Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-04-23T00:13:58Z No. of bitstreams: 1 FranciscoLeandroTorres_DISSERT.pdf: 1111609 bytes, checksum: ccb0078271576a70b7a4aaac677b2390 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-04-25T19:28:44Z (GMT) No. of bitstreams: 1 FranciscoLeandroTorres_DISSERT.pdf: 1111609 bytes, checksum: ccb0078271576a70b7a4aaac677b2390 (MD5) / Made available in DSpace on 2016-04-25T19:28:44Z (GMT). No. of bitstreams: 1 FranciscoLeandroTorres_DISSERT.pdf: 1111609 bytes, checksum: ccb0078271576a70b7a4aaac677b2390 (MD5) Previous issue date: 2015-03-20 / No contexto das produ??es po?ticas da modernidade e da p?s-modernidade (HUTCHEON, 1999), este trabalho, a partir da no??o de nomadismo (DELEUZE, 2012), conjuntamente com a no??o de escritura do fil?sofo Derrida (2009), tem como escopo estudar no romance Harmada (1993), do artista Jo?o Gilberto Noll, o aspecto da escritura n?made nolliana e do t?dio no sentido da desconstru??o do modelo romanesco. A narrativa em foco instaura uma fic??o em tr?nsito, promovidos pelos nomadismos da escritura do narrador errante que, na constitui??o da obra, vai se destecendo ao desenrolar da linguagem, numa trama que invade o corpo dos personagens repletos de t?dio e estrangeiros de si mesmos, moventes nas espacialidades fragmentadas e flu?das do narrar. Nessa perspectiva, a pesquisa circunscreve-se com fundamenta??o te?rico-metodol?gica no horizonte das discuss?es p?s-estruturalistas, concernentes aos pensadores-te?ricos- cr?ticos: Derrida (2009), Deleuze (1995), Foucault (1996; 2001), Barthes (1977), Svendsen (2006). Neste horizonte de compreens?o cr?tica, a escritura nom?dica de Harmada entrela?a-se em tr?s movimentos: primeiro, na linguagem do autor; segundo, nos personagens, levando o narrador-protagonista, sem nome, a viver contundentes crises e dolorosas ambiguidades existenciais, colocadas atrav?s da met?fora do artista fracassado sob o signo da ?falta?, enquanto busca de outros modos art?sticos poss?veis de ser e estar no mundo; e, por ?ltimo, a inst?ncia de leitura n?made como efeito de presentifica??o (GUMBRECHT, 2010) para uma experimenta??o do leitor. Por fim, nosso trabalho aborda a rela??o entre a escritura nom?dica e a experi?ncia do t?dio como pot?ncia estrat?gica do fazer literatura nas artes de Noll. / In the context of poetic productions of modernity and postmodernity (Hutcheon, 1999), this paper, from the concept of nomadism (Deleuze, 2012), together with the philosopher Derrida's notion of writing (2009), has the objective to study Harmada the novel (1993), written by artist Joao Gilberto Noll, the aspect of Nolliana nomadic scripture and boredom towards deconstruction of the Romanesque style. The narrative focus on introducing a transit fiction, promoted by nomadisms scripture of the wandering narrator who, in the work constitution, will the conduct of language, a plot that invades the body of the characters full of boredom and foreigners themselves, moving in fragmented and fluid spatiality of narrating. In this perspective, the research is limited with theoretical and methodological foundation in poststructuralist discussions in relation to considerations of literary aesthetics and concerning the thinkers-te?ricos- critics: Derrida (2009), Deleuze (1995), Foucault (1996, 2001), Barthes (1977), Svendsen (2006). Against the background of critical understanding, the nomadic writing Harmada interlace in three stages: first, in the author's language; Second, the characters, the narrator-protagonist leading, unnamed, living overwhelming crises and painful existential ambiguity, placed through the artist's metaphor failed under the sign of "missing" while searching for other possible artistic ways of being in the world; and, finally, the nomadic reading instance as presentification effect (GUMBRECHT, 2010) for a reader experimentation. Finally, our work addresses the relationship between the nomadic scripture and the experience of boredom as a strategic power in the literature do Noll gear.