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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
81

Le concept de signifiant dans l'oeuvre de Claude Lévi-Strauss

Plante, Marie-Chantal January 1997 (has links)
Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.
82

Palimpsestos da guerra: o intertexto latino em Claude Simon / War palimpsests: the Latin intertext in Claude Simon

Ribeiro, Daniel Falkemback 11 September 2015 (has links)
O romance de Claude Simon dialoga com muitos textos por meio de diversos procedimentos de composição, em especial devido à intertextualidade explícita em muitos casos. Ligado ao contexto estético do nouveau roman, o novo romance francês, o autor lida em sua escrita com aspectos linguísticos peculiares, dentre eles a perspectiva temporal, que evidenciam seu caráter literário. Evidencia-se, por consequência, para o crítico, a necessidade de entender como os diversos princípios de organização do texto se articulam em favor de sua unidade, feita de fragmentos que se colam e se deformam conforme as demandas do escritor, constituindo-se, assim, uma espécie de palimpsesto. O intertexto latino, ou seja, as relações entre um texto e a literatura romana antiga, tem papel fundamental na construção do texto simoniano, o que interfere também em nossa leitura de outros elementos que interagem com ele. Um dos romances em que se expõe com clareza esse fator intertextual na literatura de Simon é La Bataille de Pharsale (1969), nossa opção para objeto de estudo, dada à acentuação dos problemas postos pela presença da cultura clássica na obra por relações e transformações. Nesse romance, a guerra é um dos principais pontos de encontro derivados das relações entre antigos e modernos exercidas pela escrita, de modo que os outros aspectos composicionais do texto, como o tempo e a enunciação, parecem estabelecer uma interferência recíproca com o intertexto. Levando em conta esses fatores, nossa análise buscou se pautar na necessidade de reavaliar o percurso crítico feito sobre a obra do autor sob uma visão comparatista e multidisciplinar a fim de fornecer conclusões relevantes sobre nosso objeto. A partir desse estudo, fornecemos possibilidades de leitura do romance com base nessa discussão, bem como novas perspectivas para a compreensão da obra de Claude Simon e do romance moderno em relação à tradição clássica. / The novel of Claude Simon dialogues with many texts through various composition procedures, especially due to the explicit intertextuality in many cases. In the aesthetic context of the nouveau roman, the French \"new novel\", the author deals in his writing with peculiar linguistic aspects, including the time perspective, which demonstrate its literary character. Thus, there is a clear need to the critics to understand how the various text organizational principles articulate among themselves in favor of a unit, made of fragments that stick and deform according to the demands of the writer, being thus a kind of palimpsest. The Latin intertext, the relationship between a text and the ancient Roman literature, plays a key role in the creation of the Simonian text, which also interferes in our reading of other elements that interact with it. One of the novels which sets out clearly that intertextual factor in Simon\'s literature is La Bataille de Pharsale (1969), our option for object of study, given the rise of problems posed by the presence of classical culture in the work by relations and transformations. In this novel, the war is one of the main points derived from the relations between ancient and modern in writing, so that other compositional aspects of the text, as time and enunciation, seem to establish a reciprocal interference with the intertext. Taking into account these factors, our analysis had the aim of reassessing the critical path on the author\'s work in a comparative and multidisciplinary approach to provide relevant conclusions about our object. From this study, we provide reading possibilities for the novel based on our discussion, as well as new perspectives for the understanding of Claude Simon\'s work and the modern novel in relation to the classical tradition.
83

Rethinking form through transformation: analytical studies of Debussy's "Prélude à l'après-midi d'un faune" and "Jeux".

January 2014 (has links)
應用於音樂的轉換理論,自大衛·盧因於1987年首先提出,至今已逾四分之一個世紀。在轉換理論中,盧因極具創見地將音樂的動態以數學中的群論及函數的概念表達,冀望以此改變過往音樂分析中過於注重對音樂素材及其特性的靜態研究,而忽視素材之間轉換過程的問題。盧因的研究對於西方理論學界產生了極大的影響。有關理論的深層探討,特別是在音樂與數學結合的方向顯示了驚人的成果。然而,就如何將轉換理論系統地應用於音樂分析,迄今最為成功的嘗試仍僅為盧因1993年成書的四首作品分析。對於轉換理論如何體現某個作曲家個人風格及其發展的研究,更是絶無僅見。本文將轉換理論應用於分析德彪西的兩首管弦樂傑作《牧神午後前奏曲》及芭蕾舞劇《遊戲》。雖然有關德彪西作品的分析者眾,但囿於理論途徑的限制,能充分展現在新舊風格轉換的歷史語境下,德彪西音樂獨特之處的研究仍極為有限。在本文中,轉換理論因其彈性的適用性,為兩首作品中的音高組合與曲式的關係,以及由此體現的風格衍變與美學思想,提供了獨特而極具說服力的分析視角。 / Theoretical development that stems from David Lewin’s transformational theory has flourished since its inception in 1987. However, the analytical application of Lewin’s theory remains scant, with Musical Form and Transformation: Four Analytical Essays (1993) standing out as one major achievement. Transformational theory is more often used to address specific theoretical issues, rather than to enhance our understanding of musical works or stylistic traits of individual composers. This study explores the applicability of Lewin’s transformation theory to two of Debussy’s orchestral masterworks, Prélude à l’après-midi d’un faune and Jeux, and contributes to Debussy scholarship by offering readings that cast new light on the interrelationship between pitch organization and form in them. / Detailed summary in vernacular field only. / Hong, Ding. / Thesis (Ph.D.) Chinese University of Hong Kong, 2014. / Includes bibliographical references (leaves 181-191). / Abstracts also in Chinese.
84

