Magee College, Derry, --The author's Master's thesis, 1964.

The author's Master's thesis, Magee College, Derry, 1964. / Includes bibliographical references and index.

Master of Music / Department of Music / Frank C. Tracz / This document is based on the preparation, rehearsal, and performance of selected pieces for the Graduate Conducting Recital of Darren S. Brooks. The pieces examined in the theoretical and historical analysis for this report are Brasiliana by Joao Guilherme Ripper, Irish Tune from County Derry by Percy Grainger and arranged by Frank Erickson, and Celtic Hymns and Dances by Eric Ewazen. This document also contains rehearsal plans and procedures for the preparation of the literature. The recital was performed on March 12, 2008 in McCain Auditorium on the campus of Kansas State University, and was performed by the members of the Kansas State University Symphony Band.

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Objectivity and neutrality of current makers of online maps is hampered by the fact that the most important of them who form the public opinion are largely commercial giants. Sensitivity of approaches is desirable especially in specific situations involving territorial disputes. The textual part of the thesis brings theoretical insights to the problematics of map makers policies and their preservation or violation. At the same time is describes critical cartography as a current opposition against governmental and cooperative mapping, of which counter-mapping processes are regularly used in art, too. Practical outcome attempts to reflect specific approaches of map makers depending on particular territorial disputes. It takes place mostly in online environment, using the functions of Google Street View or Google Earth and forms of counter-mapping on the OSM platform. The goal is to bring alternative realities complicating map makers policies and governing apparatus to map projects with the international coverage.

This thesis represents an important investigation into the much-neglected period of exile endured by many Royalists as a consequence of the violence and alienation of the Wars of the Three Kingdoms (1639-1651).Drawing from extensive archival research conducted in Britain, Ireland and Europe, this study expands upon existing literature on royalism, British and Irish interaction with Continental Europe and seventeenth-century mentalities more generally in order to illumine the unique issues faced by these exiles. Central to this study are the roles and experiences of the Irish element within Charles II’s exiled court. Recent studies focussed upon the place of Ireland within Europe and the North Atlantic are employed to assess such issues as confessional division, court culture, the impact of memory and the influence of conflicting European ideas upon the survival of the exiles and the course of the restoration cause. A thematic, rather than chronological structure is employed in order to develop these interpretations, allowing for an approach which emphasizes the place of individuals in relation to broader Royalist mentalities. Dominant figures include Murrough O’Brien, Lord Inchiquin (c. 1614-1674), Theobald, Lord Taaffe (d. 1677), John Bramhall (1594-1663), Church of Ireland bishop of Derry, Daniel O’Neill (c. 1612-1664), Father Peter Talbot (SJ) (c. 1618/20 – 1680) and James Butler, marquis of Ormond (1610-1688). Through investigation of Irish strands of royalism and the wider issues in which they were set in the course of civil war and exile, this thesis makes a powerful argument for the need to consider seventeenth-century ideas of allegiance and identity not only within a ‘Three Kingdoms’ approach, but Europe more generally. It also makes a compelling case for the centrality of Irish Royalists in the formation and implementation of policy during the exile period through their familiarity with and access to European centres of power and influence.