Submitted by PPG Ci?ncias Criminais (ppgccrim@pucrs.br) on 2017-08-24T14:16:48Z No. of bitstreams: 1 Disserta??o Guilherme de Carvalho e Silva.pdf: 2894800 bytes, checksum: 3aaa99876812c616a0d69d7aff96c9bb (MD5) / Approved for entry into archive by Tatiana Lopes (tatiana.lopes@pucrs.br) on 2017-08-25T12:26:45Z (GMT) No. of bitstreams: 1 Disserta??o Guilherme de Carvalho e Silva.pdf: 2894800 bytes, checksum: 3aaa99876812c616a0d69d7aff96c9bb (MD5) / Made available in DSpace on 2017-08-25T12:38:10Z (GMT). No. of bitstreams: 1 Disserta??o Guilherme de Carvalho e Silva.pdf: 2894800 bytes, checksum: 3aaa99876812c616a0d69d7aff96c9bb (MD5) Previous issue date: 2017-03-29 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / The present work, adopting the line of research in violence, crime and public safety, proposes to analyze the phenomenon of cultural assimilation by ga?chos groups of football supporters, of the argentinean matrix football supporters groups of style culture, specifically of the style groups nominated as barras, and assimilated in the common sense as barras bravas, holders of a moral and conduct code based in violence, the aguante, from the style group known as Geral of Gr?mio, football fans linked to the football club Gr?mio Foot-Ball Porto Alegrense. In order to do so, a detailed exposition of the roots, practices, customs, rituals and cultural artifacts of the argentinean barra groups will be carried out, through a bibliographical review of social anthropology research carried out in that country. Based on the ethnographic work carried out with Geral of Gr?mio, which adopted the methodological paradigm of the concepts of liquid and instant ethnography developed by cultural criminology, while referring to a necessary allusion to the geographic peculiarities and socio-cultural appropriations that made this phenomenon possible for the ga?chos groups of football supporters. Especially the process of mythological construction of the gaucho warrior ideology. The Geral of Gr?mio is also different from the other style groups of the global football culture. With regard to analytical criminological content, a hypothesis based on the transcendence of boredom is erected, which the daily routine surrounded by ontological insecurity, relative deprivation, and increasing demands for the satisfaction of individualism, impose on individuals in the globalized society of late modernity, from an individual sensory experience of excitement and self-control, alternative to formal social control, by the mediated "uncontrolled", in the performance of limit-activities conceptualized in cultural criminology as edgework. These conceptualizations would not have been possible without the previous contribution of the aggregate analyzes of social disorganization and lack of formal values already evidenced by ?mile Durkheim and the functionalist school of Chicago, much like William Thomas and Robert Merton, keeping the due differences of time and space. Merton is conjugated to the seduction and excitation factors inherent in the offending act observed by Jack Katz, according with the Jock Young's work, and Thomas makes it possible to explain the interweaving between the customs of the Argentinean barra groups and those that existed in the ga?cho football supporters groups of style culture, linked to the organized groups of brazilian football supporters, resulting in a hybrid group, neither Brazilian, nor Argentine, but the Geral of Gr?mio, who later would influence other groups of style of the ga?cho football supporters groups of style culture, and be a reference for creating alento groups of football supporters in the rest of the country. / O presente trabalho, adotando a linha de pesquisa em viol?ncia, crime e seguran?a p?blica, se prop?e a analisar o fen?mendo de assimila??o cultural pelas torcidas ga?chas, da cultura de arquibancada de matriz platina, especificamente dos grupos de estilo nominados como barras e assimilados no senso comum como barras bravas, detentores de um c?digo moral e de conduta baseado na viol?ncia, o aguante, a partir do grupo de estilo conhecido como Geral do Gr?mio, torcida vinculada ao clube de futebol, Gr?mio de Foot-Ball Porto Alegrense. Para tanto, ser? realizada a exposi??o pormenorizada das ra?zes, bem como das pr?ticas, costumes, rituais e artefatos culturais dos grupos de barra argentinos, atrav?s da revis?o bibliogr?fica de pesquisas de antropologia social realizadas naquele pa?s, para logo ap?s, expor um quadro comparativo, tendo como base o trabalho etnogr?fico efetivado junto a Geral do Gr?mio, que adotou o paradigma metodol?gico das conceitua??es de etnografia l?quida e do instante desenvolvidas pela criminologia cultural, sem deixar de referir a uma necess?ria alus?o ?s peculiaridades geogr?ficas e apropria??es s?cio culturais que tornaram poss?vel este fen?meno para as torcidas ga?chas. Sobretudo o processo de constru??o mitol?gica do ide?rio guerreiro do ga?cho da campanha. Diferencia-se ainda a Geral do Gr?mio dos demais grupos de estilo da cultura de arquibancada global. No que toca ao conte?do anal?tico criminol?gico, se erige uma hip?tese fundamentada na transcend?ncia ao t?dio que a rotina cotidiana cercada de inseguran?a ontol?gica, priva??o relativa, e reclames cada vez maiores de satisfa??o do individualismo, imp?em aos sujeitos na sociedade ocidental globalizada da modernidade tardia, a partir de uma experi?ncia sensorial individual de excita??o e autocontrole alternativo ao controle social formal, pelo ?descontrole? mediado, no perfazimento de atividades-limite conceituadas na criminologia cultural como edgework. Estas conceitua??es n?o teriam sido poss?veis sem a contribui??o pr?via das an?lises agregadas de desorganiza??o social e car?ncia de valores formais j? evidenciadas por ?mile Durkheim e pela escola funcionalista de Chicago, sobremodo William Thomas e Robert Merton, guardadas as devidas diferen?as de tempo e espa?o. Merton ? conjugado aos fatores de perfazimento de sedu??o e excita??o inerentes ao ato transgressor observados por Jack Katz, na esteira do trabalho de Jock Young, e Thomas possibilita explicar o entrela?amento entre os costumes dos grupos de barra argentinos ?queles que existiam na cultura de arquibancada ga?cha, vinculados ?s torcidas organizadas brasileiras, resultando em um grupo de estilo h?brido, nem brasileiro, nem argentino, a Geral do Gr?mio, que posteriormente iria influenciar outros grupos de estilo da cultura de arquibancada ga?cha, e ser refer?ncia de cria??o de torcidas de alento pelo resto do pa?s.