D. M. Thomas的小說白色旅店(The White Hotel)以一位受納粹迫害的猶太女性麗莎鄂德曼(Lisa Erdman)的故事為主軸，期在精神分析的過程中，透過醫生病人的對話，對於現代性思維過於強調工具理性的不足之處進行批判性的思索。並以此探討納粹大屠殺的發生與西方邏輯思考的局限性與排他性之間的關聯。 白色旅店共分成三大部份：麗莎的精神分析（包含麗莎的夢境，佛洛伊德的觀察、治療、解夢的敘述，以及麗莎在後續的信件中對於診斷結果的質疑）、身為大屠殺受難者的麗莎對於大屠殺的紀錄、以及最後引起諸多爭議的一章。本論文企圖由德勒茲的理論之中，慾望流動與對精神分析的批判出發，審視小說中的兩大主題，其一是工具理性的排他性。其二則是對於文學創作以納粹猶太人的大屠殺為題材所引發之爭議的省思。 第二章討論的是麗莎作為一個慾望流動的主體，如何展現自己以對抗現代性的排他性。第三章則進一步探討佛洛伊德精神分析的不可依賴性以及其缺失。第四章則討論將歷史的受難訴諸於文學創作所引起的爭議。並進一步肯定，作為一種文類，小說的題材亦提供另一種不同省思猶太人大屠殺的模式。 / This thesis investigates D. M. Thomas’s The White Hotel from the perspectives of the critique on Freudian psychoanalysis as well as the literary representation of the Holocaust in order to reflect on the imperfections of modernity. Diagnosed as an abnormal subject, the protagonist Lisa seeks help from the fictional Freud. However, the analyst persists in the thought that her symptoms are intimately connected with her lost memories of the past as well as her terrible relationship with her parents, ignoring the fact that Lisa’s Jewish identity has been the major factor for her physical pains and her mental vulnerability. By employing Deleuze and Guattari’s critique on Freudian psychoanalysis, I intend to have a further exploration of two themes in The White Hotel: one is Freudian psychoanalysis based on the excessive reliance on rationality and scientific belief, and the other is the Holocaust as well the problems derived from the literary interpretation of the massacre.