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41	Papel da improvisação nos processos de criação e interpretação coreográfica-caracterização de casos de três coreógrafos da nova dança portuguesa Figueira, Ana Maria da Silva e Sousa Reis January 1999 (has links) No description available.
42	Estudo psicológico do simbolismo na dança teatral-análise dos bailados portugueses Verde-Gaio (1940-1950) Roubaud, Maria Luísa, 1958- January 1991 (has links) No description available.
43	Elementos para uma reflexão antropológica sobre a dança Martins, Maria José Fazenda January 1991 (has links) No description available.
44	Dança inclusiva em contexto artístico-análise e duas companhias Barral, José Henrique Amoedo January 2002 (has links) No description available.
45	Dança e psicoterapia-levantamento e análise da situação da dançoterapia em Portugal Castro, Andreia Miguel Rio Monteiro e January 2003 (has links) No description available.
46	How do Flemish subsidized theatres use marketing to contribute to the reinforcement of the relation between the dance world and society Claeys, Barbara Marie André January 2002 (has links) No description available.
47	B.O.D.I.E.S: Implementing Somatic Principles into My Choreographic Process January 2011 (has links) abstract: The purpose of my creative research was to analyze my choreographic process and answer the research question: how will implementing somatic principles impact my choreographic process? In determining the impact I analyzed the use of choreographic approaches that bring proprioceptive awareness to interdisciplinary somatic themes of bodily systems, sensing, connectivity, initiation and sequencing. These somatic themes were utilized in movement invention and exploration as well as the structuring and performance of my choreography. Additionally, the research involved clarifying my role as a choreographer and my relationship to the dancers in my work. My creative research occurred in three choreographic phases and resulted in the production of B.O.D.I.E.S performed in three consecutive sections titled Discovery, Exploration, and Identity November 5-7, 2010. B.O.D.I.E.S demonstrates how somatics will lead to greater movement possibilities and dynamic range to explore in the craft of dance making. / Dissertation/Thesis / M.F.A. Dance 2011 Dance Choreographic Choreography Somatics
48	Boosting My Creative Process in Choreography: Analyzing Related Work, Integrating Methods of Select Master Choreographers, Creating a Dance Smith, Darion 06 September 2018 (has links) During a ten week period at the University of Oregon I created a sociopolitically based dance work, The Big Red Button. I researched theories about creativity. I researched a selection of master choreographers in order to integrate their methods of creation with my own. Finally, I created a dance piece with students from the University of Oregon which was shared with the public in a live performance. In this document I discuss this exploration into my creative process in dance with the intention of understanding more about it, expending upon what I already posses as a choreographer, and attempting to find out if the creative process can be enriched, resulting in new methods, new products, and new perspectives on creating a dance work. Creative Process in Choreography
49	Understandings about dance : An analysis of student writings with pedagogical implications / Feck, M. Candace. January 2002 (has links) No description available. Education Dance criticism Choreography
50	Sensitivity to choreographic styles in dance as related to age, experience, and cognitive differences / Goodrick, Terry Suzanne January 1986 (has links) No description available. Psychology Choreography Dance

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