The focus of this research is to study how targets can be more faithfully detected in a multi-camera CCTV network system using spectral feature for the detection. The objective of the work is to develop colour constancy (CC) methodology to help maintain the spectral feature of the scene into a constant stable state irrespective of variable illuminations and camera calibration issues. Unlike previous work in the field of target detection, two versions of CC algorithms have been developed during the course of this work which are capable to maintain colour constancy for every image pixel in the scene: 1) a method termed as Enhanced Luminance Reflectance CC (ELRCC) which consists of a pixel-wise sigmoid function for an adaptive dynamic range compression, 2) Enhanced Target Detection and Recognition Colour Constancy (ETDCC) algorithm which employs a bidirectional pixel-wise non-linear transfer PWNLTF function, a centre-surround luminance enhancement and a Grey Edge white balancing routine. The effectiveness of target detections for all developed CC algorithms have been validated using multi-camera ‘Imagery Library for Intelligent Detection Systems’ (iLIDS), ‘Performance Evaluation of Tracking and Surveillance’ (PETS) and ‘Ground Truth Colour Chart’ (GTCC) datasets. It is shown that the developed CC algorithms have enhanced target detection efficiency by over 175% compared with that without CC enhancement. The contribution of this research has been one journal paper published in the Optical Engineering together with 3 conference papers in the subject of research.

The focus of this research is to study how targets can be more faithfully detected in a multi-camera CCTV network system using spectral feature for the detection. The objective of the work is to develop colour constancy (CC) methodology to help maintain the spectral feature of the scene into a constant stable state irrespective of variable illuminations and camera calibration issues. Unlike previous work in the field of target detection, two versions of CC algorithms have been developed during the course of this work which are capable to maintain colour constancy for every image pixel in the scene: 1) a method termed as Enhanced Luminance Reflectance CC (ELRCC) which consists of a pixel-wise sigmoid function for an adaptive dynamic range compression, 2) Enhanced Target Detection and Recognition Colour Constancy (ETDCC) algorithm which employs a bidirectional pixel-wise non-linear transfer PWNLTF function, a centre-surround luminance enhancement and a Grey Edge white balancing routine. The effectiveness of target detections for all developed CC algorithms have been validated using multi-camera ‘Imagery Library for Intelligent Detection Systems’ (iLIDS), ‘Performance Evaluation of Tracking and Surveillance’ (PETS) and ‘Ground Truth Colour Chart’ (GTCC) datasets. It is shown that the developed CC algorithms have enhanced target detection efficiency by over 175% compared with that without CC enhancement. The contribution of this research has been one journal paper published in the Optical Engineering together with 3 conference papers in the subject of research.

The purpose of this study will be to ascertain the extent social acceptance, or social status of an individual in one population, measured sociometrically, tends to remain constant for that individual in another population.

En aquest treball presentem un marc per a l'estimació del punt blanc en imatges sota condicions no calibrades, on considerem múltiples solucions interpretades. D'aquesta manera, proposem la utilització d'una cua visual que ha estat relacionada amb la constància de color: aparellament de colors. Aquest aparellament de colors està guiat per la introducció d'informació semàntica referent al contingut de la imatge. Així doncs, introduïm informació d'alt nivell dels colors que esperem trobar en les imatges. Tenint en compte aquestes dues idees, aparellament de colors i informació semàntica, i les aproximacions computacionals a la constància de color existents, proposem un mètode d'estimació de punt blanc per condicions no calibrades que lliura múltiples solucions, en funció de diferents interpretacions dels colors d'una escena. Plantegem l'extracció de múltiples solucions ja que pot permetre extreure més informació de l'escena que els algorismes clàssics de constància de color. En aquest cas, les múltiples solucions venen ponderades pel seu grau d'aparellament dels colors amb la informació semàntica introduïda. Finalment demostrem que la solució plantejada permet reduir el conjunt de solucions possibles a un conjunt més significant, que és petit i fàcilment interpretable. El nostre estudi està emmarcat en un projecte d'anotació d'imatges que pretén obtenir descriptors que representen la imatge, en concret, els descriptors de la llum de l'escena. Definim dos contextos diferents per aquest projecte: condicions calibrades, quan coneixem alguna informació del sistema d'adquisició, i condicions no calibrades, quan no coneixem res del procés d'adquisició. Si bé ens hem centrat en el cas no calibrat, pel cas calibrat hem proposat també un mètode computacional de constància de color que introdueix l'assumpció de 'món gris' relaxada per a generar un conjunt de solucions possibles més reduït. Aquest mètode té un bon rendiment, similar al dels mètodes existents, i redueix el tamany del conjunt de solucions obtingut. / In this work we present a framework for white point estimation of images under uncalibrated conditions where multiple interpretable solutions can be considered. In this way, we propose to use the colour matching visual cue that has been proved as related to colour constancy. The colour matching process is guided by the introduction of semantic information regarding the image content. Thus, we introduce high-level information of colours we expect to find in the images. Considering these two ideas, colour matching and semantic information, and existing computational colour constancy approaches, we propose a white point estimation method for uncalibrated conditions which delivers multiple solutions according to different interpretations of the colours in a scene. However, we present the selection of multiple solutions which enables to obtain more information of the scene than existing colour constancy methods, which normally select a unique solution. In this case, the multiple solutions are weighted by the degree of colour matching between colours in the image and semantic information introduced. Finally, we prove that the feasible set of solutions can be reduced to a smaller and more significant set with a semantic interpretation. Our study is framed in a global image annotation project which aims to obtain descriptors which depict the image, in this work we focus on illuminant descriptors.We define two different sets of conditions for this project: (a) calibrated conditions, when we have some information about the acquisition process and (b) uncalibrated conditions, when we do not know the acquisition process. Although we have focused on the uncalibrated case, for calibrated conditions we also propose a colour constancy method which introduces the relaxed grey-world assumption to produce a reduced feasible set of solutions. This method delivers good performance similar to existing methods and reduces the size of the feasible set obtained.

