Submitted by Valquíria Barbieri (kikibarbi@hotmail.com) on 2018-01-30T20:15:06Z No. of bitstreams: 1 DISS_2013_Cristiano de Sousa Costa.pdf: 1987492 bytes, checksum: 5c8bffa36e1ff75ca755d97b07757d52 (MD5) / Approved for entry into archive by Jordan (jordanbiblio@gmail.com) on 2018-02-01T16:06:48Z (GMT) No. of bitstreams: 1 DISS_2013_Cristiano de Sousa Costa.pdf: 1987492 bytes, checksum: 5c8bffa36e1ff75ca755d97b07757d52 (MD5) / Made available in DSpace on 2018-02-01T16:06:48Z (GMT). No. of bitstreams: 1 DISS_2013_Cristiano de Sousa Costa.pdf: 1987492 bytes, checksum: 5c8bffa36e1ff75ca755d97b07757d52 (MD5) Previous issue date: 2013-09-19 / Reflexões sobre experiências com intervenções urbanas realizadas na cidade de Cuiabá pelo Coletivo à deriva, no período de 2010 a 2012. A noção de micropolítica, conceito desenvolvido por Gilles Deleuze e Félix Guattari, e a estética relacional, de Nicolas Bourriaud, apoiam a discussão sobre as experiências estéticas na cidade. A observação se dá por meio da experiência vivida nestas intervenções, pesquisa bibliográfica, entrevistas com outros envolvidos, fotografias, postagens na internet e material audiovisual. Sombras que passeiam, ocorrida no campus da UFMT, Largo da Mandioca, no centro Histórico de Cuiabá, e Praça de Estar, na Praça Ipiranga, são as três intervenções observadas. O resultado é a compreensão destas práticas estéticas coletivas contemporâneas como formas de estar na cidade. / Reflections about experiences with urban intervention performed in the city of Cuiabá by the Coletivo à Deriva, in the period 2010-2012. The notion of micropolitics, a concept developed by Gilles Deleuze and Félix Guattari; and Nicolas Bourriaud with the relational aesthetics, supports the discussion about aesthetic experiences in the city. The observation is through the experience lived in these interventions, literature search, interviews with others involved, photographs, internet postings and audiovisual material. Wandering shadows, held on the campus of UFMT, Largo da Mandioca, in the historical center of Cuiabá, and the Living Square, in Ipiranga’s Square, are the three observed interventions. The result is an understanding of these collective contemporary aesthetics practices as ways of being in the city.