Thesis (DPhil (Ancient Studies))--University of Stellenbosch, 2011. / ENGLISH ABSTRACT: The compositional strategy, structure, and peak of the book Hebrews are heavily debated. Most scholars analyze Hebrews from only a Western linear approach. Other scholars like Vanhoye, Neeley, G.H. Guthrie, and Gelardini have suggested a chiastic perspective. Despite the insights gained from a chiastic approach, the linguistic analyses of Neeley and G.H. Guthrie posit linguistic peaks that appear incompatible with the chiastic peak of Vanhoye, Neeley, and Gelardini. Neeley, G.H. Guthrie, and Westfall claim to apply linguistic principles to the text, but with quite different conclusions. This study focuses on the form and function of the literary units and the relationship of these units to the overall book-level structure. Initial considerations include defining the individual literary units and determining the significance of lexical and syntactical recurrences within the pericopes. Such recurrences are important features for determining textual boundaries, transitions, and compositional patterns. Subsequently, this study evaluates literary units in relation to each other in light of book-level correspondences (syntactical and semantic) as a means of positing an overall structure and compositional strategy for the book of Hebrews. Unlike the linear study of Westfall, the relationships of non-sequential literary units are considered as well as sequential units (i.e., both linear and concentric patterns). In addition to the analysis of the form and function of chiastic and parallel literary units, this study also considers the rhetorical function and significance of the central placement of OT quotations within those structures. Although the OT quotations often occur in the center of the chiastic structures, imperativals (imperatives, prohibitive subjunctives, and hortatory subjunctives) do not generally occur in the chiastic centers, but in the outer components of the chiastic structures. Such a perspective is helpful for understanding where the author is placing emphasis as well as for clarifying the relationship between the epideictic (doctrinal) and deliberative (hortatory) sections. Contrary to G.H. Guthrie’s and Westfall’s emphases on the deliberative sections, this study contends that Hebrews contains a coherent concentric pattern (involving a central thematic peak, dual hortatory climaxes, and dual apexes) as part of an overall compositional strategy. This is not to suggest that the epideictic sections are more important than the explicit exhortations found in the deliberative sections, but that the hortatory essence of Hebrews is rooted in both the theological truth of Jesus’ role as the great high priest and the function of his everlasting sacrifice in the heavenly tabernacle. The author weaved these texttypes together to deliver an even more powerful call to faithfulness. This study also challenges Nauck’s assertion that Heb 4:14–10:31 is one integral section. One of the key elements of this challenge is the unique interpretation of Heb 5:1-10 as foreshadowing the topic found in Hebrews 7. Understanding the foreshadowing essence of Heb 5:1-10 opens the means of interpreting Heb 4:14-16 and 10:19-22 as hortatory bookends to the central theological sections of Hebrews as opposed to designating Nauck’s lexical parallels as an inclusio. / AFRIKAANSE OPSOMMING: Daar word hewig gedebatteer oor die komposisionele strategie, struktuur en piek van die Hebreër-boek. Die meeste geleerdes analiseer Hebreërs slegs vanuit ‘n Westerse liniêre benadering. Ander geleerdes soos Vanhoye, Neeley, G.H. Guthrie en Gelardini het ‘n chiastiese perspektief voorgestel. Ten spyte van die insigte wat ‘n chiastiese benadering opgelewer het, poneer die linguistiese analises van Neeley en G.H. Guthrie linguistiese pieke wat onversoenbaar met die chiastiese piek van Vanhoye, Neeley and Gelardini lyk. Neeley, G.H. Guthrie en Westfall maak daarop aanspraak dat hulle linguistiese beginsels op die teks toepas, maar met uiteenlopende gevolgtrekkings. Hierdie studie fokus op die vorm en funksie van die literêre eenhede in die Hebreërboek en die verhouding van hierdie eenhede tot die oorkoepelende boek-vlak struktuur. Aanvanklike oorwegings sluit die omskrywing van die individuele literêre eenhede en die bepaling van die belang van leksikale en sintaktiese herhalings binne die perikope in. Sulke herhalings is van groot