Resumé of the author's thesis of the same title presented at the Universidad Complutense, 1976. / "Edición no venal de 300 ejemplares ..." Includes bibliographical references.

Resumé of the author's thesis of the same title presented at the Universidad Complutense, 1976. / "Edición no venal de 300 ejemplares ..." Includes bibliographical references.

published_or_final_version / Chinese / Master / Master of Philosophy

Thesis (Ph. D.)--Brown University. / Includes bibliographical references.

Thesis (Ph. D.)--University of North Carolina at Greensboro, 2006. / Title from PDF title page screen. Advisor: Rober L. Kelly; submitted to the Dept. of English. Includes bibliographical references (p. 161-172).

No description available.

This thesis analyzes Sir Arthur Conan Doyle's contribution to the revival of chivalric ideals in late Victorian England. The primary sources of this study are Doyle's historical novels and the secondary sources address the different aspects of the revival of the chivalric ideals. The first two chapters introduce Doyle's historical novels, and the final four chapters define the revival, the class and gender issues surrounding the revival, and the illustration of these in Doyle's novels. The conclusion of the thesis asserts that Doyle supported the revival of chivalric ideals, and the revival attempted to maintain, in the late nineteenth century, the traditional class and gender structure of the Middle Ages.

Early American writer Hugh Henry Brackenridge conceived and developed a code of modern chivalry in his writings that culminated in the long prose satire Modern Chivalry. He first introduced his code in the poem "The Modern Chevalier," in which a modern knight is shown traveling about the country in an attempt to understand and correct the political absurdities of the people. In Modern Chivalry, this code is developed in the three major themes of rationalism, morality, and moderation and the related concern that man recognize his proper place in society. Satire is Brackenridge's weapon as well as the primary aesthetic virtue of his novel. The metaphor of modern chivalry serves to tie the various elements of the rambling book into a unified whole.

This thesis offers an assessment of late medieval public response to the crusades through an investigation of emotional rhetoric in the Middle English crusading romances. It argues that the prevailing climate after the fall of Acre in 1291 and the evacuation of the last Christian strongholds in the Levant was characterized by a mixture of enduring enthusiasm and fascination, but also of concern, anxiety, and self-questioning, engendered by the enterprise's failures. The loss of the Holy Land had enduring repercussions on Christian crusading mindsets, marking a culminating point in Islam's seemingly relentless victories in wars believed to be ordained by God, and the collapse of Christendom's ambitions to secure lasting dominion over Christ's patrimony. The late thirteenth century was also a turning point in the history of insular romance, with the progressive displacement of Anglo Norman by Middle English, expanding the genre's audience. Reworking the emotional depictions of their sources, authors or adaptors of late medieval English crusading romances engaged with, and elicited reflection on, the cultural anxieties of the time: man's relation to God, the workings of divine providence, Christianity's ascendency over Islam, human agency, the connection between morality and fortune, the bearing of motives on actions, and the moral limitations of violence.