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On découvre en Maeterlinck deux hommes: le poète et le naturaliste: le poète avec sa délicatesse et sa sensibilité, et le paysan flamand d`une constitution lourde et carrée. Maurice Maeterlinck naquit en 1862 dans la villa familiale d‘Oostacker, près de Gand. Le paysage belge lui fournit la scène pour Les Sept Princesses: une terre noire de marais, avec des chênes et des saules, des châteaux sombres sur des voûtes, et des canaux sinueux où flottent des cygnes. Le milieu mélancolique de Gand l’inclinait vers le fatalisme de ses premiers ouvrages. Il cherchait toujours la solitude; il aimait beaucoup le silence. Même les sports qu’il choisissait le menèrent d`être seu1: en été, il faisait de longues promenades en barque sur les sombres canaux, il fuyait en bicyclette au bord des grandes prairies solitaires; en hiver, il patinait. Il resta paysan toute sa vie. Il reçut son éducation au Collège des Jésuites aux bords de la Lys. Il détestait les Jésuites; leur enseignement religieux terrifiait son imagination de petit garçon sensible. La peur de l’enfer, qu’ils lui enseignaient laissa indélébile une marque sur sa vie, et sur son être. “On ne devrait pas avoir le droit,” disait-il, “de déformer ainsi de futurs hommes.” (l) Pour faire plaisir à ses parents, il devint avocat, mais son inaptitude à la profession juridique était bien apparente. Après son dernier procès: “C’est fini, je ne plaiderai plus [...]

Interactions between individuals can range from peaceful cooperation, through mediated contest, to escalated conflict. Understanding such diversity of interactions between individuals requires an understanding of the costs and benefits involved with these behaviours, and the influence of relatedness between interacting individuals. Species in the parasitoid wasp genus Melittobia display social behaviours at both extremes of this spectrum, from the potentially cooperative traits of the ratio of male to female offspring that they produce, and the dispersal of females to new habitats, to the extreme conflict of violent contests between males. In this thesis, I examine a number of aspects of social evolution in Melittobia. First, I consider the pattern of sex allocation – the division of resources between male and female offspring - where local mate competition theory predicts that females will adjust their offspring sex ratio (proportion of males) conditionally, with females laying increasingly female biased sex ratios as the number of other females laying eggs on the same patch increases. In Chapter 2, I show that M. acasta females always lay an extremely female biased sex ratio, and that this may be explained in part by the fact that male Melittobia engage in violent lethal combat in competition for mates. Early emerging males have a competitive advantage and thus there is a limited advantage for later laying females to produce a less female biased sex ratio. However, I also demonstrate that the advantage of early emergence can be reduced when we consider male body size, which is linked to fighting ability, suggesting that the occurrence of this extreme conflict does not fully explain the unusual pattern of sex allocation in Mellitobia. In Chapter 3, I examine whether the level of dispersal varies in response to the extent of local competition for resources, and the relatedness between competitors. I use the species M. australica, which readily produces two distinct female dispersing morphs, to show that the production of dispersing females increases with the competition for resources. I consider the parallels between the evolution of dispersal and of sex ratio. In Chapter 4, I examine male fighting in more detail and explore theory that predicts that when extreme conflict does evolve, the incidence of fighting varies with resource value, number of competitors, and the level of relatedness between males. I show that mating opportunities are sufficiently valuable that male Melittobia will always engage in fighting irrespective of relatedness, that there is no evidence of opponent assessment prior to fighting, and that the intensity of fights increases with the number of competitors. This thesis highlights the importance of considering combinations of social traits and the interactions between them, to understand the evolution of social characters.

In this study I analyse the role of the heroine in the work of four New Zealand writers, Katherine Mansfield, Robin Hyde, Janet Frame and Keri Hulme, starting from the assumption that such a role is influenced by the notion of the fall and by the perception of the vertigo entailed in it. In order to prove this I turn to the texts of four New Zealand writers dedicating one chapter to each. In the first chapter a few of Katherine Mansfield's short stories are analysed from the vantage point of the fall, investigated both in the construction of the character's subjectivity and in the construction of the narration. In the second chapter a link is established between Katherine Mansfield and Robin Hyde. A particular emphasis is put on the notion of subjectivity in relationship developed by the two writers, highlighting the link between this kind of subjectivity and the notion of the fall. In the third chapter the focus is subsequently shifted to Robin Hyde's work, in particular one of her novels, Wednesday's Children, which is read in the context of Mikhail Bakhtin's theory of the carnivalistic. In the fourth chapter the notion of the fall is analysed in the fiction of Janet Frame, which is related to the treatment of the notion of the fall present in Keri Hulme's The Bone People. The fifth chapter is dedicated to the analysis of The Bone People as in the novel the notion of the fall and the vertigo perception find their fullest expression, whilst in the sixth chapter a significant parallel is drawn between Janet Frame's Scented Gardens for the Blind and Keri Hulme's The Bone People and links are established with their predecessors. Finally in the seventh chapter the critical perspective is broadened to comprise those common elements in the writing of Katherine Mansfield, Robin Hyde, Janet Frame and Keri Hulme that have been neglected by focusing uniquely on the notion of the fall, and thus to contribute to a more complete overall picture of the comparison presented in this study.

If G is a finite real group and P is an element of Syl(2)(G), then P/P' is elementary abelian. This confirms a conjecture of Roderick Gow. In fact, we prove a much stronger result that implies Gow's conjecture. (C) 2016 Elsevier Inc. All rights reserved.

This thesis describes the "shifting center-of-consciousness" literary technique and then presents a fictional work written by the author using that technique.

The purpose of this pilot study was to examine the characters portrayed on "prime-time" television drama in an attempt to determine how they compared, with the distribution represented in U. S. Census Bureau data for sex, marital status and occupational status. In pursuing this objective, it was also concerned with the development of a method of content analysis that would not require use of a videotape recorder.

The present study will discuss J. D. Salinger's alienated misfits in direct relation to the psychology of the gifted, creative individual. By analyzing Seymour, Holden and Franny as representatives of a specific intellectual type, this study will provide the reader with a fresh insight into J. D. Salinger's fictional world.

The purpose of this investigation is to characterize the dramatic characters of Federico García Lorca as realists or idealists. Lorca wrote a total of fifteen plays, and the majority of them are considered in this study. Additional source materials include the works of such critics as J. Alberich, María Teresa Babín, Alfredo de la Guardia, and Francisco Umbral.

Earl suffers from a guilty obsession with a monster catfish. Eddie Klomp searches dog tracks for the ghosts of his lost childhood. Mike Towns is a hopeless blues musician who loses everything he cares for. Blair Evans learns to love a pesky wart. Americana becomes confused with the difference between knowledge and sex. Do Not Eat Fish from These Waters And Other Stories is a collection of short stories that explores the strange and often defeated lives of these Southern characters (and one from the point-of-view of a feral hog). Each man, woman, and hog flails through a period of potential metamorphosis trying to find some sort of meaning and worth in the past, present and future. Not all of these characters succeed.