T13:42:18Z (GMT). No. of bitstreams: 1 AlgonizAlexCordeiroDiniz_DISSERT.pdf: 1566478 bytes, checksum: e9b776efa3ba7e8b1a2bd79411cb4e65 (MD5) Previous issue date: 2015-03-30 / A presente pesquisa discuti aspectos inerentes ao ato de conduzir um processo criativo em teatro partindo da ideia de que o encenador, uma vez introduzido na concep??o de cena, concebe um m?todo particular intitulado travessia po?tica, desse modo, nutre em seu instinto o que Gaston Bachelard denomina de ?intencionalidade po?tica? e ?imagina??o simb?lica?. Este estudo busca analisar as estrat?gias adotadas pelo encenador na cria??o do espet?culo ?Mem?rias de Quintal?, correlacionando conceitos voltados ? pr?tica da dire??o teatral e a escrita de cadernos de dire??o teatral. / This research discuss inherent aspects of the act of conduction a creative process in theater from the idea that the director, once introduced in the design scene, conceives a particular method called poetic crossing, and create in your instinct what Gaston Bachelard calls ?poetic intentionality? and ?symbolic imagination?. This study also analized the strategies adopted by the director in the creation of the theater play ?Mem?rias de Quintal?, correlating the concepts focused in the practice of the theater directing and the writing of the notebooks of the theatral directing.