belang om die tekstuele grense, oorgange en komposisionele patrone te bepaal. Daarna word die literêre eenhede in verhouding tot mekaar in die lig van boek-vlak (sintaktiese en semantiese) ooreenkomste gëevalueer in ‘n poging om ‘n oorkoepelende struktuur en komposisionele strategie vir die Hebreërs-boek te poneer. Anders as die liniêre studie van Westfall word die verhoudings tussen nie-opeenvolgende sowel as opeenvolgende eenhede in ag geneem (d.w.s. beide liniêre en konsentriese patrone). Benewens die vorm en funksie van chiastiese en parallele literêre eenhede word die retoriese funksie en belang van die sentrale stelling van OT aanhalings binne hierdie strukture ook in oënskou geneem. Hoewel die OT aanhalings dikwels in die kern van die chiastiese strukture voorkom, word bevelsvorme (imperatiewe, verbodsubjuntiewe en aansporende subjunktiewe) nie normaalweg in die chiastiese kern aangetref nie, maar in die buitenste komponente van ‘n chiastiese struktuur. Hierdie insig help ons verstaan waar die skrywer die nadruk plaas en bied ook klarigheid oor die verhouding tussen die epideiktiese (leerstellige) en deliberatiewe (aansporende) gedeeltes. In teenstelling met G.H. Guthrie en Westfall se nadruk op die deliberatiewe gedeeltes word in hierdie studie aangevoer dat Hebreërs ‘n koherente konsentriese patroon (met ‘n sentrale tematiese piek, tweevoudige aanporende klimakse en tweevoudige kruine) bevat as deel van ‘n oorkoepelende komposisionele strategie. Dit beteken nie dat die epideiktiese gedeeltes belangriker is as die eksplisiete aansporings in die deliberatiewe gedeeltes nie, maar wel dat die aansporende essensie van Hebreërs gewortel is in sowel die teologiese waarheid van Jesus se rol as groot hoëpriester asook in die funksie van sy ewigdurende offerande in die hemelse tabernakel. Die skrywer het die onderskeie tekstipes verweef om ‘n nog sterker oproep tot getrouheid te maak. Hierdie studie betwis ook Nauck se bewering dat Heb 4:14–10:31 een integrale gedeelte vorm. Een van die sleutelelemente van die kritiek is die unieke interpretasie dat Heb 5:1-10 die tema wat in Hebreërs 7 voorkom, voorafskadu. Insig in die voorafskaduende rol van Heb 5:1-10 bied die geleentheid om Heb 4:14-16 en 10:19- 22 as aansporende boekstutte vir die sentrale teologiese gedeeltes van Hebreërs te interpreteer instede daarvan om Nauck se leksikale parallele as inclusio te beskryf.

Thesis (MPhil (Ancient Studies))--University of Stellenbosch, 2011. / ENGLISH ABSTRACT: Although St Augustine of Hippo (354–430 C.E.) was raised as a Christian, he refuted Catholicism as a youth in his search for divine wisdom and truth. Like the biblical prodigal son, he first had to realise the error of his aversion (turning away from the Catholic Church) before he could experience conversion (returning to the Catholic faith). Augustine narrates certain central events of his life in the Confessiones as a series of conversions, leading him from his native Roman North Africa to his conversion to Catholic Christianity in the Imperial City of Milan. Philosophy, especially Neo-Platonic thought, played a crucial role in his conversion process, as did the influence of St Ambrose, Bishop of Milan, and other Neo-Platonic intellectuals in Milan. Neo- Platonism also influenced Augustine's conception of the imago Dei (image of God). Although Augustine’s teaching of the concept of the imago Dei is found in all his works (but mainly in De Trinitate), a survey of the literature has shown that the way in which this concept is used to inform, structure and advance his conversion narrative in the Confessions, has not yet been investigated in a structured manner. In order to address this gap in scholarly knowledge, the thesis attempts to answer the following research question: How did the concept of the imago Dei inform and structure Augustine's conversion narrative, as recounted in his Confessiones, taking into account the theological and philosophical influences of Ambrose and the Neo-Platonists of Milan on his spiritual development? The investigation was conducted by an in-depth study and analysis of the Confessiones and relevant secondary literature within the historical, philosophical and religious framework of the work. An empirical approach, by means of textual analysis and hermeneutics, was used to answer the research question. The analysis of the Confessions is limited to its autobiographical part (Books 1 to 9). In order