This thesis deals with the potential of the Czech Republic selected sites inscribed on the World Heritage List. The aim of this work is to confirm the hypothesis that inclusion of the Czech immovable cultural monuments on World Heritage List has an impact on the number of domestic and foreign visitors. In this regard, we will try to outline the positive and negative aspects arising from the inscription of monuments on the World Heritage List. Content of work is the analysis of selected factors that may affect attendance at selected sites. Using sociological research oriented to visitors of selected World Heritage Sites will focus on the perception of visitors of World Heritage Sites, because they are the ones who make the demand for tourism services. In conclusion, the results of research evaluate and propose possible solutions to more closely involved World Heritage Site in the development of tourism in the region.

This thesis explores how heritage museums can engage more visitors to take part of cultural heritage in context to digital culture, and going deeper in on what implementation of gamification and alternate reality games can contribute with. Through the establishment of how the heritage museum space has changed since the implementation of technology, gives a response concerning new perspective in the experience economy. Connecting Mihaly Csikszentmihalyi’s characteristics of flow together with Jane McGonigal’s theory of alternate gaming can serve the visitor to invest in their own learning outcomes, thus invest more in cultural heritage. Nevertheless also how visitors can experience cultural heritage as one but at the same time as a community, participating through a common ‘goal’.

This diploma thesis focuses on the use of EU funds and public budgets for repairs of cultural monuments in the South Bohemian Region. The theoretical part is a general explanation of the basic concepts of the area of monument care.It also presents the basic legislation in force in this field and the governing, responsible authorities and also the possible means of financing repairs. The practical part deals with the short description of the region and then follows a detailed description of the various forms of subsidy obtaining - the grant program of the city of České Budějovice, the grant programs of the South Bohemian Region, Grant programs of the Ministry of Culture of the Czech Republic, support from the EU, reconstruction of cultural monuments in the region and their appreciation.

Les relations entre l'utilisation, l'origine et les propriétés des matériaux de construction peuvent être définies comme des éléments de cohésion territoriale. Elles sont en outre des questions inhérentes à la conservation et restauration du patrimoine culturel. L'objectif de ce travail est d'évaluer cette relation dans le Pays rémois (Bassin Parisien, France). Ce dernier est un exemple concret de zone d'étude limitée (1 400 km², 140 communes) mais dotée d'une géologie et d'un patrimoine très variés. 26 matériaux de construction différents (craie, grès, calcaires, meulière et briques etc.) ont été décrits macroscopiquement et recensés afin de construire une base de données géoréférencées (via ArGis®). Leurs répartitions spatiales ont été analysées à l'aide d'outils de distribution et d'autocorrélation. Par ailleurs, des caractérisations pétrophysiques ont été réalisées en laboratoire sur une sélection de calcaires lutétiens. Les résultats montrent une cohésion territoriale d'utilisation des matériaux répartie selon 6 microrégions et une évolution de leur utilisation du XIe au XXe siècle. La diversité pétrophysique des matériaux du Lutétien est importante, avec différents niveaux de sensibilité aux sels et au gel. L'étude apporte des clefs pour comprendre les critères de choix des matériaux et des conseils pour la gestion du patrimoine dans le territoire d‘étude. / The relationship between uses, origins and properties of building materials can be defined as an element of territorial cohesion of. This is an inherent matter of the preservation and restoration of the cultural heritage. The aim of the study was to highlight this relationship in The Pays rémois (Paris Basin, France). This is a specific zone of 1400 km² with around 140 villages, with an important geological and historical background. Twenty-six building materials (chalk, sandstones, limestones, cherts and bricks) were macroscopically described and field observations werecompiled in a GIS-database (via Arcgis®). Repartition analyses were made with distribution and spatial autocorrelation tools. Petrophysical characterizations were realized on selected lutetian limestones. Results showed 6 areas of building material uses and temporal tendencies use from XIe to XXe centuries. Petrophysical datas were very different between and inside these four limestone groups. Their salt and freeze durability were variable too. The study highlighted some clues to understand choice criteria of building stones and provided guidance for the management and restoration in the Pays rémois.

Both garden ontology and tourists influence garden tourism, and while many countries around the world have researched garden tourism, China's garden tourism market lacks development. This study aims to find a sustainable and distinctive development path for garden tourism development in complementary developed China. This study uses primarily qualitative research to interview visitors to Chinese garden tourism sites, using visitor experience factors and international case studies to explore the development of Chinese garden tourism. The study results show that Chinese gardens are characterized by developing essential elements: discovering tourism values, increasing infrastructure development, innovative management, and creating a and connotation of sustainable development. Thus, the study project will fill the gap in the development of garden tourism in China and provide a creative direction for the development of garden tourism in China.

