published_or_final_version / Chinese / Doctoral / Doctor of Philosophy

published_or_final_version / Chinese / Master / Master of Arts

published_or_final_version / abstract / Chinese / Doctoral / Doctor of Philosophy

In the history of Chinese literature, poetry is undoubtedly the most significant genre that could represent the Tang Dynasty. There were many great poets including Li Bai and Du Fu who wrote regarding a rich variety of topics. This thesis attempts to study the research works of Ganyu Poetry in the perspective of the literature history and aesthetic conception. It is hoped that this dissertation can give readers a clear understanding of Ganyu Poetry in the Tang Dynasty. Through studying the themes and aesthetic features and of Ganyu Poetry, we could discuss this kind of poetry written in different centuries. As the basis of this study is the "Quantangshi", the content and the aesthetic features of Tang Ganyu Poetry will be discussed. "Quantangshi", is a collection of the primary source of Tang poetry published in the Qing Dynasty, that was amended by different scholars. The 74 poems with the theme of Ganyu Poetry from Tang Ganyu Poetry will be studied. There are five chapters in this thesis, preceded by an introduction. Chapter one deals with the introduction of the structure of this thesis, the literature review, the research methods and the significance of the research. Chapter two explains the definition of Ganyu Poetry based on the literature review and previous research conducted by other scholars in order to define the meaning of Ganyu in this thesis and design the scope of study. Chapter three discusses the development of Ganyu Poetry in the early Tang, mid Tang and late Tang periods. Chapter four makes an analysis of the aesthetic features of in Tang Dynasty in order to give us a thorough understanding on Ganyu Poetry. Chapter five, the concluding chapter, summarizes the arguments stated in this thesis. 一代有一代之文學，最能代表唐代的文學是詩歌，詩人輩出，如李白、杜甫；詩派紛繁，題材多變。唐代感遇詩是十分重要的唐詩類別，不少作家均曾創作感遇詩，如陳子昂和張九齡。本論文選擇研究唐代感遇詩這個題目，以整體的文學史視野來研究唐代感遇詩的論著，運用美學觀念分析的研究。本文也希望能藉今次研究，加深我們對唐代感遇詩的認識，並且能對「感遇」這種文學的主題類型和美學特質加深理解，恊助我們討論不同時代的「感遇類」詩詞作品。 本論文將以《全唐詩》作為研究基礎，研究唐代感遇詩的內容和美學特徵。《全唐詩》是清代的唐詩總集，後經不同的學者修正，收錄第一手紥實的唐詩材料，作為研究的根據。本人搜尋《全唐詩》中以「感遇」為題的詩歌作為研究對象，共有74首詩，全文分為五個章節，第一章是導論，介紹全文的架構、研究回顧、研究方法和研究重要。第二章對「感遇詩」作出定義，爬疏文獻資料和前人學者的研究，說明本文對「感遇」的理解，劃出一個研究範圍。第三章會探討「感遇詩」在初唐、盛唐、中唐和晚唐發展情況，勾勒唐代感遇詩的發展概況。第四章以美觀念切入，探討唐代感遇詩的美學特質，配合第三章的主題分析，讓我們更全面認識唐代感遇詩。最後，第五章是結論，總結全文的論點。 / published_or_final_version / Chinese Language and Literature / Master / Master of Arts

published_or_final_version / abstract / toc / Chinese / Master / Master of Philosophy

published_or_final_version / Chinese / Master / Master of Philosophy

published_or_final_version / Chinese / Doctoral / Doctor of Philosophy

published_or_final_version / Chinese / Master / Master of Philosophy

published_or_final_version / Chinese / Master / Master of Philosophy

本論文題為「天子腳下:初唐詩人筆下的長安」，以三個方面展開論述。初唐由於詩歌存留較少，且多被視為酒宴歌席的應制詩。然而筆者嘗試從幾個前人從未剖析的角度切入，嘗試理解初唐詩歌中蘊涵的幾層意涵。 / 第一個方面將觀察初唐君臣在建國之際，初盛唐交界處，君主與臣子在詩文中展現的憂患，面對過去的歷史抑或當下的建設充滿不安。筆者進而發現，從漢魏六朝開始，揚雄的歷史形象不斷出現，作為讀書人在不得志的時代的精神典範，其閉門讀書而著述有成的態度為後世所推崇，並在詩文中展現。過往我們對於讀書人與長安相互關係的討論較為單一化，多從追名逐利或建功立業的角度看待他們奔往長安的意圖，較少關注他們對於長安在轉變過程中的批評。 / 筆者將從公共風景區與建築思想探討詩人足跡下的筆墨之跡。此處主要論述集中在筆者採集所得最多、最有意義的地點昆明池、樂遊原、曲江為考察對象，試圖找出記憶與地方之間的關係。昆明池，集合了詩人們對於神話的集體記憶。樂遊原上的酒宴歌席，成了中晚唐詩人懷念大唐繁盛的記憶。而曲江，更成了詩人們遊賞之地，為後來者一再詠懷。 / 筆者嘗試從廟宇與宮殿觀察初唐人蘊含在詩歌中的建築思想。一棟又一棟的建築，是天子腳下的宮殿又或神聖的神殿，詩人們透過自身對於建築的吟詠，描寫了建築的細緻雕刻，隱約間也透露集體對於建築的想像及寄託。筆者將從大量的詩歌中歸納其中特質。 / 本論文試圖從前人豐碩的唐代長安研究中，尋找一些被忽略的思想特質，並以此補充一般觀念上缺失忽略的，讀書人與長安的關係。 / The paper entitled "Under emperor’s feet: Chang An as Described by Poets of Early Tang Dynasty" will discuss the topic from three aspects. There are only very few early Tang poetry remained and they are mostly considered as banquet poetry. I will try to analyze them from several unprecedented angles and try to understand multiple implied meanings in the early Tang Poetry. / The first aspect is from the sense of urgency as the starting point. By observing how the founding members of the Early Tang Dynasty expressing their worries, especially during the transition to the great era, we can see their anxieties when dealing with the past and also the development at that point of time. It then found that, from the beginning of the Six Dynasties, Yang Xiong’s historical image kept emerging as the scholars’ spiritual model during unsuccessful times. His focusing on reading and writing successfully won the respect of the future generations, and is demonstrated in poems. In the past, we tend to view the relationship between scholars and Chang An towards chasing the fame and making contributions, and less focus on their critics towards Chang An in the process of transition. / In addition, I will discuss the poets’ writings as influenced by the public sceneries and architectural ideas. The third chapter discusses my most concentrated collection and significant place in Kunming pool, Le Youyuan, Qujiang as the studies subject, trying to figure out the relationship between memory and place. Kunming pool, a collection of poets to the myth of collective memory. Le Youyuan banquet song on the late Tang became nostalgic memories of prosperous Tang. The Qujiang, became poets touring place and was remembered by future generations. / Finally, I try to observe from the architectural perspective of the temples and palaces, and see the architectural thinking embedded in poets’ writings. Buildings after buildings are under the emperor’s foot and these buildings consist of palaces and temples. Poets described the buildings in their own chants, and describing the meticulous carving of the buildings. This vaguely revealed the collective imagination and sustenance towards the buildings. I will summarized the characteristics from the huge amounts of poems. / This dissertation attempts to find out some missing overlooked ideological character, about the relation between Tang’s poets and the Chang’an. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 高坤翠. / Parallel title from added title page. / Thesis (Ph.D.) Chinese University of Hong Kong, 2016. / Includes bibliographical references (leaves 159-172). / Abstracts also in Chinese. / Gao Kuncui.