Submitted by Giovanna Brasil (1154060@mackenzie.br) on 2018-05-28T18:50:16Z No. of bitstreams: 2 Bruno Dias ..pdf: 54704573 bytes, checksum: 6fb19b48092deb9176eecad1804755d1 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Paola Damato (repositorio@mackenzie.br) on 2018-06-08T20:55:05Z (GMT) No. of bitstreams: 2 Bruno Dias ..pdf: 54704573 bytes, checksum: 6fb19b48092deb9176eecad1804755d1 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2018-06-08T20:55:05Z (GMT). No. of bitstreams: 2 Bruno Dias ..pdf: 54704573 bytes, checksum: 6fb19b48092deb9176eecad1804755d1 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-03-05 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This dissertation studies the work of Architect Lina Bo Bardi in order to integrate the architectural conception and the Design of furniture, starting from the extremely significant production of Lina in these two fields in Brazil, whose work deserves attention. The hypothesis that guides the thesis is that the design conception present in Lina's work is based on a harmony of language, which is expressed in the integration of furniture design and architectural space. The objective of the research is to verify, to explain and to demonstrate possible relations and similarities between the design of the building and its interiors and furniture. It is worth noting that the Architect designed reference works, such as the São Paulo Museum of Art (MASP) and SESC Pompeia. She also worked directly in the production of furniture, with furniture factories Studio Palma and Pau-Brasil. In order to ascertain the outstanding issues, the option chosen was to study in more depth the project that the Architect designed for her residence in the neighborhood of Morumbi, in São Paulo, which today is occupied by the Institute that bears her name and that of her husband, Pietro Maria Bardi. Created in order to preserve the memory of the legacy left by the couple in the field of arts, design and architecture, the Lina Bo and P.M. Bardi Institute is today visited by tourists, students and researchers from various parts of the world. / A presente Tese de Doutorado estuda a obra da Arquiteta Lina Bo Bardi, de maneira a integrar a concepção arquitetônica e o Design de mobiliário, partindo da produção extremamente significativa de Lina nesses dois campos no Brasil, cuja obra merece destaque. A hipótese que norteia a Tese é que a concepção projetual presente na obra de Lina se fundamenta em uma harmonia de linguagem, que se expressa na integração do Design dos móveis e do espaço arquitetônico. O objetivo da pesquisa é verificar, explicitar e demonstrar possíveis relações e similaridades entre o projeto da edificação e seus interiores e móveis. Vale salientar que a Arquiteta projetou obras referenciais, como o Museu de Arte de São Paulo (MASP) e o SESC Pompeia. Ela ainda atuou diretamente na produção de mobiliário, com as fábricas de móveis Studio Palma e Pau-Brasil. Para averiguar as questões destacadas, a opção escolhida foi estudar de forma mais aprofundada o projeto que a Arquiteta elaborou para a sua residência no bairro do Morumbi, em São Paulo, que hoje é ocupada pelo Instituto que leva o seu nome e o do marido, Pietro Maria Bardi. Criado com o intuito de conservar a memória do legado deixado pelo casal no campo das artes, Design e Arquitetura, o Instituto Lina Bo e P.M. Bardi é hoje visitado por turistas, estudantes e pesquisadores de diversas partes do mundo.

abstract: ABSTRACT Recent studies indicate that there is a positive influence of nature and nature integrated built environments on human health and wellness in various physical, physiological and social domains. This thesis critically reviews formally and contextually three distinct residential typologies designed by renowned architects Frank Lloyd Wright (1867-1959), Lina Bo Bardi (1914-1992), and Ryue Nishizawa (1966-), in different periods and countries; the United States of America (USA), Brazil and Japan. Yet, the buildings analyzed in the research are relatively connected by means of nature and the natural elements in their constructed essence. This research focuses on the features of the buildings that characterize the Biophilic Design, along with theoretical and practical ideas of the architects behind each building in their own process of formation. The Biophilic Design Framework has been developed out of the Biophilia Hypothesis (Fromm, 1973; Wilson, 1984) which puts forward an explanatory suggestion that human affinity and affiliation with nature are based on genetic and environmental adaptation processes. This research is designed to display how specific natural phenomena apply to the built environment within the Framework of Biophilic Design (Kellert, & Calabrese, 2015) and how the Biophilia Hypothesis translates into the built environment. To accomplish this, two primary and three secondary research questions were developed for the study. The research will provide an understanding of the Biophilia Hypothesis and its impact on the built environment through the evaluation of research variables on the case studies using the ‘twenty-four attributes’ indicated in the ‘three experiences’ of Biophilic Design. These architects’ approaches and the methods applied theoretically and practically to these research sites were unveiled and analyzed through three case studies. A positive correlation regarding the success of the case studies and their Biophilic characteristics is found by analyzing the research sites and critiques from the authorities in written literature. The applicability of the ‘Biophilic Design Framework’ was found and evidenced by the findings from these case studies designed by master architects and located in different climates, regions and contexts. / Dissertation/Thesis / Masters Thesis Architecture 2017