The purpose of this study was to investigate art collectors’ specific method of developing and making critical judgments in the context of their understanding of art. Phenomenological research methods were employed to obtain data through interviews with collectors of Contemporary African American art, Latin American art, and Minimalist and Conceptual art. Based on the findings, collectors’ approaches to critical judgment can be categorized into three areas. First, critical skills are both intuitive and developed over time, through a holistic and aesthetic process set in the art world. Collectors’ edification requires commitment, and intense looking enabling them to see how works of art communicate. Second, key events that marked collectors’ methodological approaches were connections with artists and art, notable purchases, and exhibitions of their collection. These events resulted from an integration of the collectors’ identification with the art work, manifested over time in various forms. Finally, those objects that best reflected collectors’ specific development of critical judgment and understanding of art were noted either by specific artists in their collection or the collection as a whole, functioning as vital aspects of the collectors’ life and at the same time contributing to culture and society in its capacity to cause conversations. There is an opportunity to apply the information from collectors’ processes as an educational model for teaching and learning about appreciation and criticism in art education by thinking about art collections more broadly, as another way to look at life and the art in life.

Thesis (Ph. D.)--University of Pittsburgh, 1970. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 798-842).

Thesis (Ph. D.)--University of Pittsburgh, 1970. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 798-842).

No description available.

This research study had two distinct objectives. The first objective was to determine in which areas in South African banks the most severe operational risk losses are likely to occur (based on the Basel II seven loss event types and eight business lines). Severity was assessed based on single operational risk events that might have significant monetary values attached to them. The likely frequency of single operational risk events was also assessed. The investigation of the aforementioned research problem was explorative and quantitative of nature, as the researcher made extensive use of survey research in the form of a questionnaire to all registered banks. The second part of the research study’s objective was to assess the range of practices in collecting internal loss data for operational risk purposes as required by Basel II. This part was approached from a qualitative perspective, by benchmarking the research findings against the Basel II text, the researcher’s experience in risk management in banks, the Basel Committee on Banking Supervision’s Sound Practices for the Management and Supervision of Operational Risk, and related literature. The literature review, including reference to certain surveys and studies, focuses on the main concepts of operational risk within banks that are pertinent to the research problem. The literature review also includes several references to the Basel II text and other relevant publications and papers issued by the Basel Committee on Banking Supervision. The research results revealed that respondents in South African banks believed that ‘business disruption and system failures’ is the loss event type that is likely to result in the most severe single operational risk loss. ‘Trading and sales’ scored the same high average rating as ‘business disruption and system failures’ as the business line where the most severe single operational risk loss is likely to occur in South African banks. ‘External fraud’ and ‘execution, delivery and process management’ scored the highest average ratings as the loss event types where the most frequent operational risk losses are likely to occur. Respondents indicated that ‘retail banking’ is the business line where the most frequent single operational risk losses are likely to occur in South African banks. Based on the above-mentioned findings the researcher recommends that these high-risk areas be highlighted to the Bank Supervision Department of the South African Reserve Bank, the boards of directors and senior management of banks in order for them to strengthen banks’ internal controls. The researcher recommends the inclusion of near misses and opportunity cost in operational risk loss databases. Banks should at least capture the date of the discovery of an operational risk event as this represents acceptable practice among the majority of banks. Operational risk losses should be assigned to the multiple business activities in which it occurred on a pro-rata basis. All recoveries of operational risk losses should be processed separately, but associated with the original loss event. Replacement cost is seen as the most appropriate way to capture gross loss amounts for the damage to fixed assets. The researcher encourages the recording of overtime cost for fixing systems failures. Market risk losses due to operational risk events should be treated as market risk losses, while loan-related losses due to operational risk failures should be treated as credit risk losses by banks. The researcher’s view is that banks should set different thresholds for the collection of operational risk losses for its various business units based on each business unit’s operations and nature of business. Banks should, as a starting point, map operational risk events to the Basel II 8x7 matrix. Operational risk losses should be assessed by both legal entity and on a consolidated basis.

In this dissertation I analyze the social history of an anthropological collection at the Smithsonian Institution. Combining archival and historical research with interviews, I trace the Army Medical Museum (AMM) collection from its origin in the mid-nineteenth century to the present. The Smithsonian's AMM collection is the product of mid- to late-nineteenth century government science. Assembled in the midst of westward expansion and colonization, this collection is the result of numerous government-sanctioned collecting efforts. Accordingly, the objects and human remains that comprise this collection were taken from scores of Native American tribes from all parts of the United States. Amassed during some of the darkest moments in the history of the United States - marked by warfare, death and the displacement of countless Native Americans - the AMM collection represents the Smithsonian's earliest collecting efforts. The social history of this collection spans from the earliest days of the SI to the present, marked by concerns regarding cultural property rights. And what the present moment demonstrates is the continued relevance of this colonial past, especially in the context of repatriation. I analyze critical contemporary issues of repatriation in terms of the historical legacy of collecting in the U.S. and demonstrate the role that collections play in negotiating identities. For that purpose, I begin with the supposition that objects shape as well as materialize identity, and that disciplines define themselves by virtue of what they collect. I examine recent shifts in what is deemed ethically appropriate for collection and how this affects the various ways museum anthropologists define the discipline. Ultimately, this dissertation advances a critical historical analysis of the AMM collection, providing a more dynamic understanding of the role that repatriation plays in redefining the roles of anthropologists within museums.

