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Die Schrift als Zeuge analoger Gottrede Studien zu Lyotard, Derrida und AugustinusBruckmann, Florian January 2007 (has links)
Zugl.: Eichstätt, Ingolstadt, Univ., Habil.-Schr., 2007
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Corporeal tracings visuality, power and culture /McFarlane, Kate. January 2005 (has links)
Thesis (PhD)--Macquarie University, Division of Society, Culture, Media & Philosophy, Department of Critical and Cultural Studies, 2005. / "2004". Bibliography: p. 315-327.
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Sache selbst und Nichtdenkungsgedanke : Husserls phänomenlogische Region bei Schreber, Adorno und Derrida /Hentschel, Rüdiger. January 1992 (has links)
Diss.--Berlin--Freie Universität, 1990. Titre de soutenance : Vom Phänomen zur Chiffre.
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The moral subject vs. the political actor the political price of interiorization /Mabille, Martina Louise. January 2004 (has links)
Thesis (MA(Philosophy)--University of Pretoria, 2004. / Summary in English and Afrikaans leaves 132-139. Includes bibliographical references (leaves 120-131).
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Heidegger and the mystery of beingReddan, Marion. January 2009 (has links)
Thesis (Ph.D.)--University of Wollongong, 2009. / Typescript. Includes bibliographical references: leaf 308-328.
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Literature as performance founding spaces for voice /Clark, Prentiss. January 2005 (has links)
Thesis (B.A.)--Haverford College, Dept. of English, 2005. / Includes bibliographical references.
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"Speculations--on ?(Derri)da"?Fletcher, Barbara. January 1984 (has links)
Thesis (Ph. D.)--University of Florida, 1984. / Description based on print version record. Typescript. Vita. Includes bibliographical references (leaves 256-259).
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Das Poetische der Philosophie Friedrich Schlegel, Friedrich Nietzsche, Martin Heidegger, Jacques Derrida /Hoff, Ansgar Maria. Unknown Date (has links) (PDF)
Universiẗat, Diss., 2000--Bonn.
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Mind and language : evolution in contemporary theories of cognition /De Villiers, Tanya. January 2006 (has links)
Thesis (DPhil)--University of Stellenbosch, 2006. / Bibliography. Also available via the Internet.
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Arquitetura e representação : as Casas de papel, de Peter Eisenman e textos da desconstrução, de Jacques Derrida, anos 60 a 80Dorfman, Beatriz Regina January 2009 (has links)
Os avanços científicos e tecnológicos e a superação dos paradigmas filosóficos que fundamentaram o pensamento moderno provocaram profundas modificações na representação, ao longo do século XX. A arquitetura e a filosofia, como as mais diversas manifestações contemporâneas associaram-se nessas mudanças. Nas décadas de 1960 a 80, os trabalhos do arquiteto Peter Eisenman e os do filósofo Jacques Derrida partiram de questões da linguagem e da representação e propuseram uma série de rupturas em termos formais e conceituais. Este processo ganhou expressão na arquitetura e em sua representação e obteve projeção internacional na exposição que deu nome ao fenômeno que ficou conhecido como arquitetura desconstrutivista. Após este período, as obras do arquiteto e o pensamento do filósofo seguiram por caminhos diferentes. Arquitetura e representação: as Casas de papel de Peter Eisenman e textos da desconstrução em Jacques Derrida, anos 60 a 80 analisa obras selecionadas do arquiteto e do filósofo que abordam questões da linguagem e da representação. Discute conceitos da desconstrução, que permanecem válidos para a arquitetura contemporânea, e relaciona-os com outras modalidades de expressão artística. Demonstra que não há correspondência entre a filosofia da desconstrução e o fenômeno que ficou conhecido como arquitetura desconstrutivista. / Scientific and technological advances and the passing by of philosophic paragons witch founded modern thought promoted deep changes in representation, all over XX century. Architecture and philosophy, as many of the contemporary expressions are associated in this changes. In the decades of 1960 to 80, the works of the architect Peter Eisenman and of the philosopher Jacques Derrida began from questions of language and representation and proposed a series of breakings in formal and conceptual terms. This process had expression in architecture and in its representation and was internationally known in the exposition that gave name to the phenomena and is known as deconstructivist architecture. After this period, the works of the architect and the thinking of the philosopher followed different ways. Architecture and representation, Paper houses by Peter Eisenman and texts of deconstruction by Jacques Derrida, years 60 to 80 analyses selected works of the architect and of the philosopher about language and representation. Discusses questions and concepts of deconstruction, that keep on valid to contemporary architecture, and searches for relationships other modalities of artistic expression. Demonstrates that there is no correspondence between philosophy of deconstruction and the phenomena that became known as deconstructivist architecture.
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