This dissertation reveals that the American reception of evolution often hinged on the theory's implications for gender and that Darwinian ideas significantly shaped feminist thought in the U.S. While the impact of evolution on American culture has been widely studied, few scholars have done so using gender as a category of analysis. Similarly, evolutionary theory is largely absent from histories of American feminist thought. Yet, Darwin's ideas, specifically those in The Descent of Man, and Selection in Relation to Sex (1871), had profound ramifications for gender and sex. Nineteenth century scientists and laypeople alike eagerly applied Darwin's theories to the "woman question," generally to the detriment of women. At the same time, key female activists embraced evolution as an appealing alternative to biblical gender strictures (namely the story of Adam and Eve) and enthusiastically incorporated it into their speeches and writings. My work describes how women including Antoinette Brown Blackwell, Elizabeth Cady Stanton, and Charlotte Perkins Gilman utilized Darwinian principles to challenge traditional justifications for female subordination and bolster their arguments for women's rights. Furthermore, my research demonstrates that gender roles, particularly those pertaining to courtship, marriage, and reproduction, were reformulated in accordance with Darwin's theory of sexual selection, altering popular ideas about motherhood and paving the way for eugenics and birth control. My interdisciplinary project draws on scientific and mainstream publications, the feminist press, prescriptive literature, fiction, popular culture, and archival materials, and it explores both intellectual developments and their impact on people's daily lives. I argue that evolution shifted the terms of debate from women's souls to women's bodies, encouraged feminists to claim "equivalence" rather than "equality," inspired opponents and proponents of women's rights to ground their arguments in science (most frequently biology and zoology), destigmatized sex as a topic of scientific inquiry, and galvanized support for greater female autonomy in reproductive decisions. Looking at gender, religion, and evolutionary theory in concert not only helps us more fully comprehend the construction of gender and the development of American feminism, especially its troubled relationships with religion and science, it also enriches our understanding of the American reception of Darwin. / text

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The worlds of Dickens's novels and of Darwin's science reveal striking similarity in spite of their involvement in different areas. The similarity comes from the fact that they shared the ethos of Victorian society: laissez-faire capitalism. In The Origin of Species, which was published on 1859, Charles Darwin theorizes that nature has evolved through the rules of natural selection, survival of the fittest, and the struggle for existence. Although his conclusion comes from the scientific evidence that was acquired from his five-year voyage, it is clear that Dawinian nature is reflected in cruel Victorian capitalism. Three novels of Charles Dickens which were published around 1859, Bleak House, Hard Times, and Our Mutual Friend, share Darwinian aspects in their fictional worlds. In Bleak House, the central image, the Court of Chancery as the background of the novel, resembles Darwinian nature which is anti-Platonic in essence. The characters in Hard Times are divided into two groups: the winners and the losers in the arena of survival. The winners survive in Coketown, and the losers disappear from the city. The rules controlling the fates of Coketown people are the same as the rules of Darwinian nature. Our Mutual Friend can be interpreted as a matter of money. In the novel, everything is connected with money, and the relationship among people is predation to get money. Money is the central metaphor of the novel and around the money, the characters kill and are killed like the nature of Darwin in which animals kill each other. When a dominant ideology of a particular period permeates ingredients of the society, nobody can escape the controlling power of the ideology. Darwin and Dickens, although they worked in different areas, give evidence that their works are products of the ethos of Victorian England.