Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-11-01T21:02:10Z No. of bitstreams: 1 MauricioDaSilvaOliveiraJunior_DISSERT.pdf: 9223001 bytes, checksum: 7309eb0efda3da685c99c0bc2d037ee8 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-11-06T23:14:22Z (GMT) No. of bitstreams: 1 MauricioDaSilvaOliveiraJunior_DISSERT.pdf: 9223001 bytes, checksum: 7309eb0efda3da685c99c0bc2d037ee8 (MD5) / Made available in DSpace on 2017-11-06T23:14:22Z (GMT). No. of bitstreams: 1 MauricioDaSilvaOliveiraJunior_DISSERT.pdf: 9223001 bytes, checksum: 7309eb0efda3da685c99c0bc2d037ee8 (MD5) Previous issue date: 2017-09-06 / A charge ? um g?nero discursivo que circula em variados ve?culos de not?cia e, atualmente, difundido tamb?m em in?meros outros meios de comunica??o. Esse g?nero discursivo permite uma maior visibilidade da opini?o do autor, isto ?, o "autor falante" produz o conte?do tem?tico carregando-o ideol?gico e axiologicamente. A produ??o de tais enunciados concretos (charges) ? voltada para um ouvinte/leitor que tamb?m ? hist?rico e tamb?m est? situado em um ambiente social, fazendo com que esse direcionamento seja responsivo ao leitor, ? situa??o e aos fatos. Para esta pesquisa, tomamos como referencial te?rico as concep??es advindas do C?rculo de Bakhtin no que concerne ?s rela??es dial?gicas, ? heterodiscursividade, a posicionamento e a embates dial?gicos. Para compreender o riso charg?stico, apoiamos nossas reflex?es em Bergson, Propp e Bakhtin. Dada a especificidade do g?nero discursivo charge, buscamos ancorar nossas incurs?es no trabalho de Ivan Cabral, Ramos, Eisner e McCloud. O corpus desta pesquisa s?o as charges produzidas pelo chargista potiguar Ivan Cabral durante o per?odo do processo de impeachment da ex-presidente Dilma Rousseff, que ocorreu entre 02 de dezembro de 2015 e 13 de maio de 2016. A pesquisa se insere na ?rea da Lingu?stica Aplicada mesti?a, fronteiri?a e indisciplinar cujo objetivo ? construir inteligibilidade sobre as pr?ticas discursivas, considerando, para tanto, os sujeitos, as esferas de atividade e a historicidade das intera??es humanas. A investiga??o analisa os dados constru?dos a partir da vertente qualitativointerpretativista e o m?todo indici?rio de Ginzburg, que se volta para os ind?cios, os sinais que denunciam sentidos e posicionamentos. Os resultados permitem concluir que a charge, enquanto enunciado concreto, suscita responsividade que permite dar visibilidade aos embates dial?gicos entre sujeitos situados e posicionados, confirmando que na intera??o os sujeitos ocupam lugares e posi??es a partir de sua vis?o de mundo e de um conjunto de valores. / The cartoon is a discursive genre that circulates in varied news vehicles and, currently, also diffused in numerous other means of communication. This discursive genre allows a greater visibility of the author's opinion, that is, the "talking author" produces the thematic content carrying it ideologically and axiologically. The production of such concrete utterances (cartoons) is directed towards a listener / reader who is also historical and is also situated in a social environment, making this direction responsive to the reader, the situation and the facts. For this research, we take as theoretical reference the concepts coming from the Circle of Bakhtin in what concerns to dialogic relations, heterodiscursivity, positioning and dialogic clashes. To understand the laughter from the cartoon, we support our reflections in Bergson, Propp and Bakhtin. Given the specificity of the discursive cartoon genre, we sought to anchor our forays into the work of Ivan Cabral, Ramos, Eisner and McCloud. The corpus of this research are the cartoons produced by the potiguar cartoonist Ivan Cabral during the impeachment process of former president Dilma Rousseff, which occurred between December 2, 2015 and May 13, 2016. The research is part of the mestiza, frontier and indisciplinary Applied Linguistics whose objective is to build intelligibility on discursive practices, considering, for that, the subjects, the spheres of activity and the historicity of human interactions. The research analyzes the data constructed from the qualitative-interpretative perspective and the Ginzburg indicationary method, which turns to the signs, the signs that denounce meanings and positions. The results allow us to conclude that the charge, as a concrete statement, elicits responsiveness that allows to give visibility to the dialogic clashes between subjects situated and positioned, confirming that in the interaction subjects occupy places and positions from their world view and a set of values.