No description available.

No / Contrast constancy is the ability to perceive object contrast independent of size or spatial frequency, even though these affect both retinal contrast and detectability. Like other perceptual constancies, it is evidence that the visual system infers the stable properties of objects from the changing properties of retinal images. Here it is shown that perceived contrast is based on an optimal thresholding estimator of object contrast, that is identical to the VisuShrink estimator used in wavelet denoising.

This dissertation interrogates writers’ references to “constancy” during the English civil wars, reading the debate surrounding this vexed and multifarious term as indicative of a broader examination of constancy as a concept. Through generic case studies of the emblem book, prose romance, epic, and country house poem, I show how writers used constancy’s semantic and contextual slippage to participate in key debates of the civil wars; Hester Pulter, Percy Herbert, John Milton, Thomas Carew, Mildmay Fane, and Andrew Marvell deploy constancy as they intervene in civil war polemic surrounding kingship, property ownership, liturgy, and England’s relationship with the wider world. These cases, I argue, show the interaction between writers’ reevaluation of constancy and their reevaluation of inherited literary traditions. In interrogating constancy, writers articulate and even inspire innovation in literary genre, thereby demonstrating not the destruction of literary form during the civil wars, but writers’ ability to accommodate established literary tradition to dynamic religiopolitical circumstances.

We show that a color algorithm capable of separating illumination from reflectance in a Mondrian world can be learned from a set of examples. The learned algorithm is equivalent to filtering the image data---in which reflectance and illumination are mixed---through a center-surround receptive field in individual chromatic channels. The operation resembles the "retinex" algorithm recently proposed by Edwin Land. This result is a specific instance of our earlier results that a standard regularization algorithm can be learned from examples. It illustrates that the natural constraints needed to solve a problemsin inverse optics can be extracted directly from a sufficient set of input data and the corresponding solutions. The learning procedure has been implemented as a parallel algorithm on the Connection Machine System.

We present a unifying framework in which "object-independent" modes of variation are learned from continuous-time data such as video sequences. These modes of variation can be used as "generators" to produce a manifold of images of a new object from a single example of that object. We develop the framework in the context of a well-known example: analyzing the modes of spatial deformations of a scene under camera movement. Our method learns a close approximation to the standard affine deformations that are expected from the geometry of the situation, and does so in a completely unsupervised (i.e. ignorant of the geometry of the situation) fashion. We stress that it is learning a "parameterization", not just the parameter values, of the data. We then demonstrate how we have used the same framework to derive a novel data-driven model of joint color change in images due to common lighting variations. The model is superior to previous models of color change in describing non-linear color changes due to lighting.

A number of studies have been made concerning the constancy of the sociometric structure of a group. This study, though dealing with constancy, is not concerned with the structural constancy of groups, but rather with the constancy of certain types of relationships within the group.