Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-04-03T19:16:35Z No. of bitstreams: 1 DezwithAlvesDeBarros_DISSERT.pdf: 1059609 bytes, checksum: 2537f39ba52bd604a840ae0fccbec284 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-04-04T21:44:59Z (GMT) No. of bitstreams: 1 DezwithAlvesDeBarros_DISSERT.pdf: 1059609 bytes, checksum: 2537f39ba52bd604a840ae0fccbec284 (MD5) / Made available in DSpace on 2017-04-04T21:44:59Z (GMT). No. of bitstreams: 1 DezwithAlvesDeBarros_DISSERT.pdf: 1059609 bytes, checksum: 2537f39ba52bd604a840ae0fccbec284 (MD5) Previous issue date: 2016-02-29 / A obra de Jo?o Gilberto Noll ? caracterizada por tra?os recorrentes bastante singulares. De um lado, as quebras com determinados padr?es usuais a formula??es ret?rico-discursivas (pessoa, g?nero, n?mero, tempo, modo, grau etc., afora a peculiaridade dos enredos); de outro, o fato de seus personagens-protagonistas n?o possu?rem pontos de fixa??o ou de refer?ncia minimamente precisos (nome, profiss?o, descri??o f?sica, la?os familiares e afetivos, resid?ncia fixa etc.). Em conjunto, estes fatores geram enorme ambiguidade, a ponto de, n?o raro, um personagem n?o s? se confundir com outro, mas, literalmente, fundir-se com o outro. Diante destas caracter?sticas, esta pesquisa se apresenta como um estudo dos procedimentos por meio dos quais essa confus?o identit?ria se instaura e se dissemina no romance Lorde (2004), de Jo?o Gilberto Noll, analisando seus efeitos sobre a articula??o de seu personagem-protagonista. Junto a esta an?lise, os resultados obtidos s?o discutidos levando em conta sua poss?vel motiva??o social, concebendo-a como um processo imanente ? composi??o do texto. Para tanto, a discuss?o ser? fomentada teoricamente, principalmente, a partir de conceitos oriundos do que se denominaria aqui como a filosofia da n?o identidade ? conforme postulada por Theodor Adorno (1982); (1985); (2008); (2009) e desenvolvida por seus interlocutores contempor?neos. Para auxiliar no entendimento da rela??o entre obra liter?ria e sociedade, s?o considerados os trabalhos de Antonio Candido (1980) e de Theodor Adorno (2003). Al?m disso, para melhor compreender os processos repressores da sexualidade sofridos pelo personagem do romance analisado, tamb?m s?o utilizados conceitos oriundos da psican?lise de Sigmund Freud (2010a); (2010b); (2010c). Assim sendo, a escolha de Lorde como objeto de an?lise deste trabalho justifica-se na medida em que os tra?os t?picos ? escrita de Noll, que resvalam em invari?vel e inevit?vel confus?o identit?ria, s?o como que radicalizados no referido romance. / The work of Jo?o Gilberto Noll is characterized by recurrent strokes quite unique. On the one hand, the breaks with rhetorical-discursive formulations certain usual standards (person, gender, number, time, manner, degree etc., besides the peculiarity of plots); on the other hand, the fact of his characters-players do not have attachment points or minimally accurate reference (name, occupation, physical description, family and emotional ties, place of residence etc.). Together, these factors create enormous ambiguity as to, often, a character not only be confused with another, but literally merge with the other. Given these characteristics, this research is presented as a study of the procedures by which this identity confusion is established and spreads in the novel Lorde (2004), by Jo?o Gilberto Noll, analyzing their effects on the articulation of his character-player. Along with this analysis, the results are discussed in light of its possible social motivation, conceiving it as an immanent process of the text composition. Therefore, the discussion will be fostered theoretically based on concepts coming from what would be named here as the philosophy of non-identity - as postulated by Theodor Adorno (1982); (1985); (2008); (2009) and developed by his contemporaries interlocutors. The works of Antonio Candido (1980) and Theodor Adorno (2003) are considered to assist in understanding of the relationship between literary work and society. In addition, to better understand the sexual repressive processes suffered by the character of the novel analyzed, concepts from the psychoanalysis of Sigmund Freud (2010a); (2010b); (2010c) are also used. Therefore, the choice of Lorde as object of analysis in this work is justified because the typical traits of Noll?s writing, who slip on invariable and inevitable identity confusion, are radicalized in that novel.