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The purpose of this study is to explore the development and rise of the smooth jazz radio format. It is an exploratory study which aims to illustrate the confluence of forces that contributed to the immense success of the smooth jazz genre through the 1980s and well into the 1990s. Artists, such as the saxophonist Kenny G, popularized this style of music that is often described as instrumental-pop music, happy-jazz, or easy listening. Others might draw comparisons to the music we often hear inside of elevators and shopping centers. This is a process that is not unique to the genre of jazz nor to the time period I will be focusing on but is a niche in the music world in which I am intimately involved. This study delves into how the smooth jazz genre developed, the key player(s) involved with its proliferation, and most importantly, this study demonstrates that in spite of the meteoric rise and immense commercial success of smooth jazz, it was not a trend that could withstand the continuously changing tastes of the public.

<p> National culture and organizational culture impact how continuous improvement methods are received, implemented and deployed by suppliers. Previous research emphasized the dominance of national culture over organizational culture. The countries studied included Poland, Mexico, China, Taiwan, South Korea, Estonia, India, Canada, the United States, the United Kingdom, and Japan. The research found that Canada was most receptive to continuous improvement, with China being the least receptive. The study found that organizational culture was more influential than national culture. Isomorphism and benchmarking is driving continuous-improvement language and methods to be more universally known within business. Business and management practices are taking precedence in driving change within organizations.</p>

Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2009. / Source: Dissertation Abstracts International, Volume: 70-06, Section: A, page: . Adviser: Nancy Abelmann. Includes bibliographical references (leaves 204-212) Available on microfilm from Pro Quest Information and Learning.

<p> This dissertation examines the social and interactional foundations of a grammatical divergence between Tactile American Sign Language (TASL) and Visual American Sign Language (VASL) in the Seattle DeafBlind community. I argue that as a result of the pro-tactile movement, structures of interaction have been reconfigured and a new language has begun to emerge. Drawing on 18 months of ethnographic research, more than 190 hours of videorecordings of interaction and language use, 50 interviews with members of the community, and more than 14 years of involvement in a range of capacities, I analyze this social transformation and its effect on the semiotic organization of TASL. </p><p> I identify two processes as requisite for the emergence of TASL: <i> deictic integration and embedding in the social field.</i> Deictic integration involves the coordination of grammatical systems with modes of access and orientation that are reciprocal across a group of language-users. Embedding in the social field involves: (1) the legitimation of the language for taking up valued social roles, along with the embodied knowledge necessary for doing so, and (2) authorization of some language-users to evaluate linguistic forms and communicative practices as correct or not. </p><p> In this dissertation, I track these processes among DeafBlind people and I show how they are leading to new mechanisms for referring to the immediate environment and tracking referents across a stream of discourse (Chapter 7), new rules for the formation of lexical signs (Chapter 8), and a new system for generating semiotically complex signs, which incorporate both linguistic and non-linguistic elements (Chapter 9). In order to understand the social and interactional foundations of these emergent systems, I examine the history of two institutions around which the Seattle DeafBlind community was built (Chapter 3). In Chapter 4, I show how social roles, given by the history of those institutions, were reconfigured by DeafBlind leaders and how this led to changes in modes of access and orientation (Chapters 5 and 6). I argue that as relations between linguistic, deictic, and social phenomena grew tighter and more restricted, a new tactile language began to emerge. I therefore apprehend language emergence not as a process of liberation or abstraction from context, but as a process of contextual integration (Chapter 1).</p>

Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2006. / Source: Dissertation Abstracts International, Volume: 68-12, Section: A, page: 5116. Adviser: Nancy Abelmann. Includes bibliographical references (leaves 224-235) Available on microfilm from Pro Quest Information and Learning.

Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2008. / Source: Dissertation Abstracts International, Volume: 69-11, Section: A, page: 4383. Adviser: Matti Bunzl. Includes bibliographical references (leaves 193-215) Available on microfilm from Pro Quest Information and Learning.

Thesis (Ph.D.)--Indiana University, Dept. of Anthropology, 2006. / Source: Dissertation Abstracts International, Volume: 67-04, Section: A, page: 1414. Advisers: Richard Bauman; Wesley Thomas. "Title from dissertation home page (viewed June 19, 2007)."

<p> From <i>silva dimes</i> to <i>po-boys</i>, r-lessness has long been a conspicuous feature of all dialects of New Orleans English. This dissertation presents a quantitative and qualitative description of current rates of r-lessness in the city. 71 speakers from 21 neighborhoods were interviewed. Rpronunciation was elicited in four contexts: interview chat, Katrina narratives, a reading passage and a word list. R-lessness was found in 39% of possible instances. Older speakers pronounce /-r/ less than younger speakers, and those with a high school education or less pronounce /-r/ far less than those with post-secondary education. Race and gender did not prove to be significant predictors of r-pronunciation. In contrast to past studies, many speakers in the current study discuss their metalinguistic awareness of /-r/ and their partial control of /-r/ variation, discussing switching between r-fulness and r-lessness in different contexts. </p><p> In New Orleans, this metalinguistic awareness is attributable in part to the devastation following Hurricane Katrina in 2005, when the near-disappearance of the city intensified an already extant nostalgia for local culture, including ways of speaking. Nostalgia and amplification by advertisers and popular media have helped recontextualize r-lessness as a variable associated with a number of social meanings, including localness and authenticity. These processes help transform r-lessness, for many speakers, from a routine feature of talk to a floating cultural variable, serving as a semiotic resource on which speakers can draw on to perform localness. </p><p> This dissertation both closes a gap in research on New Orleans speech and uses New Orleans as a case study to suggest that the social meanings of linguistic features are created and maintained in part by a constellation of interrelated social processes of late modernity. Further, I argue that individual speakers are increasingly agentively engaged with these larger processes, as part of a global transformation from more traditional, place-bound populations to more deracinated individuals who choose to align themselves with particular communities and local cultural forms, particularly those that have been commodified.</p>

This thesis is concerned with the rise of independent booksellers in China since the late 2000s. Drawing on the findings of a qualitative study I conducted with 55 independent booksellers between 2014 and 2015, I argue that independent bookselling in China is an economic activity politicized, and the emergence and development of independent booksellers has been a process shaped by both economic and socio-political factors stemming from both inside and outside the book industry. Studying independent bookselling, a significant change in the Chinese book industry in recent years, my thesis advances our understanding of the transformation of the book industry in China. The notion of ‘politicization’ provides a useful analytical framework for understanding bookselling and publishing in parallel contexts. Finally, by elucidating the distinctive relationship between the evolution of the book industry and some wider social, political and economic processes in China, my thesis adds to the political economy of the media industry in non-Western societies and contributes to the de-Westernization of this long-dominant and yet problematic approach to the study of the media and media industries.