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Chinese Painting in 3D: An Artistic Study of the Use of the Traditional Chinese Painting Aesthetic in Three-Dimensional Computer GraphicsStrickland, Stephanie Ann 2010 December 1900 (has links)
This thesis presents a study of both traditional Chinese painting and threedimensional
(3D) digital non-photorealistic shading techniques, the results of which are used
to create a short animation illustrating an environment that maintains the aesthetic of a
Chinese painting while exploring a two-dimensional art style in a new way through camera
movement and parallax.
Traditional Chinese painting uses alternative methods to communicate depth, such as
value range, water-to-ink ratio and vertical placement of objects. In contrast, perspective and
parallax are native characteristics of 3D digital technology and are easily generated using a
virtual camera. When combining these two mediums to inject linear perspective into the
Chinese painting style, it is equally important to maintain the integrity of the aesthetic by
adhering to the stylistic and compositional rules throughout the animation. As a result, the
final project may be paused at many key frames and appear to follow these rules closely.
This study also describes the methodology of translating the Chinese painting
aesthetic into a 3D digital medium, which can also be used in the interpretation of other
traditional art styles.
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Painting in Yang-chou, 1710-1765 eccentricity or the literati tradition? /Weinstein, Vicki Frances, January 1972 (has links)
Thesis (Ph. D)--Cornell University, 1972. / Vol. 2 (Appendix) consists chiefly of leaves of plates. Includes vita. Typescript. Includes bibliographical references (v. 1, leaves 312-330). Also issued in print.
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Painting in Yang-chou, 1710-1765 eccentricity or the literati tradition? /Weinstein, Vicki Frances, January 1972 (has links)
Thesis (Ph. D)--Cornell University, 1972. / Vol. 2 (Appendix) consists chiefly of leaves of plates. Includes vita. Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (v. 1, leaves 312-330).
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The influences of the Sung academy of painting on Chinese painting Song dai han lin tu hua yuan dui Zhongguo hui hua de ying xiang /Deng, Weixiong, January 1985 (has links)
Thesis (M.A.)--University of Hong Kong, 1986. / Also available in print.
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Realist agency in the art field of twentieth-century China : realism in the art and writing of Xu Beihong (1895-1953)Wang, Shu-Chin January 2009 (has links)
No description available.
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The Sources of Chinese PaintingWu, Po-Ying January 1966 (has links)
No description available.
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Anige (1245-1306) : a Nepali artist at the Yuan court /Jing, Anning, January 1989 (has links)
Thesis (M.A.)--Ohio State University, 1989. / Includes vita. Includes bibliographical references (leaves 57-58). Available online via OhioLINK's ETD Center.
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Qing chao Taiwan hui hua zhi yan jiuLin, Boting. January 1900 (has links)
Thesis (M.A.)--Zhongguo wen hua xue yuan. / Reproduced from typescript. eContent provider-neutral record in process. Description based on print version record. Bibliography: leaves 105-109.
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Flaring brush and ink : Chinese calligraphy and painting centre /Wong, Shan, Elaine. January 2002 (has links)
Thesis (M. Arch.)--University of Hong Kong, 2002. / Includes special study report entitled: Cultural background of Chinese calligraphy. Includes bibliographical references.
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Qing chao Taiwan hui hua zhi yan jiuLin, Boting. January 1900 (has links)
Thesis (M.A.)--Zhongguo wen hua xue yuan. / Reproduced from typescript. Bibliography: leaves 105-109. Also issued in print.
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