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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 31 to 40 of 383 (0.032 seconds)Spelling suggestions: "subject:"church music"" "subject:"achurch music""
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Zur Pflege der katholischen Kirchenmusik in Württemberg von 1500-1650 mit besonderer Berücksichtigung der Institutionen ...Vleugels, Johannes, January 1928 (has links)
Inaugural-Dissertation--Tübingen. / Lebenslauf. "Quellen": p. (85-86). "Literatur": p. (87)-88.
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The revival of music in the worship of the Catholic Church in Scotland, 1789-1829Noden, Shelagh January 2014 (has links)
No description available.
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| 33 |
The changing theological concept of sacrifice, and its implications for the music of the English Church c.1500-1640Shepherd, J. H. January 1984 (has links)
No description available.
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| 34 |
The Latin church music of Samuel WesleyMarsh, Francis John January 1975 (has links)
No description available.
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| 35 |
Choralbearbeitung from Johann Walther to Dietrich Buxtehude: the treatment of Protestant chorale melodies in German vocal and organ music from 1524 to 1707Buker, Alden Putnam January 1953 (has links)
Thesis (Ph.D.)--Boston University / (1) Strict chorale motet-- after the Flemish tradition-- was cultivated predominately in the 16th century. The majority of the 123 settings in Rhaw's famous publication of 1544 (Newe Gesenge) were this type. On the other hand, vestiges of chorale motet remained throughout the 17th and 18th centuries, especially in connection with technics originating therefrom; namely, chorale fantasia and chorale fugue.
(2) Chorale harmonization, the fond technic of the Protestant Reformation, was already predominant in Johann Walther's Gesangbuch of 1524, the earliest source of Choralbearbeitungen. The compositions in this collection contained the chorale melody in the tenor. However, ca. 1570, harmonizations with the chorale melody in the soprano (as a stimulus to congregational singing) began to appear in considerable number also. The climax in Kantionalstil was reached in Lucas Osiander's 50 geistliche Lieder (1586), which were homophobic in the complete sense. [TRUNCATED]
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Working creatively with small church choirsMay, Deborah Christine January 2010 (has links)
Digitized by Kansas Correctional Industries
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| 37 |
A theoretical analysis of Black quartet gospel musicCobb, Charles, January 1974 (has links)
Thesis (M.M.)--University of Wisconsin--Madison, 1974. / Typescript. Title from title screen (viewed Feb. 20, 2007). Includes bibliographical references. Online version of the print original.
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| 38 |
Dynamics of ritual and ceremony at the metropolitan cathedral of Mexico, 1700-1750Ramos Kittrell, Jesús Alejandro, January 1900 (has links) (PDF)
Thesis (Ph. D.)--University of Texas at Austin, 2006. / Vita. Includes bibliographical references.
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| 39 |
Singing in the community of faith regaining the incarnational voice of the church /Arnold, Susan Joy. January 2008 (has links)
Thesis (M.A.)--Denver Seminary, 2008. / Includes bibliographical references (leaves 95-97).
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| 40 |
The polyphonic magnificat in Renaissance Spain : style and context /Sargent, Joseph Matthew. January 1900 (has links)
Thesis (Ph. D.)--Department of Music, Stanford University, 2009. / Includes bibliographical references (leaves 318-337).
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