to carry out the analysis, a theoretical and conceptual framework was posited in Chapters 1 to 4, discussing the key concepts of conversion and of the imago Dei, as well as explaining the influence of Neo-Platonism and Ambrose on Augustine. In Chapter 5, this conceptual framework of the nature of the imago Dei is complemented by a literary framework for the Confessions to form a metaframework. The textual analysis was done within the meta-framework with reference to certain endowments (attributes) imprinted in the image, namely personality, spirituality, rationality, morality, authority, and creativity. The main conclusion is that Augustine's personal relationship with God had been harmed by the negative impact of sin on these endowments of the divine image in him. His gradual realisation that God is Spirit, his growth in faith, and his eventual acceptance of the authority of Scripture and of the Catholic Church, brought about the healing of the broken image of God in Augustine and also the restoration of God’s likeness in him. This enabled Augustine to be reconciled to God through Christ, who is the perfect Image of God, and helped to convert him to the Catholic Church, which is the Body of Christ. / AFRIKAANSE OPSOMMING: Alhoewel die Heilige Augustinus, Biskop van Hippo (354–430 n.C.), as Christen grootgemaak is, het hy as jong man die Katolisisme verwerp in sy soektog na goddelike wysheid en waarheid. Soos die verlore seun van die Bybel, moes hy eers die fout van sy afkerigheid (wegdraai van die Katolieke Kerk) insien voordat hy tot bekering (terugkeer tot die Katolieke geloof) kon kom. Augustine vertel sekere kerngebeure van sy lewe in die Confessiones (Belydenisse) as ‘n reeks van bekeringe, wat hom gelei het van sy geboorteplek in Romeins-Noord-Afrika tot sy bekering tot die Katolieke Christendom in die Keiserstad Milaan. Filosofie, veral Neo-Platoniese denke, het ‘n deurslaggewende rol gespeel in sy bekeringsproses, soos ook die invloed van die Heilige Ambrosius, Biskop van Milaan, en ander Neo- Platoniese intellektuele in Milaan. Neo-Platonisme het ook Augustine se begrip van die imago Dei (Godsbeeld) beïnvloed. Alhoewel Augustinus se leer oor die begrip imago Dei in al sy werke aangetref word (maar veral in De Trinitate), het ‘n literatuurstudie uitgewys dat die manier waarop hierdie begrip gebruik word om sy bekeringsverhaal in die Confessions toe te lig, vorm te gee en te bevorder, nog nie op gestruktureerde wyse ondersoek is nie. Om hierdie leemte in vakkundige kennis te vul, poog hierdie tesis om die volgende navorsingsvraag te beantwoord: Hoe het die begrip imago Dei Augustinus se bekeringsverhaal toegelig en vorm gegee, soos vertel in sy Confessiones, met inagneming van die teologiese en filosofiese invloede van Ambrosius en die Neo-Platoniste van Milaan op sy geestelike ontwikkeling? Die ondersoek is uitgevoer deur middel van ‘n grondige studie en ontleding van die Confessiones en toepaslike sekondêre literatuur binne die historiese, filosofiese en godsdienste raamwerk van die werk. ’n Empiriese benadering, by wyse van teksontleding en hermeneutika, is gebruik om die navorsingsvraag te beantwoord. Die ontleding van die Confessiones is beperk tot die outobiografiese deel (Boeke 1 tot 9). Om die ontleding uit te voer, is ’n teoretiese en konseptuele raamwerk vooropgestel in Hoofstukke 1 tot 4, waar die sleutelbegrippe bekering en imago Dei bespreek is, asook die invloed van Neo-Platonisme en Ambrosius op Augustinus. In Hoofstuk 5 word hierdie konseptuele raamwerk vir die aard van die imago Dei aangevul deur ’n literêre raamwerk vir die Confessions om sodoende ‘n metaraamwerk te vorm. Die teksontleding is gedoen binne die metaraamwerk met verwysing na sekere geestesgawes (eienskappe) wat in die beeld neerslag vind, naamlik persoonlikheid, spiritualiteit, rasionaliteit, moraliteit, outoriteit, en kreatiwiteit. Die hoofgevoltrekking is dat Augustinus se persoonlike verhouding met God geskaad is deur die negatiewe impak van sonde op hierdie geestesgawes van die Godsbeeld in hom. Sy geleidelike besef dat God Gees is, sy groei in sy geloof, asook sy uiteindelike aanvaarding van die gesag van die Bybel en van die Katolieke Kerk, het meegebring dat Augustinus se gebroke Godsbeeld en -gelykenis herstel is. Daardeur is Augustinus met God versoen deur Christus, wat die volmaakte Godsbeeld is, en sodoende is hy bekeer tot die Katolieke Kerk, wat die Liggaam van Christus is.