The Creative Project entailed a twofold apologue: a graduate recital and an accompanying paper. The recital, performed on April 3, 1974, included compositions representing the Classic Period, the Romantic, and the Contemporary or so-called New Music. The program consisted of W. A. Mozart's Trio No. IV, Opus Kv. 498, for Viola, Clarinet and Piano, John Ireland's Fantasy-Sonata for Clarinet and Piano, and Aaron Copeland's Concerto for Clarinet. Additionally, an original composition employing the use of three clarinets, Eb Soprano, Bass and Bb Soprano and accompanied by quadraphonic tape was given its premier on this recital. The accompanying paper dwells entirely upon this composition.Three Movements for Three Clarinets and Quadraphonic Tape was the first composition of its genre to be realized at the University. Topics that have been discussed in the paper include tape techniques employed in the composition, a description of the ARP 2500 Synthesizer Modules and the patches that were used to synthesize the various electronic sonorities incorporated in the recording of the quadraphonic tape. / School of Music

Ee is a single movement composition for eight sopranos (who also play handbells), a percussion ensemble consisting of eight players, and piano. The work is organized into two sections, the first of which presents the basic material and explores the possibilities it suggests. The second represents a disintegration of the material, eventual synthesis, and assertion of the original material. The piece is conceived as a minimalist composition in which the musical energy and momentum is created not through development, but rather through devices of additive layering of ostinato patterns. The piece intentionally juxtaposes a conservative harmonic vocabulary with a non-traditional orchestration (voices, handbells, and percussion). / School of Music

Thesis (Ph. D.)--University of Rochester, 1957. / Appendix: Charts, leaves 197-223. Supplement: Hanson, Howard. Symphony No. 2. Arr. for one piano, four hands, by John Elliott Webb. (M209.H251s.2W) NRU-Mus Bibliography: leaves 194-196. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/5349

Thesis (Ph.D.) - University of Queensland, 2002. / Includes bibliography.

Thesis (M. Phil.)--University of Hong Kong, 2007. / Contents of accompanying CD-ROM and VCD are the same; contents of accompanying CDs are the same. Copy held in Special Collection lacks accompanying CD-ROM, VCD and CDs. Also available online.

Thesis (DCA)--University of Wollongong, 2005. / Typescript. Bibliographical references: leaf 78-81.

Thesis (Ph. D.)--University of Sydney, 2002. / Title from title screen (viewed Apr. 24, 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Music, Faculty of Arts. Degree awarded 2002; thesis submitted 2001. Includes bibliography. Also available in print form.

Thesis (Ph. D.)--University of Hong Kong, 2008. / Includes bibliographical references (leaf 242-247) Also available in print.

Thesis (Ph. D.)--University of Texas at Austin, 1984. / Typescript. Vita. Includes bibliographical references (leaves 225-228). Also issued in print.

Thesis (M. Phil.)--University of Hong Kong, 2007. / Title proper from title frame. Also available in printed format.