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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
31

Chaldean structures, a tone poem for orchestra : a compendium of procedures, aspects, and problems

Wohler, Lynn R January 2010 (has links)
Digitized by Kansas Correctional Industries
32

I. Research-based rubrics for assessing undergraduate music compositions a validity study. II. Identity crisis : a composition for wind ensemble, percussion, electric organ, and electric bass /

Nelly, Thomas F. January 2006 (has links)
Thesis (Ph. D.)--University of Florida, 2006. / Title from title page of source document. Document formatted into pages; contains 263 pages. Includes vita. Includes bibliographical references.
33

Diasporic improvisation and the articulation of intercultural music /

Stanyek, Jason, January 2004 (has links)
Thesis (Ph. D.)--University of California, San Diego, 2004. / Vita. Includes bibliographical references (p. 279-302).
34

Multilevel motivic projection as a compositional process in tonal music

Fowler, Andrew Judson. January 1984 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 1984. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 225-228).
35

Portraits of the songwriting process in elementary classrooms

Stephenson, Sally dhruvá. January 2001 (has links)
Thesis (Ed. D.)--West Virginia University, 2001. / Title from document title page. Document formatted into pages; contains viii, 159 p. : ill. (some col.), music. Includes fifteen songs in the mp3 format. Vita. Includes abstract. Includes bibliographical references (p. 135-142).
36

Systematic composition and intuition in a Concerto for organ and orchestra

Worlton, James Timbrel, January 1900 (has links)
Thesis (D.M.A.)--University of North Texas, 2003. / Score of concerto: p. 76-140. Duration: ca. 22:00. Includes bibliographical references (p. 74-75).
37

Visual representation as used in compositional processes /

Pipher, Karen Lynn. January 2001 (has links)
Thesis (M.A.)--York University, 2001. Graduate Programme in Music. / Typescript. Includes full scores for the author's 5 compositions (5 lines assembled ; Old ; North ; West ; and Tial) along with their pictorial representations. Includes bibliographical references (leaves [64-68]). Discography: leaf [69]. Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pMQ66398
38

A portfolio of three compositions : improvisation as a structural device

Tse, Tai-shun, 謝大順 January 2013 (has links)
As a means of musical elaboration, improvisation takes an important role in different musical genres. From impromptus and rhapsody, to traditional music such as Javanese gamelan and Cantonese opera, improvisation shapes the distinctive features of musical works, and how composition takes on the features of improvisation. Despite the distinctive modes of improvisation in accordance with specific musical conventions, such improvisation share a common ground that it does not arise from nothing but comprises something memorized or given. Improvisation can be regarded as a spontaneous creativity within constraints and convention. Composers, therefore, can explore the performance techniques of different musical instruments and the creative possibilities within certain musical conventions through the use of improvisation from time to time. In this thesis, I seek to explore how improvisation as being operated within constraints and convention through a portfolio of three compositions. Each composition features one or two particular instruments in the improvisatory passage, i.e., sheng (Opera From a Forgotten Land), piano and flute (Improvisation Study no. 1) and electronic bass guitar (Improvisation Study no. 2). Considering the differences in the adhered musical culture and performance practice of these instruments, I shall explain the rationales behind my composition strategy. / published_or_final_version / Music / Master / Master of Philosophy
39

Musical texture: toward a visual model

Zipay, Terry Lee. January 1975 (has links)
No description available.
40

A portfolio of original compositions

Ryan, Damian January 2012 (has links)
No description available.

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