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Using a biosocial model of personality in the prediction of work-related criteria /Vizcarra, Cristina. January 2004 (has links) (PDF)
Thesis (M.Psych.Org.) - University of Queensland, [2004] / Includes bibliography.
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Characteristics of principals who influence Black student achievement /Trotter, Walter M. January 2007 (has links)
Thesis (Ed. D.)--University of Washington, 2007. / Vita. Includes bibliographical references (leaves 141-149).
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Complicating articulation in narrative film : tracing the relationship between inarticulate form and characterMorrison, Benedict January 2016 (has links)
This thesis explores the relationship between film form and character expression, both of which are seen as articulated structures, that is utterances in which separable parts operate cooperatively to create meaning. The specific films examined present characters who struggle to express themselves. These inexpressive characters are combined in each case with a disrupted form which displays its own many-jointed structure. The thesis argues that the dynamic relationship between inarticulacies of character, narrative, and form generates an indeterminate dialectic. The unresolved relationship between parts and whole (reminiscent of a complex mosaic structure) complicates the process of reading for univocal meaning. The operation of this dual inarticulacy is discussed in Chapter One. Each subsequent chapter is devoted to a single film and a particular example of formal disjuncture: contrapuntal narrative levels, clashing styles, discontinuous editing, bricolage, the dislocation of genre signifiers from conventional meanings, and intermedia. The films discussed at length in connection with these theories are: 'Journal d'un curé de campagne' (1951); 'Germania anno zero' (1948); 'Belle de Jour' (1967); 'Distant Voices, Still Lives' (1988) and 'The Long Day Closes' (1992); 'Meek's Cutoff' (2010); 'The Pillow Book' (1996).
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The development of the scamp figure in English children's fiction, 1839-1901 /MacNeill, Constance Kate. January 1984 (has links)
No description available.
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La caricature littéraire (1830-1870) : l'example de Balzac et de HugoDubaux, Liliane January 1988 (has links)
No description available.
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Analyse agentielle comparée de deux romans : Rob Roy de Sir Walter Scott et Illusions perdues d'Honoré de BalzacZeghar, Dalila January 1984 (has links)
No description available.
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Bodysnatching in Contemporary Anglophone Drama, 1996-2022Gilovich-Wave, Ilana January 2023 (has links)
In this dissertation, I explore the ways in which contemporary theatre stages possibilities and crises of embodiment. In order to penetrate the complex relationships between character, performer, text, and production, I coin a critical term: theatrical bodysnatching. This term refers to a dissonance or power struggle made manifest in performance, in which a performer’s body seems to resist the character it inhabits in ways that enhance, rather than detract from, the thematics of a theatrical production.
In order to demonstrate the power of theatrical bodysnatching, I analyze playtexts, theatrical performances, reviews, and performer interviews. I argue that theatre is a medium optimally suited for staging sociopolitical dialogue because it models a kind of self-reflexive critique, in which performing bodies both embrace and resist the demands of the playtext. As a result, theatre creates a provocatively charged experience for spectators and performers, in which both parties are thematically implicated in the aims and preoccupations of a given play. Just as the performer’s body does not dissolve but instead accomplishes the crucial work of ideological exposure, the audience also becomes a marked, integrated presence and source of commentary in these bodysnatching plays.
In this dissertation, I harness a particular selection of Anglophone drama from the late 20th to early 21st century in order to demonstrate how the often uncanny, subversive nature of live performance allows for radical reconsiderations of embodiment. By examining the ways in which these strangely iterated characters— and the performers who portray them— unfold onstage, theatrical bodysnatching poses urgent questions of exploitation, agency, and resistance.
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Disempowered women? :Reid, Zofia Tatiana. January 2001 (has links)
Thesis (M.A.)--University of South Africa, 2001.
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The depiction of women characters in selected Venda novelsMawela, Agnes 11 1900 (has links)
This study is a comparison of female characters portrayed by different authors in selected
Venda novels.
Chapter One comprises the aim of the study, approach, life history of authors, comments on
their work, a short summary of the selected novels, cultural fulfilment of a Venda woman, and
the scope and composition of chapters.
Chapter Two deals with characterization. The definition and methods of characterization are
discussed in this chapter. The merits and demerits of various methods of character portrayal
are also examined in some detail.
Chapter Three discusses the different female characters portrayed in the selected novels.
Chapter Four comprises a comparison of female characters in the selected novels.
Chapter Five is the general conclusion to this study / African Languages / M.A. (African languages)
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Animaux et paysages dans la description des personnages romanesques (1800-1845)Schnack, Arne. January 1979 (has links)
Thesis--Copenhagen. / Summary in Danish. Includes bibliographical references (p. 199-206).
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