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-04-03T19:16:35Z No. of bitstreams: 1 DezwithAlvesDeBarros_DISSERT.pdf: 1059609 bytes, checksum: 2537f39ba52bd604a840ae0fccbec284 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-04-04T21:44:59Z (GMT) No. of bitstreams: 1 DezwithAlvesDeBarros_DISSERT.pdf: 1059609 bytes, checksum: 2537f39ba52bd604a840ae0fccbec284 (MD5) / Made available in DSpace on 2017-04-04T21:44:59Z (GMT). No. of bitstreams: 1 DezwithAlvesDeBarros_DISSERT.pdf: 1059609 bytes, checksum: 2537f39ba52bd604a840ae0fccbec284 (MD5) Previous issue date: 2016-02-29 / A obra de Jo?o Gilberto Noll ? caracterizada por tra?os recorrentes bastante singulares. De um lado, as quebras com determinados padr?es usuais a formula??es ret?rico-discursivas (pessoa, g?nero, n?mero, tempo, modo, grau etc., afora a peculiaridade dos enredos); de outro, o fato de seus personagens-protagonistas n?o possu?rem pontos de fixa??o ou de refer?ncia minimamente precisos (nome, profiss?o, descri??o f?sica, la?os familiares e afetivos, resid?ncia fixa etc.). Em conjunto, estes fatores geram enorme ambiguidade, a ponto de, n?o raro, um personagem n?o s? se confundir com outro, mas, literalmente, fundir-se com o outro. Diante destas caracter?sticas, esta pesquisa se apresenta como um estudo dos procedimentos por meio dos quais essa confus?o identit?ria se instaura e se dissemina no romance Lorde (2004), de Jo?o Gilberto Noll, analisando seus efeitos sobre a articula??o de seu personagem-protagonista. Junto a esta an?lise, os resultados obtidos s?o discutidos levando em conta sua poss?vel motiva??o social, concebendo-a como um processo imanente ? composi??o do texto. Para tanto, a discuss?o ser? fomentada teoricamente, principalmente, a partir de conceitos oriundos do que se denominaria aqui como a filosofia da n?o identidade ? conforme postulada por Theodor Adorno (1982); (1985); (2008); (2009) e desenvolvida por seus interlocutores contempor?neos. Para auxiliar no entendimento da rela??o entre obra liter?ria e sociedade, s?o considerados os trabalhos de Antonio Candido (1980) e de Theodor Adorno (2003). Al?m disso, para melhor compreender os processos repressores da sexualidade sofridos pelo personagem do romance analisado, tamb?m s?o utilizados conceitos oriundos da psican?lise de Sigmund Freud (2010a); (2010b); (2010c). Assim sendo, a escolha de Lorde como objeto de an?lise deste trabalho justifica-se na medida em que os tra?os t?picos ? escrita de Noll, que resvalam em invari?vel e inevit?vel confus?o identit?ria, s?o como que radicalizados no referido romance. / The work of Jo?o Gilberto Noll is characterized by recurrent strokes quite unique. On the one hand, the breaks with rhetorical-discursive formulations certain usual standards (person, gender, number, time, manner, degree etc., besides the peculiarity of plots); on the other hand, the fact of his characters-players do not have attachment points or minimally accurate reference (name, occupation, physical description, family and emotional ties, place of residence etc.). Together, these factors create enormous ambiguity as to, often, a character not only be confused with another, but literally merge with the other. Given these characteristics, this research is presented as a study of the procedures by which this identity confusion is established and spreads in the novel Lorde (2004), by Jo?o Gilberto Noll, analyzing their effects on the articulation of his character-player. Along with this analysis, the results are discussed in light of its possible social motivation, conceiving it as an immanent process of the text composition. Therefore, the discussion will be fostered theoretically based on concepts coming from what would be named here as the philosophy of non-identity - as postulated by Theodor Adorno (1982); (1985); (2008); (2009) and developed by his contemporaries interlocutors. The works of Antonio Candido (1980) and Theodor Adorno (2003) are considered to assist in understanding of the relationship between literary work and society. In addition, to better understand the sexual repressive processes suffered by the character of the novel analyzed, concepts from the psychoanalysis of Sigmund Freud (2010a); (2010b); (2010c) are also used. Therefore, the choice of Lorde as object of analysis in this work is justified because the typical traits of Noll?s writing, who slip on invariable and inevitable identity confusion, are radicalized in that novel.