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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Josef Gabriel Rheinberger and the Regensburg Cecilian movement

Scraper, Joel F., Everett, William A., January 2006 (has links)
Thesis (D.M.A.)--Conservatory of Music. University of Missouri--Kansas City, 2006. / "A dissertation in conducting." Advisor: William A. Everett. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Dec. 20, 2007. Includes bibliographical references (leaves 132-137). Online version of the print edition.
2

Fr Anselm Ferrer (1882 - 1969) : The Cecilian Movement in Montserrat

Díaz Callao, Marc January 2019 (has links)
No description available.
3

Franz Liszt's Via Crucis: in search of a new style.

January 1994 (has links)
Jenny Liu Ng Mui. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1994. / Includes bibliographical references (leaves 123-128). / INTRODUCTION --- p.1 / PART I LISZT'S RELIGIOUS DEVELOPMENT AND HIS POSITION IN 19TH-CENTURY CHURCH MUSIC REFORM / Chapter Chapter 1 --- Liszt's religious development --- p.5 / The influence of Adam Liszt / The first religious outburst / The influence of the Saint-Simonians / The influence of the Abbe de Lammenais / The influence of Princess Wittgenstein / The Abbe Liszt / Chapter Chapter 2 --- Liszt's position in 19th-century church music reform --- p.13 / The Cecilian Movement / Liszt's ideal of church music / Liszt's sacred choral works / The evolution of Liszt's church music reform / The reception of Liszt's sacred choral works / "PART II LISZT'S VIA CRUCIS: COMPOSITIONAL BACKGROUND, RECEPTION AND TEXT" / Chapter Chapter 3 --- The compositional background and reception of Via Crucis --- p.26 / Liszt's late years / Date and place of composition / The influence of artworks on the composition / The reception of Via Crucis / Chapter Chapter 4 --- The text of Via Crucis --- p.32 / Biblical excerpts / Verses from Latin hymns / The German chorales / The text of Via Crucis as compared with traditional Passions / PART III UNITY AND CONTRAST IN VIA CRUCIS / Chapter Chapter 5 --- Thematic design in Via Crucis --- p.42 / Thematic cross-reference / The Cross motif / Jesus' theme / Veronica's theme / Large-scale repetition / The Prelude and Station XIV / The theme of the procession / Stations III, VII and IX / Stations IV and XIII / Chapter Chapter 6 --- Harmonic design in Via Crucis --- p.54 / The structural importance of the tritone / Station V / Station XI / The six monologues / The broad layout / The emphasis on the use of symmetric structures / Station II / Station IV / Station VIII / Station X / Station XII / Chapter Chapter 7 --- Stylistic contrast in Via Crucis --- p.67 / The adoption of Palestrina style / Texture / Rhythmic design / Melodic design / Harmonic design / Text setting / The adopt ion of Bach chorale style / O Haupt voll Blut und Wunden / O Traurigkeit / The coexistence of German chorales and Latin hymns / CONCLUSION --- p.78 / EXAMPLES --- p.80 / BIBLIOGRAPHY --- p.123

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