Made available in DSpace on 2014-12-17T14:35:50Z (GMT). No. of bitstreams: 1 LarissaKOMT.pdf: 1371897 bytes, checksum: 99dc7d93ffe08b68a3c07bbdf795ec6d (MD5) Previous issue date: 2005-06-30 / The thesis presents the body poetry and its inscribing in the myth and But? dance. The argumentation highlights the sensitive dimension present in these itineraries, as a possibility to operate the emergency of knowing inscribed in the body, bringing a kind of rationality that links the fragments, that allows the knowing to break through the barriers of disciplinary isolation, that abandons the certainties and goes through the ways of creation and that gives the body new space and time, featuring epistemological elements, ethical and esthetical, that can permit a sensitive education. All along the way, we comprehend by sensitive education, a education that considers the relinking of logical, analogical, symbolic and artistic knowledge and therefore reconsiders the own act of knowing as a continuous and inconcluded process. That sensitive education is also understood as retaking the body experience, its sensitive nature, as well as being meaningful to reading the world. It includes the body memory, its history and creativity, opening it to innovation, change, sense amplification and dialogue with other bodies and world, because it is within them. It is about an investigation of phenomenologic nature, that dialogues philosophy and art, pointing breakdowns of this reflection foe the body and education studies. We find it necessary to notice the body language, that allows one to think through movements, articulate a thought that is risen from articulations, guts and all the body. This incarnated reason starts the expressive body action, that makes us move to mean, communicate, inaugurate senses. Among these senses, we present a possibility of approach of the elements of But? dance teaching and physical education, as ways of sensitive education showings of body poetry / A tese apresenta a po?tica do corpo e sua inscri??o no mito e na dan?a but?. A argumenta??o ressalta a dimens?o sens?vel presente nesses itiner?rios, como possibilidade de operar a emerg?ncia dos saberes inscritos no corpo, instaurando um tipo de racionalidade que une os fragmentos, permite que os saberes atravessem as fronteiras do isolamento disciplinar, abandona as certezas e envereda pelos caminhos inusitados da cria??o, ressignificando o espa?o e o tempo do corpo, configurando elementos epistemol?gicos, ?ticos e est?ticos que possam favorecer uma educa??o sens?vel. Em todo o percurso, compreendemos por educa??o sens?vel uma educa??o que considera a religa??o dos conhecimentos l?gicos, anal?gicos, simb?licos, art?sticos, que considera a inscri??o corporal do conhecimento e como tal redimensiona o pr?prio ato de conhecer como um processo cont?nuo e inconcluso. Essa educa??o sens?vel ? tamb?m entendida como aquela que retoma a experi?ncia do corpo, sua natureza sens?vel, como significativa para a leitura do mundo. Inclui a mem?ria do corpo, a sua hist?ria, a sua criatividade, abrindo-se ? inova??o, ? mudan?a, ? amplifica??o dos sentidos e ao di?logo com os outros corpos e com o mundo, porque neles tamb?m se constitui. Trata-se de uma investiga??o de natureza fenomenol?gica, que dialoga filosofia e arte, apontando desdobramentos dessa reflex?o para os estudos do corpo e da educa??o. Consideramos necess?rio perceber a linguagem dos gestos, a qual possibilita pensar por movimentos, permite articular um pensamento que nasce das articula??es, das v?sceras, de todo o corpo. Essa raz?o encarnada aciona a a??o expressiva do corpo, que faz com que nos movamos para significar, para comunicar, para inaugurar sentidos. Dentre esses sentidos, apresentamos uma possibilidade de abordagem dos elementos da dan?a but? para o ensino da Dan?a e da Educa??o F?sica, como modos de educa??o sens?vel elucidativos da po?tica do corpo