<p>The purpose of the essay is to illustrate the differences in understanding and comprehension of time among the characters in the novel Hard Times. These contrasting differences are then argued to compose a crtisism of the industrial society.</p>

The purpose of the essay is to illustrate the differences in understanding and comprehension of time among the characters in the novel Hard Times. These contrasting differences are then argued to compose a crtisism of the industrial society.

This research aims to explore how Turkish business leaders tackle and navigate challenges in times of crisis. Recent Gezi Park protests in Istanbul, Turkey triggered a multilayered crisis. These protests lasted more than two months, having long-term effects on Turkey’s social, cultural and economic life. Therefore, this thesis considers these Gezi Park protests as a crisis for food sector business leaders in the neighbourhood. This research examines leaders’ processes of dealing with the protests, by drawing on interviews with 40 leaders in the food sector. First, it investigates how these leaders addressed the protests, as leaders’ responses affected their businesses. Secondly, it discusses challenges experience by leaders during the protests. Finally, it investigates leaders ‘coping mechanisms’ in the face of challenges. The thematic analysis of data suggests that those leaders who helped the protestors by opening their doors prioritised humanity before any ideology. These leaders put humane values first, such as acting with conscience, feeling empathy and feeling compassion despite having opposing political views. This behaviour is considered successful leadership behaviour. Conversely, those leaders who put their self-interests first by closing their doors to the protestors are considered unsuccessful leaders. It emerged that leaders faced emotional, physical, interpersonal and financial challenges during the protests. Leaders coped with challenges by remaining hopeful about the future, by being patient, by being supported by family and friends, by becoming accustomed to the challenges, and by adopting an exit strategy.

This master's thesis attempts to present the literary conception of a modern pulsing German metropolis at the end of the 1920s and the beginning of the 1930s in three significant novels of that time: Döblin's Berlin Alexanderplatz. Die Geschichte vom Franz Biberkopf (1929), Kästner's Fabian. Die Geschichte eines Moralisten (1931) and Keun's Das kunstseidene Mädchen (1932). Attention is paid, on the one hand, to the picture of a babbling city, the presence of technology, new means of transport and advertising in the streets. Most importantly, however, the thesis gives an insight into the social situation of that time, i.e. the issues of everyday life in a metropolis which can be summarized, in the words of the personae, under the term "hard times" - unemployment, criminality or the politicisation of inhabitants in the years before the Nazi seizure of power. In addition, the thesis covers likewise the situation of the new social stratum of employees, the fates of women and an outline of cultural, entertainment and media industry in Berlin. Powered by TCPDF (www.tcpdf.org)

The aim of this thesis is to examine the concept of time in Dickens¡¦s novels including A Christmas Carol, Hard Times and A Tale of Two Cities with the newly discovered concepts of time in physics, geology and social economy. I intend to use them to build possible parallels, which will help to clarify the working of time and its influences imposed upon the characters in Dickens¡¦s novels. The thesis, in a sense, is an experiment of cross-boundary study and, through a close examination of the three books, tends to provide an alternative way to rethink the relationship between time, characters, the world and the author in Dickens¡¦s novels.

This thesis considers how the Black dancing body constitutes both Black history and dance history by reading the body in Pearl Primus' Hard time blues, The Negro speaks of rivers and Strange fruit as physical auto/biography, or what I shall herein refer to as auto/body/graphy. The Black dancing body, because it is a repository of the Black experience, actively engages in the act of self-naming, self-shaping, and self-recognition. As such, it may be considered an auto/body/graphy that is situated in Black history, an instrument through which histories of origin and migration, struggle against oppression and colonialization, and the forging of identities and self-definition are inscribed and communicated. This thesis examines Primus' early choreographies as a discourse through which to consider the impact of Black cultural consciousness and the emergence of a Black aesthetic and Black corpo-reality in dance and theatre on the development of American modern dance before mid-century, and upon later choreographers who followed Primus. / text

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This essay will analyze a selection of characters from Charles Dickens’ novel Hard Times. Characterizations will be analyzed by using a Marxist theoretical framework, e.g., characters’ relations to Marxist concepts such as class struggle, alienation, and stratification will be studied. The purpose of this essay is to use Marxist concepts in order to understand Dickens’ satire and critique of capitalism. This is done by applying a theory criticizing capitalism, namely Marxist theory, to some of the novel’s characters and analyzing these characters according to their relations to the main features of Marxist theory. A few characters are selected for analysis, to distinguish characteristics or traits that satirize society. Moreover, the essay will investigate whether the author alludes to Marxist concepts when satirizing contemporary society. The characters portrayed in the novel are all exposed to a society characterized by hardship, inequality, and class struggle. These concepts are all features of a society that Marxism critiques. Accordingly, the thesis is that Marxist concepts are implicit in the text and do play a role in Dickens’ satirizing of his contemporary, capitalist, industrialized society, despitenot being mentioned explicitly.

What I shall do in this paper is apply Frye’s concept of romance to Hard Times, i.e., Frye's defining romance as a device for using archetypes. The novel, as Frye sees it, is a vehicle whereby “realism” or life-like representation is applied. Hard Times contains “stylized figures” which thematically and formalistically support the dehumanization concept Dickens is portraying. Thus Dickens turned, as it were, toward a potentially revolutionary form within which to accomodate what is in many ways his most original piece of writing.

The worlds of Dickens's novels and of Darwin's science reveal striking similarity in spite of their involvement in different areas. The similarity comes from the fact that they shared the ethos of Victorian society: laissez-faire capitalism. In The Origin of Species, which was published on 1859, Charles Darwin theorizes that nature has evolved through the rules of natural selection, survival of the fittest, and the struggle for existence. Although his conclusion comes from the scientific evidence that was acquired from his five-year voyage, it is clear that Dawinian nature is reflected in cruel Victorian capitalism. Three novels of Charles Dickens which were published around 1859, Bleak House, Hard Times, and Our Mutual Friend, share Darwinian aspects in their fictional worlds. In Bleak House, the central image, the Court of Chancery as the background of the novel, resembles Darwinian nature which is anti-Platonic in essence. The characters in Hard Times are divided into two groups: the winners and the losers in the arena of survival. The winners survive in Coketown, and the losers disappear from the city. The rules controlling the fates of Coketown people are the same as the rules of Darwinian nature. Our Mutual Friend can be interpreted as a matter of money. In the novel, everything is connected with money, and the relationship among people is predation to get money. Money is the central metaphor of the novel and around the money, the characters kill and are killed like the nature of Darwin in which animals kill each other. When a dominant ideology of a particular period permeates ingredients of the society, nobody can escape the controlling power of the ideology. Darwin and Dickens, although they worked in different areas, give evidence that their works are products of the ethos of Victorian England.