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Unmasking Claude Cahun - self-portraiture and the androgynous imageMorgan, Jacqueline January 2008 (has links)
Masters Research - Master of Fine Art / This research is the result of my numerous journeys following the discovery of the French photographer, Claude Cahun, and the many similarities found between her work and that of my own. Included are many other women who were integral to my journey, though I focus on only a few of these women. They are Djuna Barnes, Romaine Brooks and the Baroness Elsa von Freytag-Loringhoven. Searching through public archives, located in Washington D.C, USA, Maryland, USA and in Jersey, Channel Islands, I am looking for any evidence to suggest if they knew of Claude Cahun or if their individual works influenced one another in any way. They all moved in different circles though had many of the same acquaintances and all lived in relatively close proximity to one another whilst in Paris in the 1910s and 1920s. The androgynous person dominates my self-portraits. It is the use of the androgynous being in their respective works which led to my research, from the monochrome androgynous portraits of Romaine Brooks, the ribaldry written imagery of androgynous characters in Barnes’ writing, the eccentricity gender crossing of the Baroness to the gender confusing self-portraits of Claude Cahun. A brief history of androgyny is given as it has had many transformations through the ages in religion and mythology which has manifested itself in the art and literature of those respective periods. I focus briefly on the use of androgyny in the art and literature in the period before Cahuns self-portraits and when Brooks, Barnes and the Baroness produced their works. This leads to my own photographic self-portraits and to the work of contemporary photographers, including the photographer, Cindy Sherman and lesser known artists such as Tina Bara. The androgynous image, whether major or minor, is an aspect in all these photographers works, especially my own. I discuss these works and their relevance to Cahun, and of Cahuns influence on them. The use of text and the book as an art form is discussed and the methods used to produce these. Working with a camera and a typewriter from the period of which I write is an integral aspect of my art making process and is also discussed. A ‘return home’ was also ascertained whilst undertaking this research. This manifested itself into the black and white photographs which are presented in bookform and contain a nostalgic aspect. Nostalgia for a place or time is discussed in relevance to my photographs and chosen art medium. All of these elements meet together in an exhibition where the handmade book sits along side twenty-four photographs, which are made up of twelve self-portraits and twelve photographs of significant places visited. They are shown along with material from Cahun and Barnes relevant archives which is both personal and pertinent to my journey. The result is another journey, this one involving not only myself, but also the viewer.
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"Lyrical movements of the soul" Poetry and persona in the Cinq poemes de Baudelaire and Ariettes oubliees of Claude Debussy /Rider, Lori Seitz. Seaton, Douglass. Debussy, Claude, Debussy, Claude, January 2003 (has links)
Thesis (Ph. D.)--Florida State University, 2003. / Advisor: Douglass Seaton, Florida State University, School of Music. Title and description from dissertation home page (viewed 11-21-03) Document formatted into pages; contains 381 pages. Includes biographical sketch. Includes bibliographic references.
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The "piano without hammers" : reconsidering Debussy's pianism /Hirakouji, Sachi Patricia. January 2008 (has links)
Thesis (D. Mus. Arts)--University of Washington, 2008. / Vita. Includes bibliographical references (leaves 88-93).
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Le Maroc d'après la "Géographie" de Claude Ptolémée /Schmitt, Paul, January 1973 (has links)
Thèse. 3e cycle. Lettres. Tours, 1973. / Bibliogr. p. 421-429.
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Étude comparée des langages harmoniques de Fauré et de Debussy /Gervais, Françoise. January 1900 (has links)
Thèse--Lettres--Paris, 1954. / Numéros de : "La Revue musicale", n° 272 et 273, 1971.
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Organale Satztechniken in den Werken von Claude Debussy und Maurice Ravel /Beyer, Richard. January 1992 (has links)
Diss.--Frankfurt am Main, 1991. / Bibliogr. p. 373-380.
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Einheitlichkeit versus Widerstreit : zwei grundsätzlich verschiedene Gestaltungsarten in der Musik Claude Debussys /Arndt, Jürgen, January 1992 (has links)
Diss.--Paderborn, 1992. / Bibliogr. p. 189-199.
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Studien zum Verhältnis von Sprache und Musik bei Claude Debussy : eine Untersuchung ausgewählter Werke aus dem Zeitraum 1888-1904 vor dem Hintergrund seiner Briefe, Feuilletons und Musikkritiken /Hilbk, Iris Helene, January 1996 (has links)
Diss.--Paderborn, 1995. / Nombreux extraits de textes en français. 199-209.
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Der Impressionismus bei Debussy : Inaugural-Dissertation... /Kolsch, Hans Friedrich, January 1937 (has links)
Diss.--Köln, 1936. / Bibliogr. p. V-VI.
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Galen and Chrysippus : argument and refutation in the "De Placitis", book II-III /Tieleman, Teunis Lambertus, January 1992 (has links)
Proefschrift--Wijsbegeerte--Rijksuniversiteit te Utrecht, 1992. / Mention parallèle de titre ou de responsabilité : Galenus en Chrysippus : Argumentatie en Weerlegging in de "De Placitis", Boeken II en III. Résumé en néerlandais. Bibliogr. p. 264-270. Index.
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