Submitted by Leila Sales Dantas (leilasaldantas@gmail.com) on 2018-08-09T20:10:44Z No. of bitstreams: 1 tese final 09 08.pdf: 3200630 bytes, checksum: acbfbecaccab8f8f2bdbd3608a22d96b (MD5) / Approved for entry into archive by Diego Andrade (diego.andrade@fgv.br) on 2018-08-10T18:14:55Z (GMT) No. of bitstreams: 1 tese final 09 08.pdf: 3200630 bytes, checksum: acbfbecaccab8f8f2bdbd3608a22d96b (MD5) / Made available in DSpace on 2018-08-27T14:11:50Z (GMT). No. of bitstreams: 1 tese final 09 08.pdf: 3200630 bytes, checksum: acbfbecaccab8f8f2bdbd3608a22d96b (MD5) Previous issue date: 2018-07-10 / O presente trabalho pretende analisar o processo de desafricanização sofrido pelo samba urbano, tocado no bairro da Lapa (Rio de Janeiro), entre os anos 2000 e 2017. Fazendo uso de entrevistas temáticas de História Oral com importantes atores sociais que vivenciaram a “retomada” (a partir dos anos 1990) e o declínio da Lapa, essa pesquisa pretende contribuir para os estudos que analisam as diferentes formas por meio das quais o samba foi (e é) marginalizado no Brasil, sobretudo no que diz respeito aos elementos que estão diretamente ligados às heranças africanas e sua origem negra. / The present work intends to analyze the process of desafricanization suffered by the urban samba played in the neighborhood of Lapa (Rio de Janeiro) between the years 2000 and 2007. Using thematic interviews of Oral History with important social actors who experienced the "resumption" and the decline of Lapa, this research intends to contribute to studies that analyze the different ways in which samba has been (and is) marginalized in Brazil, especially with regard to the elements that are directly linked to the African heritage and its Afro origin.