The Chinese scholar's garden in France Moulin Joli in Claude-Henri Watelet's Essai sur les jardins /

Milanick, Margaret Fairgrieve, Yonan, Michael Elia. January 2009 (has links)
Title from PDF of title page (University of Missouri--Columbia, viewed on March 10, 2010). The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Thesis advisor: Dr. Michael Yonan. Map and illustrations removed by the author. Includes bibliographical references.
85

La conception du temps dans deux romans de Claude Simon /

Lindahl, Margot. January 1991 (has links)
Thèse : Lettres : Uppsala : 1991. / Résumé en Anglais.
86

Welt, Struktur, Denken philosophische Untersuchungen zu Claude Lévi-Strauss

Dick, Marcus January 1900 (has links)
Zugl.: Braunschweig, Techn. Univ., Diss., 2008
87

Le monologue remémoratif au sein du nouveau roman français : du discours à la perception /

Désilets, Geneviève, January 2004 (has links) (PDF)
Mémoire (M.A.)--Université du Québec à Trois-Rivières, 2004. / Comprend des réf. bibliogr.: f. 104-111. Également disponible en format microfiche et PDF.
88

The Theater of Claude Billard : a study in post-Renaissance dramatic esthetics /

Zamparelli, Thomas L. January 1978 (has links)
Texte remanié de: Doct.-diss.--Philosophy--New Haven, 1972. / Bibliogr. p. 179-185. Index.
89

Palimpsestos da guerra: o intertexto latino em Claude Simon / War palimpsests: the Latin intertext in Claude Simon

Daniel Falkemback Ribeiro 11 September 2015 (has links)
O romance de Claude Simon dialoga com muitos textos por meio de diversos procedimentos de composição, em especial devido à intertextualidade explícita em muitos casos. Ligado ao contexto estético do nouveau roman, o novo romance francês, o autor lida em sua escrita com aspectos linguísticos peculiares, dentre eles a perspectiva temporal, que evidenciam seu caráter literário. Evidencia-se, por consequência, para o crítico, a necessidade de entender como os diversos princípios de organização do texto se articulam em favor de sua unidade, feita de fragmentos que se colam e se deformam conforme as demandas do escritor, constituindo-se, assim, uma espécie de palimpsesto. O intertexto latino, ou seja, as relações entre um texto e a literatura romana antiga, tem papel fundamental na construção do texto simoniano, o que interfere também em nossa leitura de outros elementos que interagem com ele. Um dos romances em que se expõe com clareza esse fator intertextual na literatura de Simon é La Bataille de Pharsale (1969), nossa opção para objeto de estudo, dada à acentuação dos problemas postos pela presença da cultura clássica na obra por relações e transformações. Nesse romance, a guerra é um dos principais pontos de encontro derivados das relações entre antigos e modernos exercidas pela escrita, de modo que os outros aspectos composicionais do texto, como o tempo e a enunciação, parecem estabelecer uma interferência recíproca com o intertexto. Levando em conta esses fatores, nossa análise buscou se pautar na necessidade de reavaliar o percurso crítico feito sobre a obra do autor sob uma visão comparatista e multidisciplinar a fim de fornecer conclusões relevantes sobre nosso objeto. A partir desse estudo, fornecemos possibilidades de leitura do romance com base nessa discussão, bem como novas perspectivas para a compreensão da obra de Claude Simon e do romance moderno em relação à tradição clássica. / The novel of Claude Simon dialogues with many texts through various composition procedures, especially due to the explicit intertextuality in many cases. In the aesthetic context of the nouveau roman, the French \"new novel\", the author deals in his writing with peculiar linguistic aspects, including the time perspective, which demonstrate its literary character. Thus, there is a clear need to the critics to understand how the various text organizational principles articulate among themselves in favor of a unit, made of fragments that stick and deform according to the demands of the writer, being thus a kind of palimpsest. The Latin intertext, the relationship between a text and the ancient Roman literature, plays a key role in the creation of the Simonian text, which also interferes in our reading of other elements that interact with it. One of the novels which sets out clearly that intertextual factor in Simon\'s literature is La Bataille de Pharsale (1969), our option for object of study, given the rise of problems posed by the presence of classical culture in the work by relations and transformations. In this novel, the war is one of the main points derived from the relations between ancient and modern in writing, so that other compositional aspects of the text, as time and enunciation, seem to establish a reciprocal interference with the intertext. Taking into account these factors, our analysis had the aim of reassessing the critical path on the author\'s work in a comparative and multidisciplinary approach to provide relevant conclusions about our object. From this study, we provide reading possibilities for the novel based on our discussion, as well as new perspectives for the understanding of Claude Simon\'s work and the modern novel in relation to the classical tradition.
90

Octatonic, chromatic, modal, and symmetrical forms that supplant tonality in five piano preludes by Claude Debussy

Tobin, Anthony Aubrey, January 2002 (has links)
Treatise (D.M.A.)--University of Texas at Austin, 2002. / Vita. Includes bibliographical references.

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