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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
41

The trumpet; its use in selected works of Stravinsky, Hindemith, Shostakovich, and Copland

Coleman, Jack, January 1965 (has links)
Thesis (D.M.A.)--University of Southern California. / Includes bibliographical references.
42

The trumpet as a voice of Americana in the Americanist music of Gershwin, Copland, and Bernstein

Bekeny, Amanda Kriska, January 2005 (has links)
Thesis (Ph. D.)--Ohio State University, 2005. / Title from first page of PDF file. Includes bibliographical references (p. 146-152).
43

O processo interpretativo na reg?ncia orquestral: um estudo a partir da obra Appalachian Spring ? Ballet for Martha (suite for 13 instruments) de Aaron Copland

Teixeira, Fellipe Rafael Carna?ba 18 December 2017 (has links)
Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2018-04-02T15:55:04Z No. of bitstreams: 1 FellipeRafaelCarnaubaTeixeira_DISSERT.pdf: 9600769 bytes, checksum: 8a4ff32e18ee35c48b1dc2398f1a1882 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2018-04-09T21:36:51Z (GMT) No. of bitstreams: 1 FellipeRafaelCarnaubaTeixeira_DISSERT.pdf: 9600769 bytes, checksum: 8a4ff32e18ee35c48b1dc2398f1a1882 (MD5) / Made available in DSpace on 2018-04-09T21:36:51Z (GMT). No. of bitstreams: 1 FellipeRafaelCarnaubaTeixeira_DISSERT.pdf: 9600769 bytes, checksum: 8a4ff32e18ee35c48b1dc2398f1a1882 (MD5) Previous issue date: 2017-12-18 / A presente pesquisa tem por objetivo relatar, de forma detalhada, o processo interpretativo do regente a partir da ?tica do autor deste trabalho, utilizando como objeto de pesquisa a obra Appalachian Spring (1944), do compositor norte-americano Aaron Copland (1900 ? 1990). O questionamento motivador desta pesquisa ? sobre como se d? o processo interpretativo do regente, visto que este n?o disp?e do aparato da orquestra no momento de prepara??o da obra. O primeiro cap?tulo - a introdu??o - apresenta um estudo sobre a interpreta??o musical de forma geral: os objetivos, a justificativa e a metodologia. No segundo cap?tulo - desenvolvimento da pesquisa - h? tr?s pontos de estudo: um sobre a constru??o da sonoridade orquestral por parte do regente - como se configura, os passos, dificuldades e import?ncia desse processo para a realiza??o musical; um estudo sobre os sil?ncios musicais e a import?ncia de sua observa??o para a interpreta??o da obra; e, por ?ltimo, a an?lise do repert?rio gestual empregado pelo regente na obra em quest?o. Ainda no desenvolvimento, o trabalho traz o relato da experi?ncia do autor sobre como se deram seus ensaios e sua perspectiva at? o concerto. No terceiro cap?tulo, h? a conclus?o da pesquisa. Nos anexos, estar? presente a partitura com as marca??es de estudo do autor do trabalho. / The present research aims to report in detail the interpretive process of the conductor, from the perspective of the author of this work, using the work Appalachian Spring (1944) by the American composer Aaron Copland (1900 - 1990). The motivating question of this research is about how the interpretative process of conductor takes place, since it does not have the apparatus of the orchestra at the moment of preparation of the work. The first chapter, the introduction, presents a general study of the musical interpretation, the objectives, the justification and the methodology. In the second chapter, development of the research, there are three points of study: one on the construction of orchestral sonority on the part of the conductor, as it happens, the steps, difficulties and importance of this process for the musical accomplishment; a study on the musical silences and the importance of their observation for the work interpretation; and finally the analysis of the gestural repertoire used by the conductor in the work in question. Still in the development, the work brings the report of experience of the author on how he gave his rehearsals and his perspective until the concert. In the third chapter there is the conclusion of the research. In the annexes will be present the score with the markings of study of the author of the work
44

Defining Musical Americanism: A Reductive Style Study of the Piano Sonatas of Samuel Barber, Elliott Carter, Aaron Copland, and Charles Ives

Jacklin, Brendan January 2017 (has links)
No description available.
45

ETHEREAL FLUIDITY: THE LATE FLUTE WORKS OF AARON COPLAND

PERLOVE, NINA MARGARET 02 July 2003 (has links)
No description available.
46

An American Idea: Aaron Copland's Fanfare for the Common Man

Melton, Sarah Anne 05 August 2010 (has links)
No description available.
47

Aaron Copland : uma análise das tendências pandiatônicas na obra "Preamble for a Solemn Occasion" para órgão

