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Desert journey : a religious dance-drama and an evaluation of its effect on a selected Latter-day Saint audience.Hatch, Frank W. January 1965 (has links)
Thesis (M.A.)--Brigham Young University Dept. of Dramatic Arts.
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Multimedia application for teaching danceKuswik, Aleksandra B. January 1999 (has links)
Thesis (M.S.)--University of California, Santa Cruz, 1999. / Typescript. Includes bibliographical references (leaves 49-51).
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Toward a structuralist approach to symbolism in danceStevens, Christine Marie, January 1900 (has links)
Thesis--Wisconsin. / Vita. Includes bibliographical references (leaves 180-196).
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A theatre of spatial poetry a study of the modern dance drama as it concretizes twentieth-century visions of a theatre of gestures /Arnold, Stephanie Kelvin, January 1900 (has links)
Thesis--Wisconsin. / Vita. Includes bibliographical references (leaves 252-262).
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Bedhaya Durma change and continuity in a Javanese court dance /Vetter, Valerie Mau. January 1984 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1984. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 246-250).
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The effect of two regulated changes of tempo upon the emotional connotation of a specific dance studyHays, Joan Camille. January 1965 (has links)
Thesis (M.S.)--University of Wisconsin--Madison, 1965. / eContent provider-neutral record in process. Description based on print version record. Bibliography: l. [105]-108.
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An approach to the portrayal of emotion in danceD'Angelo, Janeen Sand. January 1963 (has links)
Thesis (M.S.)--University of Wisconsin--Madison, 1963. / Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 55-59).
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The Sinulog dancing of Cebu City, Philippines : a semeiotic analysis /Ness, Sally Ann. January 1987 (has links)
Thesis (Ph. D.)--University of Washington, 1987. / Vita. Two maps on folded leaves in pocket. Bibliography: leaves [576]-587.
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The Choreography and Production of "Sustainable Place"January 2011 (has links)
abstract: The purpose of the production and the choreographed work, "Sustainable Place," was to bring awareness to the public about sustainability issues through the medium of dance. The piece was performed in Nelson Fine Arts Center's Dance Lab at Arizona State University on October 8th, 9th, and 10th of 2010. The work was layered with inspirations from sustainability issues, recycling processes, and resiliency concepts. / Dissertation/Thesis / M.F.A. Dance 2011
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Thesis of Blood| An Analytical Exploration of the Conventions of the Slasher Film and Their Application onto the Concert Dance StageHodges, Nathan 24 August 2018 (has links)
<p> <i>Thesis of Blood</i>, a one-act, dance-theater meta-commentary, brings conceptual, compositional, and narrative elements from the cinematic horror genre, specifically the classical and post-modern periods of the slasher film sub-genre, to the concert dance stage. The work explores how those elements can generate original choreographic material, translate into live theater through reimplementation via staging and stagecraft, and challenge standardized concert audience expectations. <i>Thesis of Blood</i> examines and combines the different forms of spectacle used in musical theater jazz and cinematic horror, their use of the eroticized female form, and how their different approaches and depictions of violence can reframe and question how and why the contemporary audience consumes violence as a form of entertainment. </p><p>
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