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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
161

Using creative arts to enhance Sunday morning services in Latin America a pilot course given to Hispanic churches in the metro Atlanta area /

Martinez, Evelyn R. January 1900 (has links)
Thesis (D.W.S.)--Institute for Worship Studies, 2005. / Abstract. Includes bibliographical references (leaves 168-184).
162

The capitals of St. Lazare at Autun their relationship to the Last Judgment Portal /

Setlak-Garrison, Hélène Sylvie, January 1900 (has links)
Thesis (Ph. D.)--University of California, Los Angeles, 1984. / Includes bibliographical references (p. 171-183).
163

Visual metaphors of creation and redemption in the Assisi frescoes the art of Michelangelo and Vincent van Gogh : their implications for a post-modern aesthetic /

Farrell, Lindsay Thomas. January 1993 (has links)
Thesis (M.C.S.)--Regent College, Vancouver, B.C., 1993. / Includes abstract and vita. Includes bibliographical references (leaves 104-112).
164

Statuary at the Evangelical Lutheran Church of the Holy Trinity in Lancaster, Pennsylvania Matthew, Mark, Luke, John, and a community with a mission /

Wood, Mary Catherine Lee. January 2007 (has links)
Thesis (M.A.)--University of Delaware, 2007. / Principal faculty advisors: Wendy Bellion and Bernard L. Herman, Dept. of Art History. Includes bibliographical references.
165

Glasmalereien der Protestantischen Landeskirche der Pfalz : leuchtende Botschaft christlichen Glaubens im Kontext ihrer Zeit /

Sommer, Anke Elisabeth. January 2007 (has links)
Thesis (doctoral--Technische Universität Karlsruhe, 2006). / Includes bibliographical references (p. 324-329) and indexes.
166

"Such old monuments of superstition and idolatry" : the enigmatic appeal of religious imagery in iconophobic seventeenth century England

Warrington, Seanine Marie 15 August 2008 (has links)
The popularity of religious art in late seventeenth century Protestant England stands in apparent contradiction to the profound anti-Catholic sentiment that many current scholars argue characterizes the period. A close analysis of London auction catalogs from 1690 reveals that a significant number of all pictures listed for sale featured typically Catholic subject matter. Consulting both seventeenth century literature and current scholarship provides a rationale for this apparent contradiction. Factional conflict within Protestantism itself was often focused on the issue of religious imagery. Accordingly, it functioned as a means of articulating religious difference. While the radical Puritan mission may have involved abolishing all English "monuments of superstition," Anglicanism held biblical and hagiographic imagery to be an essential aspect of Christian worship. This thesis argues that Anglicans embraced religious imagery as a means of rejecting the Puritan cause and, in doing so, forged a unique Anglican identity.
167

Image and liturgy the history and meaning of the Epitaphion /

Penkrat, Tatiana. January 2008 (has links)
Thesis (M. Div.)--St. Vladimir's Orthodox Theological Seminary, 2008. / Abstract. Includes bibliographical references.
168

Mission and the visual expression of the gospel in the sculpture of Jackson Hlungwani

Hayashida, Sandra Lynne 11 1900 (has links)
Text in English / Christian Spirituality, Church History and Missiology / M. Th. (Missiology)
169

Iconographie de l'enfance de la Vierge à Byzance et en Occident en relation avec les récits apocryphes

Lafontaine, Jacqueline January 1961 (has links)
Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished
170

Christian divine, holy and saintly protection of African rulers in the Byzantine ‘Coptic’ iconographic tradition

Steyn, Raita 22 October 2014 (has links)
D.Litt. et Phil. (Greek) / This thesis deals with the Christian divine, holy and saintly protection of African rulers in the Afro-Byzantine ‘Coptic’ (mainly Nubian and Ethiopian) iconographic tradition. The term ‘icon’ is used in its Byzantine Orthodox meaning as “a theological art picture; a religious, sacred image”, according to the theological and artistic Byzantine prescriptions.1 The term is also applied to frescos, murals, mosaics, larger wooden panels, illustrations in manuscripts and scrolls and smaller items such as protective amulets and charms, depicting a Christian holy representation. The iconographic themes, representing authority and its preservation and protection will be discussed, analysed and examined, the two coefficients being authority and protection of royals and their deputies and officials (i.e. the ‘protected’) on the one hand, and on the other hand Christ, the Holy Virgin, angels, military and non-military saints, supernatural and holy beings (i.e. the ‘protectors’). Firstly, a historical overview of the Byzantine and Afro-Byzantine Orthodox society in terms of religious, social, cultural and political influences is presented and the importance of Orthodox iconography and hagiography and the transformation of local Afro-Byzantine themes are analysed. As such, once the conversion from paganism to Christianity took place in Africa, influences of the Byzantine iconography and hagiography were transformed and integrated with local African Orthodox themes. Byzantine ideology and political theory as well as their relevance for the Coptic-Egyptian, Nubian and Ethiopian context have been discussed, while the artistic and symbolic iconographic representations of the Byzantine (and Medieval Afro-Byzantine) periods...

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