Th. doct.--Musicologie--Paris--Ecole des hautes études en sciences sociales, 1996. / Exemples musicaux en fin de volume. Glossaire p. 504-506. Bibliogr. p. 508-528. Index.

Claude Debussy (1862-1918) was a prolific composer throughout his lifetime. His song output spans his entire compositional career and comprises over ninety songs from his first published song Nuit d’étoiles, composed in 1880 and published in 1882, to Noël des enfants qui n'ont plus de maison (1915). Among Debussy’s early period works, his most prominent contributions were mélodies with almost half of his ninety songs written in this period. Debussy was profoundly influenced by poetry, especially that of Théodore de Banville (1823-1891). Banville was an important figure in the Parnassian movement and also was a master of rhyme and a virtuoso of French verse. Debussy was influenced by Banville’s poetry and composed many songs on Banville's poems in his early period. This document highlights Debussy's life and his early poetic influences as well as provides an overview of Banville's life as a writer and his collections of verses pertaining to Debussy. The analyses of songs with Banville's text are the emphasis of this study and reveal how Debussy expertly matched music to the nuances of the texts. Such a study illuminates the interpretation and performance of these songs for singers and collaborative pianists.

Orientadores : Jose Antonio de Almeida Prado , Helena Jank / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-07-13T22:14:36Z (GMT). No. of bitstreams: 1 Pascoal_MariaLuciaSennaMachado_D.pdf: 7534551 bytes, checksum: b7212ad76f9190cc72764d409cad2c9b (MD5) Previous issue date: 1989 / Resumo: Existem peças musicais que se constituem em conjutos homogeneos e seu estudo pormenorizado nos leva a compreender o pensamento musical de um compositor. Um desses conjuntos de peças são os 24 Prelúdios de Claude Debussy, escritos entre 1909/1912, representativos de sua plena maturidade. Obra das mais importantes na literatura pianistica pelo maneira nova de tratar o instrumento, é também pela própria composição que nos revela como Debussy, utilizando-se de ténicas antigas, outras estranhas ao repertório europeu, cria sua linquagem original: amplia os códigos de sua epoca, inventa novos que se projetam e abrem caminhos para a música do século xx. O que este trabalho demonstra: através da análise e levantamento das técnica, faz ligações e comparações dos Prelúdios de Debussy com músicas de diversas épocas, sistemas e estilos musicais/pianisticos, considerando-os portanto, como reflexo e projeção / Abstract: Some musical works may be considered as an homogeneous whole and by studying them in detail, the composer's musical thought will be revealed. One of these pieces are DEBUSSY'S 24 PRELUDES, written between 1909- 12. Representing the culmination of his artistic maturity, they are an important work in the pianistic literature because of the new treatment that is given to the instrumento Also regarding the composition itself, Debussy makes use of ancient as well as foreign techniques, that until then did not belong to the European repertoire. In these PRELUDES the composer shows how he creates his original language, by increasing the codes of his time and inventing new ones, which outstood and have opened the way for the outcome of the twentieth century's music. That's what is demonstrated here, comparing DEBUSSY'S PRELUDES to music of different times as well as musical/pianistic systems and styles, considering them in view of alI that as REFLECTION and PROJECTION / Doutorado / Doutor em Artes

Claude Bolling’s Toot Suite for Trumpet and Jazz Piano that was premiered by French virtuoso trumpeter Maurice Andre in 1980 is an important work in the trumpet repertoire. At present, there is limited research regarding Toot Suite. Almost all of the six movements within Toot Suite are performed on a different instrument: C trumpet for Allegre, Eb trumpet for Mystique, Bb cornet for Rag-Polka, Bb piccolo trumpet for Marche, Bb flugelhorn for Vesperale and Bb piccolo for Spirituelle. Chapter 1 examines the life and musical background of the composer. It also exposes the history surrounding the origin of Toot Suite. Chapter 2 discusses the musical influences of the composer that are found in Toot Suite. Chapter 3 provides an analysis of existing studio recordings. Chapter 4 offers specific suggestions regarding preparation and performance of Toot Suite. Chapters 5 and 6 conclude the guide with interviews with the composer and prominent trumpet performers and pedagogues that have recorded and/or have performed Toot Suite live.

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Univ. Augsburg, Diss., 2007.

Thesis (M.A.)--California State University, Sacramento, 1996. / Includes bibliographical references (p. 175-179).

<p>Claude Debussy Cellosonat</p><p>Dimitrij Shostakowitch Cellosonat op.40</p><p>Felix Mendelssohn-Barthodly Pianotrio nr.1 D-moll op.49</p><p>Medeverkande musiker:</p><p>Emil Wegberg, Cello</p><p>Katarina Abbas, Violin</p><p>Leo Gavel, Piano</p><p>Gerog Öquist, Piano</p>

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