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Using the techniques of microhistory, this thesis explores questions of construction of identity, and the relationship of narrative to identity. The thesis follows the lives of several residents of the St. Lawrence valley as they learn about the residents of New York and New England through business, marriage, adoption and trade in furs. Using case studies of seventeenth-century native and European individuals, as well as information from folklore, parish registers, letters and legal documents, movement in the border region between settled colonies is examined. A nominal index describes the origins of, and provides capsule biographies for, 694 residents of New France whose roots were neither in France nor in the native communities. An examination of these cases allows a comparison between personal choice and social constraint in a colonial context.

Colonialism in twentieth century Canada has operated as a totalizing discourse, administered not by the force of a colonizing power, but by the mimicry of descendants from the constructed British imperial centre. These anglo-celtic descendants built a colonial identity that in its ideal manifestation asserted universal dominance and control, demanding that all difference assimilate or cease to exist. The Imperial Order Daughters of the Empire (IODE), a Canadian women's patriotic organization formed in 1900 and still in existence, is used to represent this colonial identity; a hegemonic process that was constantly changing, and produced in a recursive relationship to the threats and resistance that, at specific moments, challenged its composition. Tracing the historical/cultural geography of the IODE reveals the shifting focus of Canadian identity from imperial space to national space. This shift was produced in a multiplicity of geographic locations that offer a complicated challenge to theories of 'public' and 'private', of masculine and feminine and the 'everyday' and the 'theoretical'. Archival sources from across Canada, interviews with members of the IODE provide the primary sources.

The evolution of the Unemployment Insurance Programme since 1940 has led to the abandonment of the intended insurance nature of the programme. As a result, it can no longer be considered solely an income protection scheme. Rather, it has evolved into an income maintenance plan aimed at supplementing the income of seasonal workers in high unemployment regions. As a consequence, there has been an interprovincial transfer of unemployment insurance funds from low to high unemployment regions. The regional characteristics of the programme have also distorted the structure of labour markets in high unemployment regions by attracting workers in seasonal industries therefore maintaining unemployment rates high.

This thesis examines the production of space in Canadian cities since World War II. It is hypothesized that there has been a considerable shift in the city building process (encompassing the fields of planning, architecture and urban design) over the last two decades (1970-1990), and that new types of urban landscapes are being created, often very different than those built during the immediate post-war era (1950-1970). This shift is often described in academic literature as the move from the modern to the postmodern city. The approach adopted in the thesis is to examine the modern postmodern distinction from a design perspective. Academic literature in planning, geography and architecture, and observations from Canadian urban landscapes were sources used to gather information on the modern/postmodern distinction. These sources suggest that modern design principles produced functional landscapes (where form follows function), and that postmodern design principles are creating spaces that are both functional and "funky". Seven specific design principles are useful in describing the modern/postmodern distinction: the level of diversity, the level of exteriorization, the relation to nature, the level of decoration, the relation to urban history, the relation to urban context, and the scale of development. A case study of plans for downtown Vancouver since World War II was used to verify the findings from the literature and observations from Canadian urban landscapes. Two plans were chosen from the modern era (1956 and 1964 reports) and two from the postmodern era (1974 and 1991 reports). Four of the seven shifts in design principles were supported, and a further two were in evidence, though only in an implicit manner. The case study thus upholds the findings derived from the literature and observations from Canadian urban landscapes. It is suggested that the understanding of the shift from modern to postmodern design principles will help planners gain a better grasp on the current planning context, and hence be better suited to plan in an effective manner in today's "postmodern" world.

George Heriot's, Travels Through The Canadas, Containing a Description of the Picturesque Scenery on some of the Rivers and Lakes; with an account of the Productions, Commerce, and Inhabitants of those Provinces to which is Subjoined a Comparative View of the Manners and Customs of Several of the Indian Nations of North and South America, was first published in London in 1805. Presenting the Canadas in a documentary and picturesque mode, Heriot's Travels since its publication has been valued as an important source of data and information. It has thus participated in and formed part of the received notions concerning Canada and its peoples in the 19th century. My thesis explores how Heriot's Travels constructs and represents Upper and Lower Canada and the diverse inhabitants of these regions. I argue that the text and its illustrations far from providing an objective description, in fact give form to contemporaneous perceptions and values and to aesthetic criteria that had colonialist implications. In particular the thesis examines how the visual material within the publication functions to reinforce or contradict the text's agenda. My contention is that Heriot's aims are much broader than those to which he admitted. For his readers the representation of Canada was tied to prospects of vast expansionist possibilities for British capital, technology, commodities and systems of knowledge. The unacknowledged aims of the book, as elaborated in my thesis were: to confirm the superiority of British rule in comparison to the earlier French administration in Canada; to define the British by a comparison to others, thus marking out existing inhabitants, specifically the French Canadians and First Nations peoples, as simple, indolent and inferior; to tame and commodity Canada through the use of the picturesque, thus ordering and civilizing the landscape for a British audience and would-be immigrants; and, finally, to reinforce Britain's economic claims in British North America. As in other travel writing of the eighteenth and nineteenth centuries, Heriot employs in his representation of Canada the discursive languages of science, taxonomy, technology and ethnology. The picturesque descriptions in text and image work in conjunction with these and serve to demonstrate the role of art and aesthetics in maintaining an established order, and in asserting its classificatory regimes and exclusions. iii

Modernism and Post-Modernism in Canadian poetry have been introduced and developed in the pages of non-commercial "little magazines", beginning with F. R. Scott and A. J. M. Smith's McGill Fortnightly Review in 1925. Subsequent generations and schools of poets have made their first appearances and they have developed their ideas by producing their own magazines. / The aim of this dissertation is threefold: to investigate the phenomenon of the little magazine, its role as an essential alternative to commercial publications, and the sociological and aesthetic necessity for its survival; to investigate the progress that has taken place in Canadian poetry in the pages of the little magazine, as well as the evolution of the little magazine itself; in light of the fact that literary Modernism and Post-Modernism have not developed in Canada in isolation, to investigate the influence of European, English, and American poetic development in the twentieth century on Canadian poetry.

This study argues that previous investigations of the gender gap have concentrated almost exclusively on the behaviour of women voters and have underestimated the electoral significance of men. Employing public opinion surveys and rational choice theory of coalitions, it contends that men's voting behaviour is a key factor in modern elections and that by investigating male voters as people affected by their gender, the gender gap can be better explained. The study finds that the relative importance of the gender gap in Canada may be declining as parties contending to form the government display less gender division in their support, and significant gender differences in the 1997 election are found only in the more extreme parties, like the New Democratic Party and, especially, the Reform Party. Significant gender-related support for the Liberal Party is found to be concentrated in the Trudeau era. The gender gap in Reform Party support is attributed to differences over capitalism, feminism and the use of force. A theoretical model of gender block behaviour is developed using rational choice theory, and the power of the male voting block is demonstrated. Cohesion, elasticity, positioning, size and turnout are identified as important measures of block power, with cohesion and elasticity the most important variable in the gender gap. The gender gap is shown to not be an automatic advantage for women, and that sometimes it works against women's interests. The final chapter discusses the effect of situational and socialisation constraints on attitutudes towards violence, 'masculinized opportunity' and the reactionary backlash against feminism.

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