Mundstock, Jeanine Franke January 2008 (has links)
Este trabalho consiste em investigar as tendências pandiatônicas na obra "Preamble for a Solemn Occasion" para órgão (1953) de Aaron Copland (1900-1990). A análise inclui a busca pelos conteúdos intervalares mais recorrentes, a interação entre a tonalidade harmônica e a tonalidade melódica, e os centros tonais. Os referenciais teóricos utilizados foram os livros Tonality, Atonality e Pantonality de Rudolph Reti (1958), que fundamenta o conceito de pantonalidade, e Analytic Approaches to Twentieth-Century Music de Joel Lester (1989), que elucida acerca da teoria dos conjuntos. / The purpose of this research is to investigate the pandiatonic tendencies of the "Preamble for a Solemn Occasion" for organ (1953) by Aaron Copland (1900-1990). The analysis inc1udes a search for the most recurrent interval collections, the interaction between the harmonic and melodic tonalities, and the tonal centers. The theoretical framework inc1udes the works by Rudolph Reti: Tonality, Atonality e Pantonality (1958) where pantonality is defined, and Analytic Approaches to Twentieth-Century Music by Joel Lester (1989) for set theory analysis.
48

Aaron Copland : uma análise das tendências pandiatônicas na obra "Preamble for a Solemn Occasion" para órgão

Mundstock, Jeanine Franke January 2008 (has links)
Este trabalho consiste em investigar as tendências pandiatônicas na obra "Preamble for a Solemn Occasion" para órgão (1953) de Aaron Copland (1900-1990). A análise inclui a busca pelos conteúdos intervalares mais recorrentes, a interação entre a tonalidade harmônica e a tonalidade melódica, e os centros tonais. Os referenciais teóricos utilizados foram os livros Tonality, Atonality e Pantonality de Rudolph Reti (1958), que fundamenta o conceito de pantonalidade, e Analytic Approaches to Twentieth-Century Music de Joel Lester (1989), que elucida acerca da teoria dos conjuntos. / The purpose of this research is to investigate the pandiatonic tendencies of the "Preamble for a Solemn Occasion" for organ (1953) by Aaron Copland (1900-1990). The analysis inc1udes a search for the most recurrent interval collections, the interaction between the harmonic and melodic tonalities, and the tonal centers. The theoretical framework inc1udes the works by Rudolph Reti: Tonality, Atonality e Pantonality (1958) where pantonality is defined, and Analytic Approaches to Twentieth-Century Music by Joel Lester (1989) for set theory analysis.
49

Aaron Copland : uma análise das tendências pandiatônicas na obra "Preamble for a Solemn Occasion" para órgão

Mundstock, Jeanine Franke January 2008 (has links)
Este trabalho consiste em investigar as tendências pandiatônicas na obra "Preamble for a Solemn Occasion" para órgão (1953) de Aaron Copland (1900-1990). A análise inclui a busca pelos conteúdos intervalares mais recorrentes, a interação entre a tonalidade harmônica e a tonalidade melódica, e os centros tonais. Os referenciais teóricos utilizados foram os livros Tonality, Atonality e Pantonality de Rudolph Reti (1958), que fundamenta o conceito de pantonalidade, e Analytic Approaches to Twentieth-Century Music de Joel Lester (1989), que elucida acerca da teoria dos conjuntos. / The purpose of this research is to investigate the pandiatonic tendencies of the "Preamble for a Solemn Occasion" for organ (1953) by Aaron Copland (1900-1990). The analysis inc1udes a search for the most recurrent interval collections, the interaction between the harmonic and melodic tonalities, and the tonal centers. The theoretical framework inc1udes the works by Rudolph Reti: Tonality, Atonality e Pantonality (1958) where pantonality is defined, and Analytic Approaches to Twentieth-Century Music by Joel Lester (1989) for set theory analysis.
50

Aaron Copland a jeho Duo pro flétnu a klavír / Aaron Copland and his Duo for Flute and Piano

Jarkovská, Jana January 2013 (has links)
This master´s thesis deals with the personality and works of the 20th century American composer Aaron Copland. In its first part it brings his biography together with a summary of his most important pieces. The second part of the thesis focuses on Copland?s Duo for Flute and Piano written in 1971. Besides the information about the historic context of the piece and its characteristic it contains an interpretative analysis and a parsing of the Duo?s recordings.

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