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A língua de Camões com Iemanjá : Forma e funções da linguagem do candomblé. / The language of Camões and Iemanjá : Form and function of Candomblé languageÁlvarez López, Laura January 2004 (has links)
<p>The present thesis addresses the relationship between the structure and social functions of language through the study of an Afro-Brazilian Portuguese speech community. The adopted methodological, analytical, and theoretical standpoints have their origin in linguistic anthropology, social psychology of language and discourse analysis. A set of data was collected during extensive fieldwork in Salvador (Brazil), and consists of recordings of informal conversations with and between followers of Candomblé, an Afro-Brazilian religion.</p><p>Focusing on the communicative process in a specific communicative setting, the linguistic analyses illustrate the relationship between language and identity by examining theway in which expressions of African origin function as identity markers. In order to connect such Africanisms used by Candomblé followers in their everyday speech with the linguistic attitudes and ideologies found in Brazilian society throughout history, an interdisciplinary approach was called for and factors that affect the speech community’s ethnolinguistic vitality were explored. Linguistic attitudes and ideologies that have influenced group vitality were analyzed in the socio-political context (or macro-context). At the same time, the purpose was to understand communication within the sacred space of Candomblé by examining issues such as changes in linguistic forms and functions in the communicative situation (or microcontext).</p><p>Apart from revealing patterns of communication in Candomblé communities, the results of the analyses show how linguistic changes such as re-Africanization are triggered by changes of attitudes in society. These changes affect speakers’ identities and language use within speech communities.</p>
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A língua de Camões com Iemanjá : Forma e funções da linguagem do candomblé / The language of Camões and Iemanjá : Form and function of Candomblé languageAlvarez López, Laura January 2004 (has links)
The present thesis addresses the relationship between the structure and social functions of language through the study of an Afro-Brazilian Portuguese speech community. The adopted methodological, analytical, and theoretical standpoints have their origin in linguistic anthropology, social psychology of language and discourse analysis. A set of data was collected during extensive fieldwork in Salvador (Brazil), and consists of recordings of informal conversations with and between followers of Candomblé, an Afro-Brazilian religion. Focusing on the communicative process in a specific communicative setting, the linguistic analyses illustrate the relationship between language and identity by examining theway in which expressions of African origin function as identity markers. In order to connect such Africanisms used by Candomblé followers in their everyday speech with the linguistic attitudes and ideologies found in Brazilian society throughout history, an interdisciplinary approach was called for and factors that affect the speech community’s ethnolinguistic vitality were explored. Linguistic attitudes and ideologies that have influenced group vitality were analyzed in the socio-political context (or macro-context). At the same time, the purpose was to understand communication within the sacred space of Candomblé by examining issues such as changes in linguistic forms and functions in the communicative situation (or microcontext). Apart from revealing patterns of communication in Candomblé communities, the results of the analyses show how linguistic changes such as re-Africanization are triggered by changes of attitudes in society. These changes affect speakers’ identities and language use within speech communities.
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Design de superf?cie t?xtil a partir do dend?Portela, Pablo Lu?s dos Santos 08 December 2015 (has links)
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Previous issue date: 2015-12-08 / The purpose of this study is to introduce the palm, Bahia cultural symbolic element, in a different context from the culinary, and bring it to the area of the textile surface design, by authorial creation of standards in a contemporary language. To this end, it sought theoretical and conceptual support in authors who discuss surface design, textile design, printing, fashion, Bahian culture. He tried to understand the involvement of the pattern into two categories of analysis, which were: language and differentiation; cultural and symbolic device. The character of this research highlighted by the interdisciplinary approach, experimental and qualitative, which provided support throughout the trodden path. The study, to build the methodology of deconstruction and reinterpretation, was to follow, explore, play, interpret the palm from the decomposition of its morphological structure for seven months. This procedure was based on the method of decontextualization and recontextualization of contemporary surface design. To place the palm with the culture, fashion and Bahian art, selected authors and by conducting interviews with artists and designers Bahia. Research has developed a long creative process from the palm that has gone through different stages, experiments and records, such as intervention with the collective participation of students enrolled of discipline Artistic Design of UEFS; palm fixation test on paper and fabric; palm dyeing fabric; construction cloths; detailing the period of decomposition of the formal structure of the palm; creation of manuals oil palm observation drawings. Then came the composition of the standards that resulted in the series of prints named "The palm vein", with their respective analyzes of the printed fabrics and discussions of the results. / A proposta deste estudo ? apresentar o dend? enquanto elemento simb?lico cultural baiano, em outro contexto diferente do culin?rio, e traz?-lo para a ?rea do design de superf?cie t?xtil, atrav?s da cria??o autoral de padr?es, numa linguagem contempor?nea. Para tanto, buscou-se apoio te?rico-conceitual em autores que discutem o design de superf?cie, o design t?xtil, a estamparia, a moda e a cultura baiana. Procurou-se compreender o envolvimento da estampa em duas categorias de an?lise, que foram: linguagem e diferencia??o; dispositivo cultural e simb?lico. O car?ter desta pesquisa destacou-se pela abordagem interdisciplinar, experimental e qualitativa, que proporcionou sustenta??o em todo o percurso trilhado. O estudo, para construir a metodologia da desconstru??o e ressignifica??o, consistiu em acompanhar, explorar, interpretar o dend?, desde a decomposi??o da sua estrutura morfol?gica no per?odo de sete meses. Esse procedimento foi fundamentado no m?todo da descontextualiza??o e recontextualiza??o do design de superf?cie contempor?neo. Para situar o dend? na cultura, na moda e na arte baiana, contou-se com autores selecionados e atrav?s da realiza??o de entrevistas com artistas e designers baianos. A pesquisa desenvolveu um longo processo criativo a partir do dend? que passou por diferentes est?gios, experimentos e registros, como: atividade de interven??o com a participa??o coletiva entre alunos matriculados da disciplina Desenho Art?stico da UEFS; testes de fixa??o do dend? em papel e tecido; tingimento do dend? em tecido; constru??o de pan?s; detalhamento do per?odo de decomposi??o da estrutura formal do dend?; cria??o de desenhos manuais de observa??o do dend?. Em seguida, ocorreu a composi??o dos padr?es que resultou na s?rie de estampas nomeada ?Na veia do dend??, com as respectivas an?lises sobre os tecidos impressos e as discuss?es dos resultados obtidos.
