- About
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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 1 to 10 of 19 (0.052 seconds)Spelling suggestions: "subject:"comedy films."" "subject:"komedy films.""
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The theme of class confrontation in Hollywood's romantic comedies, 1934-1942Schmidt, Sanford Michael, January 1980 (has links)
Thesis--New York University, 1978.
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The theme of class confrontation in Hollywood's romantic comedies, 1934-1942Schmidt, Sanford Michael, January 1980 (has links)
Thesis--New York University, 1978.
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The position of the comedian as an extra-fictional performer and a fictional figure in a traditional Hollywood film genre /Seidman, Steve. January 1979 (has links)
Thesis (Ph. D.)--University of California, Los Angeles, 1979. / Typescript. Vita. Includes abstract. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 369-375).
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Origins of Japanese film comedy and questions of colonial modernity /Yoshida, Junji. January 2006 (has links)
Thesis (Ph. D.)--University of Oregon, 2006. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 281-290). Also available for download via the World Wide Web; free to University of Oregon users.
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Making meatballs: Canadian film and television comedy /Champagne, Monica M. January 1900 (has links)
Thesis (M.A.) - Carleton University, 2005. / Includes bibliographical references (p. 115-125). Also available in electronic format on the Internet.
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Teen ages: Youth market romance in Hollywood teen films of the 1980s and 1990sMurphy, Caryn E. 05 1900 (has links)
This thesis examines the differences between teen romantic comedy films marketed to Generation X teenagers in the 1980s and Generation Y teenagers in the 1990s, focusing on the presentation of gender roles, consumptive behavior, and family. The 1980s films are discussed within the social context of the Reagan era and the conservatism of the New Right. The 1990s films are examined as continuing a conservative sensibility, but they additionally posit consumption as instrumental to achieving an idealized romance. Romantic comedy is traditionally a conservative genre, but these films illustrate female liberation through consumption. The source of difference between the cycles of teen romantic comedy is attributed to the media's attempt to position Generation Y teenagers as ideal consumers.
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Radioactive kryptonite : the industrial factors behind the use of origin tales in comics-based films /Fried, Brian January 1900 (has links)
Thesis (M.A.)--Carleton University, 2001. / Includes bibliographical references (p. 148-157). Also available in electronic format on the Internet.
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Catch Santa /Buchanan, H. Kamau. January 2009 (has links)
Thesis (M.F.A.)--Rochester Institute of Technology, 2009. / Typescript.
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The arranged marriage of William Powell and Myrna Loy how Nick and Nora didn't solve the marriage problem /Grimm, Courtney A. January 2008 (has links)
Thesis (M.A.)--Ohio University, November, 2008. / Title from PDF t.p. Includes bibliographical references.
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Buster Keaton and things : an analysis of Keaton as a uniquely Twentieth-century artistSaint-Pierre, Leopold George Henry. January 1976 (has links)
No description available.
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