Submitted by Maria Aparecida (cidazen@gmail.com) on 2017-08-25T14:14:48Z No. of bitstreams: 1 Inaldo.pdf: 1689390 bytes, checksum: 1a13335b165531e1bb46f3547f54447a (MD5) / Made available in DSpace on 2017-08-25T14:14:48Z (GMT). No. of bitstreams: 1 Inaldo.pdf: 1689390 bytes, checksum: 1a13335b165531e1bb46f3547f54447a (MD5) Previous issue date: 2017-07-03 / FAPEMA / In the recent history of South Africa, the State has sought to formulate and implement public policies in the field of culture considering the diversity of the peoples of the region. This coincides with South Africa, whose formal political system is democracy. Thus, through different governmental actions, a series of public policies have been promoted aiming at the promotion and valorization of culture. It is observed in the field of cultural policies the identification and valuation of some material and immaterial heritage, consubstanciando a sort of heritage of policy. In this perspective, in the present work, which consists of an exploratory research of bibliographical and documentary character, the relationship between State and Culture in the construction of the Rainbow Nation is analyzed, epithet by means of which this country of the south of Africa, historically marked by the segregation and by Apartheid, intends to redefine itself. Post-Apartheid South Africa has sought in heritage policies a new sense for the nation when it comes to the renaming of streets, the transformation of buildings into museums, and the holding of events reminiscent of the characters who fought against racial segregation. These actions of renations, transformations and praises institutionalized by the State are inserted in the field of public policies. Thus, it is problematic how the State appropriates the culture and the heritage for the construction of its project of nation. The official projects and plans for post-Apartheid South African cultural and heritage policies are centered on building a nation marked by its ethnic and cultural diversity, and it seems to be this multicultural and multiethnic heritage that should become a symbol of the Rainbow Nation. Of course, this is a complex process marked by tensions and ambiguities. / Na recente história da África do Sul, o Estado tem buscado formular e implementar políticas públicas no campo da cultura considerando a diversidade dos povos da região. Este momento coincide com a África do Sul cujo sistema político formal é a democracia. Assim, através de diferentes ações governamentais, tem-se promovido uma série de políticas públicas visando à promoção e valorização da cultura. Observa-se no campo das políticas culturais a identificação e valorização de alguns patrimônios materiais e imateriais, consubstanciando-se uma espécie de política de patrimonialização. Nessa perspectiva, no presente trabalho, que consiste em uma pesquisa exploratória de caráter bibliográfico e documental, analisa-se a relação entre Estado e Cultura na construção da Rainbow Nation, epíteto por meio do qual esse país do sul da África, historicamente marcado pela segregação e pelo Apartheid, pretende se redefinir. A África do Sul pós-Apartheid tem buscado nas políticas patrimoniais um novo sentido para se pensar a nação, quando se observa a renomeação de ruas, a transformação de prédios em museus e a realização de eventos relembrando os personagens que lutaram contra a segregação racial. Essas ações de renomeações, transformações e louvações institucionalizadas pelo Estado estão inseridas no campo das políticas públicas. Assim, problematiza-se como o Estado se apropria da cultura e do patrimônio para a construção de seu projeto de nação. Os projetos e planos oficiais de políticas culturais e patrimoniais sul-africanas pós-Apartheid se centram na construção de uma nação marcada pela sua diversidade étnica e cultural, e parece ser este patrimônio multicultural e pluriétnico que deveria se tornar símbolo da Rainbow Nation. Evidentemente, este é um processo complexo e marcado por tensões e ambigüidades.

This Thesis is called "Opportunities of culture funding for Strakonice region". The main topic of thesis is rescue culture heritage, its financial support from the EU or National budget of the Czech republic. The Diploma Thesis consists of two parts, theoretic and practic one. The first part includes the kinds of financial supports, a present and a future progression of Czech and European regional culture field. One of chapters, the charter 2. 5. 4 is more focused on the Czech culture strategy. The regional policy has ben elevated since 2014. The culture sector will be the main part the European economy strategy because of its social and economic potential. The second part is about the concrete regional artefacts which have been reconstructed with a financial supports by the owners, national or European funds. The last part have been concentrated for resume of the achieved results and a recommendation for the future culture progression.

The objective of this diploma thesis is to evaluate the utilization of the Integrated operational programme for the tourism development in the Czech Republic. First part of the thesis presents basic information about the programme. Second part is focused on the description of priority axis related to the tourism development including the summary of approved projects and their principal activities. Third part concentrates on the analysis of monitoring indicators and horizontal topics. Last two chapters contains the financial evaluation and main risks within the projects implementation.

The dissertation treats of the appreciation of the localization´s influence of the Pernštejn castle on the tourism in region Bystřicko. The dissertation was written according to defined objects. According to the first object, I investigated the position of the castle on the system of the tourism´s attractions in the region. Following investigation is {--} the behaviour of visitors, their basic places for visit and the last investigation researches which establishment cooperate with the castle and the sort of the cooperation. The investigation is the basic part of the dissertation. The results are described in the sections called ``discussion`` and {\clqq}epilogue``.

La présente thèse s'attache à définir la consistance du domaine public mobilier et la portée du principe d'inaliénabilité associé à cette catégorie juridique consacrée par le Code général de la propriété des personnes publiques en 2006.Elle montre que le Code général de la propriété des personnes publiques a consacré le domaine public mobilier en renforçant la prééminence des biens culturels en son sein. Les biens qui présentent « un intérêt public du point de vue de l'histoire, de l'art, de l'archéologie, de la science ou de la technique » sont protégés par un standard juridique. Néanmoins, le domaine public mobilier est réceptif à des meubles dépourvus d'intérêt culturel. Il existe en outre un domaine public mobilier praeter legem.Le domaine public est protégé par le principe d'inaliénabilité. Cependant, le principe d'inaliénabilité du domaine public mobilier est avant tout une interdiction de déclassement administratif de meubles publics qui présentent un intérêt public du point de vue de l'histoire, de l'art, de l'archéologie, de la science ou de la technique. Loin d'être sanctuarisé, il s'accommode en droit et en fait d'une importante aliénabilité des meubles domaniaux. / French public entities (the State, local entities) can be owners of real property or movables. When these movables have a cultural value, they can be a matter of what the French law calls ‟domaine public mobilier”. These properties are subjected to legal rules which grant them a particular protection: they are inalienable; they are subjected to special rules regarding their preservation, their safety and their security. And these properties are subjected to particular legal rules allowing people to discover them in public museums, in public exhibitions, etc. How does the law identify these properties? Is the inalienability of these properties as “authoritarian” as the law wants it? These questions are in the heart of the present work.