While multiple questions drive this project, one fundamental query lays at its center. How did American approaches to mortality, their own and others, during the early national period (roughly 1770 to 1850) shape both their understanding of themselves and their environment? The answer to that question exposes a distinct set of values revolving around preparation for death, and acknowledgment and respect for their own (and others mortality), which Americans imbibed from various and disparate sources. More specifically, the first half of the project examines how the letters they wrote and read, the sermons they listened to, the mourning rituals they practiced, the burial grounds they utilized, and the novels and poetry they consumed all combined to create a shared knowledge base and approach to death during the early republic. Uniquely, these principles found strength through a conscious linking of mortality to the natural world. Americans understood their own death as part of a larger, both positive and negative, perfected natural system created and perpetuated by God. The American approach towards mortality, however, was not static and the nineteenth century bore witness to the emergence of a sentimentalized, sanitized, and less human inclusive vision of mortality during 1830s and beyond. Ironically, nature remained central to the way Americans experienced death, however, in a consciously aesthetic, romantic, controlled manner. It is written into the present where rolling and manicured lawns combine together with still ponds to create bucolic scenes of peaceful rest among scenes of beauty. The old, grim, but no less natural lessons of worms, dirt, decay, and dissolution no longer hold sway, ignoring the vital and humbling connection between human bodies and the natural world that was understood in the early republic. This shift (and the focus of the second half of the dissertation), was spurred on by numerous interrelated but distinct factors ranging from urban growth, disease, foreign immigration, and changing cultural sentiments. Americans during the 1830s, 40s, and 50s redefined their relationship to death and in doing so consciously turned away from a vibrant, dynamic, and humbling vision of mortality grounded in the natural world.

The thesis consists of five chapters: the first functions as an overture; the second, third and fourth deal with Plato, Cicero and Montaigne respectively; and the fifth raises some questions. The overture explores the ways in which Odysseus, Lucretius and Seneca approached death, and in the process introduces some obvious distinctions - between death viewed as the act of dying and death viewed as the state of being dead, between the death which comes to everyone and the death which comes to me, between our own death and the death of others - and anticipates certain recurring themes. The second chapter, on Plato, is concerned chiefly with the Phaedo and the question of what is involved in "the practice of death". This entails an examination of related concepts and terminology in the Gorgias and the Republic, and of the whole subject of Platonic myth. The third chapter discusses Cicero's views on death and immortality - both the considered reflections of the philosopher and the spontaneous reactions of the bereaved father - principally as these emerge from the Tusculan Disputations and the letters to Atticus. The fourth chapter approaches Montaigne - his own experiences of death, the relationship between his earlier and later approaches, the tension between his professed Catholicism and his pagan inclinations, the difficulty and perhaps undesirability of extracting a 'message' from the Essais on this or any other subject. The conclusion asks to what extent these various approaches succeed in what they set out to do, and whether any generalised, objective approach to death can ever successfully address the individual predicament, either in relation to one's own death or in facing bereavement.

Cette thèse de doctorat offre deux aspects de la recherche en épigraphie médiévale, à savoir la réalisation d'un corpus des inscriptions médiévales conservées et/ou concernant les diocèses d'Arras, de Cambrai, de Liège, de Thérouanne et de Tournai, et l'étude de ces inscriptions dans une perspective historique. Pour cela, les épigraphes ont été classées en quatre groupes: les inscriptions sur les objets archéologiques mérovingiens, les inscriptions funéraires (épitaphes, endotaphes et authentiques de reliques), les inscriptions relatives à l'histoire des bâtiments religieux et les inscriptions sur les objets liturgiques. Pour chaque catégorie, les formulaires des textes ont été analysés pour eux-mêmes, puis les uns par rapport aux autres. Ils ont ensuite été étudiés en tenant compte du contexte d'insertion (emplacement dans les édifices de culte, rapport avec d'autres textes ou avec des images, etc.). Le but de cette démarche est de déterminer la fonction des inscriptions médiévales et d'enrichir notre connaissance de l'histoire de la mort et de la liturgie au Moyen Age. / Doctorat en Histoire, art et archéologie / info:eu-repo/semantics/nonPublished