This thesis explores important aspects of the debates and practices that since the First World War have both extended the meaning of museums and museology, and renovated what was seen by many as a stagnated 19th century model of museum policy and communication. For the purpose of illustrating the manifold nature of these debates this thesis examines the life and work of French museologist and innovator of modern French ethnographical practice, Georges Henri Rivière (1897 – 1985). It draws on the conceptual distinction made in some international museum literature between museology and museums. This distinction stems from the different assumptions introduced by two long term projects of cultural development: the 18th century projects of enlightenment and the 20th century promotion of an anthropological conception of culture. The former is closely related to the European system of fine art understood as a system of promotion and popularization of the arts. The latter is part of the efforts of the human and social sciences to insert museums in the society they serve and/or to give a democratic representation to the variety of cultures existing in a society at large. The consequence was the development, in the course of the 20th Century, of two often opposing managerial policies and cultures, one inwards looking, aiming at modernization and professionalization of internal museum functions, the other focusing on closing the relationship of museology and its natural and social environment. The first was essentially administrative and scholar-based, and has thrived with the adoption of a culture of mass consumption and multiplied its functions according to an ever-dominant division of labour. The second is proactive and externally driven, a policy and managerial culture aiming at the management of processes and resources, and at the identifications and development of the living cultures existing in a society. In this line of thought this research explores the museology of Rivet-Rivière’s Musée-Laboratoire as part of a national project of cultural development aiming at changing the relationship of French citizens to their material culture and heritage. As the museological embodiment of the myth of primitivism, Rivet-Rivière’s ‘structural museology’ was shaped by the convergence of avant-garde movements in contemporary arts with the object-based ethnology of Marcel Mauss. It eventually led not only to Rivière’s most famous concept, the Ecomusée, but also to a ‘museology without walls’ and to the diversification and multiplication of local museological practices by which every activity existing in a territory could be given museographical expression. As cultural activist, Rivière was at the crossroads of major events and personalities of his time, and his museological talent was placed at the service of their concerns and expectations, particularly through his long involvement with the UNESCO-linked International Council of Museums (ICOM). Furthermore, his privileged positions in the culture of its time made him a significant witness, not just of the debate about museums, but of 20th century French cultural life.

This research study had two distinct objectives. The first objective was to determine in which areas in South African banks the most severe operational risk losses are likely to occur (based on the Basel II seven loss event types and eight business lines). Severity was assessed based on single operational risk events that might have significant monetary values attached to them. The likely frequency of single operational risk events was also assessed. The investigation of the aforementioned research problem was explorative and quantitative of nature, as the researcher made extensive use of survey research in the form of a questionnaire to all registered banks. The second part of the research study’s objective was to assess the range of practices in collecting internal loss data for operational risk purposes as required by Basel II. This part was approached from a qualitative perspective, by benchmarking the research findings against the Basel II text, the researcher’s experience in risk management in banks, the Basel Committee on Banking Supervision’s Sound Practices for the Management and Supervision of Operational Risk, and related literature. The literature review, including reference to certain surveys and studies, focuses on the main concepts of operational risk within banks that are pertinent to the research problem. The literature review also includes several references to the Basel II text and other relevant publications and papers issued by the Basel Committee on Banking Supervision. The research results revealed that respondents in South African banks believed that ‘business disruption and system failures’ is the loss event type that is likely to result in the most severe single operational risk loss. ‘Trading and sales’ scored the same high average rating as ‘business disruption and system failures’ as the business line where the most severe single operational risk loss is likely to occur in South African banks. ‘External fraud’ and ‘execution, delivery and process management’ scored the highest average ratings as the loss event types where the most frequent operational risk losses are likely to occur. Respondents indicated that ‘retail banking’ is the business line where the most frequent single operational risk losses are likely to occur in South African banks. Based on the above-mentioned findings the researcher recommends that these high-risk areas be highlighted to the Bank Supervision Department of the South African Reserve Bank, the boards of directors and senior management of banks in order for them to strengthen banks’ internal controls. The researcher recommends the inclusion of near misses and opportunity cost in operational risk loss databases. Banks should at least capture the date of the discovery of an operational risk event as this represents acceptable practice among the majority of banks. Operational risk losses should be assigned to the multiple business activities in which it occurred on a pro-rata basis. All recoveries of operational risk losses should be processed separately, but associated with the original loss event. Replacement cost is seen as the most appropriate way to capture gross loss amounts for the damage to fixed assets. The researcher encourages the recording of overtime cost for fixing systems failures. Market risk losses due to operational risk events should be treated as market risk losses, while loan-related losses due to operational risk failures should be treated as credit risk losses by banks. The researcher’s view is that banks should set different thresholds for the collection of operational risk losses for its various business units based on each business unit’s operations and nature of business. Banks should, as a starting point, map operational risk events to the Basel II 8x7 matrix. Operational risk losses should be assessed by both legal entity and on a consolidated basis.

This thesis investigates the material culture of early modern England as reflected in the object collections of the Shakespeare Birthplace Trust in Stratford-upon-Avon. The collection consists of nearly 300 objects and six buildings dating from the period 1500-1650 representing 'the life, work and times of William Shakespeare', with a particular emphasis on domestic and community life in Shakespeare's Stratford. Using approaches from museum studies and material culture studies together with historical research, this thesis demonstrates how objects add depth and complexity to historical and museological narratives, and presents a range of unique and never before examined material sources for the study of the social and cultural history of the period. For different reasons, collectors, scholars and museum practitioners have all tended to place the Trust's objects within existing historical narratives whilst neglecting the physical evidence of the objects themselves. By closely examining the object as well as the cultural context of its manufacture and use, this study seeks to rejuvenate the way this and similar collections are seen and used in studies of the early modem period.

No description available.