Call number: LD2668 .T4 1963 J44 / Master of Science

This thesis examines the fiction of Neil Bartlett, Sarah Waters and Alan Hollinghurst, considering how they write missing voices of sexuality, gender and class back into history through re-imagining the city space. It examines the ways in which traditional, linear narratives and the notion of objectivity in historical discourse are challenged when history is presented through fiction.Waters, Bartlett and Hollinghurst are writing the past from the perspective of the late 20th and early 21st centuries, both employing and subverting traditional narrative genres. They all depict London as a symbolic, liminal space which allows for the voices of marginalized groups to flourish. Their London is a physical but also an imagined city, both grand and squalid, where the official boundaries between public and private space are often blurred.Through depicting their protagonists mapping their own ways around London, the authors all disrupt and destabilize traditional accounts of past events and city dwellers, foregrounding the imagination in the re-telling of history‘s excluded stories.

Not available / text

Digitized by Kansas State University Libraries

This dissertation examines the moralization and beautification campaigns of Mexico City's mayor Ernesto P. Uruchurtu. As head of the Department of the Federal District from 1952-1966, his policies encouraged more popular housing, improved infrastructure, better transportation, cleaner markets, and safer streets. Uruchurtu also aimed to crack down on vice and beautify the city. He believed that through beautification and moralization the city would become safer, healthier, and more livable for all residents. Significantly, he promoted the expansion and improvement of parks, gardens, recreational facilities, the repairing and building of fountains, and the planting of trees and flowers, especially gladiolas. Living with more green and athletic spaces, urban dwellers would have the opportunity to improve physically and spiritually, and would feel inspired to lead more moral lives. Residents could then collectively come together to take pride in their city and generate a stronger sense of civic culture. Consequently, a new generation of youth would grow up in a healthier urban environment and promote national prosperity.This dissertation explores these policies and analyzes the debates surrounding Oscar Lewis's anthropological work, The Children of Sanchez, to highlight anxieties about the effects of urbanization, modernization, and industrialization on the capital's inhabitants. Following the book's publication in 1964, hundreds of articles appeared in newspapers and magazines responding to its subject matter; the intimate details about life for one "typical" poor family living in a slum tenement in the city's center. The debates underscored the uneven benefits of Uruchurtu's policies and offered insights into contradictory depictions of Mexico City: the prospering center of industrialization and growth, and the hub of poverty and despair. Responses to the book expressed how many of the poor experienced economic and political changes during the 1950s and 1960s. The debates also offered details about the cultural and social implications of Uruchurtu's administrative policies and provided a unique opportunity for an open public exchange about life in the capital.

Not available / text

The word "vecindad" in Spanish means neighborhood, but the word is also used to describe a dwelling form. The vecindad is usually known as a row of one-room dwellings surrounding an open space or patio. This kind of dwelling form exists in most Latin American countries as well as in Spain, however the word "vecindad" is used exclusively in Mexico. This dwelling form existed in Spain under the name of "corrales" and it was brought to Mexico in the XVI century with the Conquest of 1521. Initially, vecindades were built as multi-family tenements to rent to low-income artisans or workers in Mexico. There are two kinds: the multi-storied ones which were built within the Traza, which was the first design of Mexico City by the Spaniards; and the one-storied buildings built in the Indian barrios located on the periphery of the Traza. / While each vecindad is different, they share the same elements such as the zahuan (entrance), the patio, the dwellings and the accesorias (commercial spaces). The number and dimensions of these elements vary depending on the characteristics of each vecindad. / From the XVI century until the early XX century, vecindades comprised the majority of the housing stock in Mexico City. In the 1940's, due to the ideas of Functionalism, vecindades ceased to be built and were relegated as an old and traditional dwelling form in the center of the city. / This thesis presents the origin, evolution and present condition of vecindades within the Traza of Mexico City. Their adaptability to fulfill social, cultural and political circumstances throughout the history of Mexico City reveals their importance as the city's main collective urban dwelling form.

No description available.

Esta disseração aborda a produção intelectual sobre o fenômeno favela, em especial aqueles autores que estudaram a manifestação do fenômeno na cidade de São Paulo. Analisa também os conceitos elaborados sobre a favela, destacando os limites e as inadequações destes conceitos face às mudanças que ocorreram nestes aglomerados ao longo do tempo. Neste sentido, elaboramos um panorama histórico ressaltando neste a evolução das favelas paulistanas, a partir das descrições, dos dados apresentados nos estudos em que pesquisamos. Neste aspecto, estabelecemos um recorte cronológico que vai da década de 1950 até o ano de 2006. A dissertação examina também as representações e imagens construídas sobre o fenômeno favela e as teorias elaboradas para explica-las. / This paper approaches intellectual production about the slums phenomenon, specially those writers who have studied the expression of the phenomenon in São Paulo. It also analyses the drawn concept of slum, pointing the limits and unsuitability of this concepts facing the changes in those agglomerates through time. Thinking about it, we made out a historical scenery emphasizing the evolution of São Paulos slums from descriptions of the data presented in the studies in which we made our research. In this aspect, we sat up a chronological area that goes from the decade of 1950 to the year 2006. The paper also examines the rendering and the images created about the slums phenomenon and the theories developed to explain them.

Three communities of Green City, Olean, and Craig Missouri offer silent witness to the settlement patterns, economic development, and rise of popular housing in three different regions of the state. The buildings that remain provide tangible links to the past for citizens in each community. They also show how such disparate forces as evolving building technologies, mail-order catalogs, and the changing economic bases of these communities affected the design of local architecture during the late nineteenth and early twentieth centuries. For the most part, the contribution of these buildings to an understanding of the social history of the state and the visual and aesthetic importance of these buildings to today's landscape have not been fully investigated or appreciated.This thesis seeks to develop an understanding of the full range of influences on local Missouri architecture through a study of three communities, all of which were established as a result of the coming of the railroad during the last quarter of the nineteenth century. Green City, Olean, and Craig; Missouri were selected because they are representative of hundreds of small rural communities in Missouri.The time period 1880-1930 was chosen because the largest percentage of construction took place during this time period. As a result of the economic conditions set forth by the Great Depression and the gradual decline of the railroad, few buildings were constructed after 1930. During this fifty-year period each community was transformed from wilderness into an ordered, productive agricultural landscape. The dramatic change can be seen in the buildings constructed - from the temporary, hewn-log buildings of the first settlers, to frame buildings, to more substantial brick buildings reflecting the prosperity of the late nineteenth and early twentieth centuries coinciding with the growth and prosperity of the railroad. The thesis will investigate the hypothesis that a majority of the buildings constructed between 1880 and 1930 drew inspiration in design, form, and type from pattern books and mail-order catalogs rather than architects. / Department of Architecture