Submitted by Ricardo Cedraz Duque Moliterno (ricardo.moliterno@uefs.br) on 2016-09-06T21:52:27Z No. of bitstreams: 1 Disserta??o Pablo Lu?s dos Santos Portela - PPGDCI.pdf: 2083854 bytes, checksum: 8c858517946ff2bca9099ced306d99db (MD5) / Made available in DSpace on 2016-09-06T21:52:27Z (GMT). No. of bitstreams: 1 Disserta??o Pablo Lu?s dos Santos Portela - PPGDCI.pdf: 2083854 bytes, checksum: 8c858517946ff2bca9099ced306d99db (MD5) Previous issue date: 2015-12-08 / The purpose of this study is to introduce the palm, Bahia cultural symbolic element, in a different context from the culinary, and bring it to the area of the textile surface design, by authorial creation of standards in a contemporary language. To this end, it sought theoretical and conceptual support in authors who discuss surface design, textile design, printing, fashion, Bahian culture. He tried to understand the involvement of the pattern into two categories of analysis, which were: language and differentiation; cultural and symbolic device. The character of this research highlighted by the interdisciplinary approach, experimental and qualitative, which provided support throughout the trodden path. The study, to build the methodology of deconstruction and reinterpretation, was to follow, explore, play, interpret the palm from the decomposition of its morphological structure for seven months. This procedure was based on the method of decontextualization and recontextualization of contemporary surface design. To place the palm with the culture, fashion and Bahian art, selected authors and by conducting interviews with artists and designers Bahia. Research has developed a long creative process from the palm that has gone through different stages, experiments and records, such as intervention with the collective participation of students enrolled of discipline Artistic Design of UEFS; palm fixation test on paper and fabric; palm dyeing fabric; construction cloths; detailing the period of decomposition of the formal structure of the palm; creation of manuals oil palm observation drawings. Then came the composition of the standards that resulted in the series of prints named "The palm vein", with their respective analyzes of the printed fabrics and discussions of the results. / A proposta deste estudo ? apresentar o dend? enquanto elemento simb?lico cultural baiano, em outro contexto diferente do culin?rio, e traz?-lo para a ?rea do design de superf?cie t?xtil, atrav?s da cria??o autoral de padr?es, numa linguagem contempor?nea. Para tanto, buscou-se apoio te?rico-conceitual em autores que discutem o design de superf?cie, o design t?xtil, a estamparia, a moda e a cultura baiana. Procurou-se compreender o envolvimento da estampa em duas categorias de an?lise, que foram: linguagem e diferencia??o; dispositivo cultural e simb?lico. O car?ter desta pesquisa destacou-se pela abordagem interdisciplinar, experimental e qualitativa, que proporcionou sustenta??o em todo o percurso trilhado. O estudo, para construir a metodologia da desconstru??o e ressignifica??o, consistiu em acompanhar, explorar, interpretar o dend?, desde a decomposi??o da sua estrutura morfol?gica no per?odo de sete meses. Esse procedimento foi fundamentado no m?todo da descontextualiza??o e recontextualiza??o do design de superf?cie contempor?neo. Para situar o dend? na cultura, na moda e na arte baiana, contou-se com autores selecionados e atrav?s da realiza??o de entrevistas com artistas e designers baianos. A pesquisa desenvolveu um longo processo criativo a partir do dend? que passou por diferentes est?gios, experimentos e registros, como: atividade de interven??o com a participa??o coletiva entre alunos matriculados da disciplina Desenho Art?stico da UEFS; testes de fixa??o do dend? em papel e tecido; tingimento do dend? em tecido; constru??o de pan?s; detalhamento do per?odo de decomposi??o da estrutura formal do dend?; cria??o de desenhos manuais de observa??o do dend?. Em seguida, ocorreu a composi??o dos padr?es que resultou na s?rie de estampas nomeada ?Na veia do dend??, com as respectivas an?lises sobre os tecidos impressos e as discuss?es dos resultados obtidos.