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Série Ó Paí, Ó: ritmo e cultura oral da Bahia na TVSantana, Dayse Porto de 16 June 2014 (has links)
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Previous issue date: 2014-06-16 / The research investigates the portrayals of the Bahian and of Bahia on television in the context of television fiction, from local marks of the oral culture and the thematic approaches. The corpus is the TV series called "Ó Pai Ó" aired by the Globo network during two seasons, in 2008 and 2009. The analysis focuses on the whole series, but especially on the episodes called "White Market (Mercado Branco)", "Tacky (Brega)" and "Crooked Business (Negócio Torto) of the first season, and "I Want to see the Bahia Tremble (Quero ver a Bahia Tremer"), of the second season because they are considered emblematic of the issues studied. The research examines the script, the dramatic situations and the themes, linking them with the video performance - from the actors to the montage - besides the discourses construction of the press. The research problematic presented is how the representations of the Bahian and of Bahia are constructed, with the aim of identifying its semiotic and cultural mechanisms. It was concluded that the thematic approach is given in a complex way, using the portrayal types, environments and recurring situations from the imagery of Bahia for comic effect and the critical irony of stereotypes and political issues. Regarding a esthetics, there is a difficulty to transpose elements of the local culture to the audiovisual language, which was mainly analyzed from the point of view of the rhythm in Meschonnic. The analysis dialogues with researches of television play-writing, portrayal, history and culture of Bahia as well as orality. As a theoretical basis, we rely on semiotic studies related to culture and language, starting from concepts of Iuri Lotman, as a semiosphere - delimited space where the meanings happen as well as the orality concept in Paul Zumthor. It is taken into account the history of the texts and their relation to the theater and cinema, considering the object as the product of intersemiotic translation, concept worked by Julio Plaza. Likewise, it is an approach with authors of the Bahian anthropology, as Ubiratan Castro and Milton Moura, among others. The methodology used is an analytical study based on semiotics and on the other mentioned theories. It is a transdisciplinary perspective between language studies and communication studies / A pesquisa investiga as representações do baiano e da Bahia na televisão no contexto de teleficção, a partir das marcas locais da cultura oral e de abordagens temáticas. O corpus é a série de TV Ó Paí, Ó , exibida pela Rede Globo em duas temporadas, em 2008 e 2009. A análise centra-se em toda a série, mas especialmente nos episódios Mercado Branco , Brega e Negócio Torto , da primeira temporada, e Quero Ver a Bahia Tremer , da segunda temporada por serem considerados emblemáticos das questões centrais. A investigação examina o roteiro, as situações dramáticas e os temas, relacionando-os com a performance em vídeo - desde a dos atores até a de montagem - além da construção de discursos na imprensa. Apresentou-se como problema de pesquisa o modo como são construídas as representações do baiano e da Bahia, com o objetivo de identificar seus mecanismos semióticos e culturais. Concluiu-se que a abordagem temática se dá de modo complexo, usando a apresentação de tipos, ambientes e situações recorrentes do imaginário da Bahia para efeito de comicidade e ironia crítica de estereótipos e temas políticos. Em relação à estética, há um apuro no sentido de transpor elementos da cultura local para a linguagem audiovisual, o que foi analisado principalmente do ponto de vista do ritmo em Meschonnic. A análise dialoga com pesquisas de teledramaturgia, representação, história e cultura da Bahia e oralidade. Como base teórica, apoiamo-nos estudos semióticos ligados à cultura e à linguagem, partindo de conceitos de Iuri Lotman, como a semiosfera - espaço delimitado onde acontecem as significações - e também o conceito de oralidade em Paul Zumthor. É levado em conta o histórico dos textos e suas relações com o teatro e o cinema, considerando o objeto como produto de tradução intersemiótica, conceito trabalhado por Julio Plaza. Do mesmo modo, faz-se uma aproximação com autores da antropologia baiana, como Ubiratan Castro e Milton Moura, entre outros. A metodologia utilizada é de estudo analítico com base na semiótica e nas demais teorias citadas. Trata-se de uma perspectiva transdisciplinar entre os estudos da linguagem e da comunicação
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