This thesis presents Sumitra Mehraul’s autobiography Ṭūṭe pãkhõ se parvāz tak and her two short stories Phãs and Pratikār and divides them into the categories of autobiography and autobiografiction. The categorization will be done by presenting a summary of each writing, introducing the concepts of autobiography, autobiografiction and Dalit literature. The result is a suggestion on how the writings can be categorized based on their content. Furthermore, discussing the importance of introducing autobiografiction into the categorization of Dalit literature.

During the last decades, a Hindi Dalit literary movement has emerged in North India. This essay is a study and comparison on character portrayals in short stories by two authors from this movement, Jayprakash Kardam and Ajay Navaria. The aim of this essay is to explore the implications of these portrayals considering these authors’ views on social change, their literary affiliations and a theoretical discussion on Dalit literature. The methodical basis for this study is a detailed character analysis of these short stories’ protagonists, antagonists and other relevant characters, supported by narrative- and conceptual analyses. This essay argues that the theoretical abstraction of Dalit consciousness [cetnā] has a mainstreaming effect on the Dalit experience [anubhūti] when it is portrayed in literature. These dynamics are visible in Kardam’s stories, in which his portrayals of the Dalit protagonist follow the conventional Dalit character template, a forthright and innocent archetype juxtaposed against an evil Brahmin. The pivoting moment in Kardam’s stories is when consciousness awakens in the Dalit protagonist and he joins the corporate resistance against a casteist society. In comparison, Navaria makes the individual the site for change in his stories—reflecting the Gandhian notion of hṛday parivartan (“change of heart”). Navaria foregrounds alternative perspectives to Dalit cetnā in his stories and seeks to understand his characters from a broader human experience. I further argue that Navaria’s stories are suggestive of an expansion of the binary discussion on anubhūti (“experience”) and sahānubhūti (“sympathy”) by the term samānubhūti (“empathy”) since Navaria, by his more complex, nuanced and personalised characterisation of both Dalits and Brahmins, provides a common ground that invites to reconciliation. This study concludes that while Kardam could be designated as a conventional Dalit author, Navaria should rather be situated in the boundaries between the Dalit and the mainstream Hindi literary field. It further concludes that more research is needed on theoretical concepts used in the Dalit literary discourse. / <p>Kandidatuppsats i indologi</p>

The thesis deals with dalit literature and its role in the dalit movement. In the preface it summarizes information about indian caste system, untouchability and outlines the history of the dalit movement. It tries to highlight certain important points within the history of dalit movement that were significant for the evolvement and development of the dalit literature. Then it goes onto the dalit literature itself. The brief historical depiction is devided into parts based on geographic and lingual regions (Marathi, Telugu, Tamil, Hindi and Gujarati). Further the author deals with classification of dalit literature and its relation with afro- american literature. She poses and tries to answer the question of who in fact is the dalit writer, how is dalit literature received by literature critics and briefly also mentions its language specificities. In the analysis of dalit literature motives the author describes significant and frequent storylines and shows the connection of literature and dalit movement. Specific examples taken from dalit works point out particular motives and nicely illustrate the character of this literature. Separate chapter deals with recently current theme of women in dalit literature. In conclusion author offers summary of the whole theme, emphasizes its most important points...