No description available.

The following work is an analysis of Martin Luther's Two Kingdoms Theory. This influential and controversial theory was introduced in his 1523 treatise, Von weltlicher Obrigkeit--Secular Authority. Although this document was written almost 500 years ago and takes its cue from the writings of St. Augustine and the Bible, it continued to have a significant effect on German society in both the political and religious realm well into the present day. Based on an analysis of the text and on the culture and literature that led Luther to write Von weltlicher Obrigkeit, this thesis evaluates various interpretations and applications of the Two Kingdoms Theory. The specific effects of Luther's teaching during the Nazi era are examined politically and theologically. Dietrich Bonhoeffer's Religionsloses Christentum--Religionless Christianity and Martin Luther's Zwei-Reiche-Lehre--Two Kingdoms Theory will be compared to demonstrate that they illuminate the same truth from different vantage points: neither people nor their rules are viable substitutes for God. A brief introduction explains the means of analysis used in this thesis, which is based on Dietrich Bonhoeffer's call for a new religionless language as described in letters written during his imprisonment by the Nazi regime.

Thesis (MTh)--Stellenbosch University, 2013. / ENGLISH ABSTRACT: Although Bonhoeffer is hailed by some as a type of Protestant saint, there is certainly also a plea for the realisation of the paradox in his story; Bonhoeffer consciously associated himself with a plot against the life of another man. What lead this young theologian, known for pacifistic ideals and full of promise, to participate in such a violent plot? How did Bonhoeffer, and the scholars who studied his life and work, justify his decision? How should we, as theologians and Christians in the twenty-first century, attempt to understand Bonhoeffer’s resistance and its relevance for us today? According to Bonhoeffer himself: “Christianity stands or falls with its revolutionary protest against violence, arbitrariness and pride of power and with its apologia for the weak. I feel that Christianity is rather doing too little in showing these points than too much. Christianity has adjusted itself to the worship of power. It should give much more offence, more shock to the world, than it is doing. Christianity should take a much more definite stand for the weak than to consider the potential moral right of the strong.” (Bonhoeffer, DBWE Vol 13, 2007:403) By outlining the life of Bonhoeffer and selectively focusing on his resistance with both theological and sociological lenses, aided by his own writings, as well as the work of Bethge, Mataxas, Schlingensiepen, Rogers and an array of other authors, this thesis attempts to move towards understanding this remarkable man’s steadfast struggle to not sit passively in the midst of the reign of the Third Reich in Germany and be blinded to the inhumane treatment of fellow Germans, regardless of their race or religion. / AFRIKAANSE OPSOMMING: Alhoewel Bonhoeffer deur sommige as ‘n soort Protestante heilige beskou word, is daar verseker ook ‘n pleidooi vir die besef van die teenstrydigheid in sy verhaal; Bonhoeffer het homself bewustelik geassosieer met ‘n komplot om die lewe van ‘n ander man te beeïndig. Wat het aanleiding gegee dat hierdie jong teoloog, bekend vir sy pasifistiese ideale en potensiaal, in so ‘n geweldadige komplot betrokke geraak het? Hoe het Bonhoeffer, en die geleerdes wat sy lewe en werk bestudeer het, sy besluit regverdig? Hoe sou ons, as teoloë en Christene in die een-en-twintigste eeu, Bonhoeffer se verset en die relevansie daarvan vir ons lewe vandag verstaan? Bonhoeffer sê self: “Die Christendom staan of val met die revolusionêre protes teen geweld, willekeur en magstrots, en met sy voorspraak vir die swakkes. Ek voel dat die Christendom eerder te min as te veel doen om hierdie aspekte te weerspieël. Die Christendom het tot die aanbidding van mag aangepas. Dit moet baie meer aanstoot gee, die wêreld meer skok, as wat dit tans doen. Die Christendom moet ‘n baie meer defnitiewe standpunt vir die swakkes inneem, eerder as om die potensiële morele reg van die sterkes te beskerm.” (Bonhoeffer, DBWE Vol 13, 2007:403) Deur Bonhoeffer se lewe uit te lê en selektief, met beide teologiese en sosiologiese lense, op sy verset te fokus, bygestaan deur sy eie geskrifte, asook die werk van Bethge, Mataxas, Schlingensiepen, Rogers en ‘n verskeidenheid ander outeurs, poog hierdie tesis om tot ‘n verstaan te kom van hierdie merkwaardige man se standvastige stryd om nie slegs passief tydens die strikbewind van die Derde Ryk te bly nie, maar ook om nie blind vir die onmenslike behandeling van mede-Duitsers nie, ongeag hulle ras of godsdiens, te wees nie.

This thesis sets on important music printer of late sixteenth century and beginning of seventeenth century, Jiří Nigrin z Nigropontu, especially on his production of music prints. First chapter analyzes present science findings about Nigrin's prints, music printing technique from its beginning to sixteenth century and production of music prints in Prague in second half of sixteenth century beyond Nigrin's printing house. Particularly, sets of initial letters, which appear in Nigrin's music prints, are analyzed. Catalog of music printing sets is also brought forward. It shows most significant attributes along with chronological arrangement. These findings are then applied for establishing which so far unknown music prints comes from Nigrin's printing office. It is possible to mark out the undated musical prints' date of creation according to time arrangement of sets of music characters. Nigrin's material for music printing is compared with abroad printing houses afterwards. It outlines probable origin of his printing equipment.

The thesis deals with the birth of the Baroque cantata in Northern and Central Germany. It introduces musical forms that led to the creation of cantata and thus significantly influenced its form, which crystalized during the Late Baroque period. The picture of Early Baroque German music is completed with profiles of three principal composers, on a selection of whose works the gradual development of this new musical form - the German Baroque cantata - is demonstrated. The second part is devoted to an analysis of a work representative of this style, Dietrich Buxtehude's Membra Jesu nostri, which is a supreme example of this musical form.

Beitrag zum Werdegang von Reinhard Dietrich anläßlich seines 65. Geburtstages

Beitrag zu GNSS anläßlich einer Festschrift zum 65. Geburtstag von Prof. Reinhard Dietrich.

Beitrag zur Entwicklung des Höhenrahmens in Deutschland anläßlich einer Festschrift zum 65. Geburtstag von Prof. Reinhard Dietrich.

Beitrag zur geodätischen Erdsystemforschung mittels Satellitenfernerkundung anläßlich anläßlich einer Festschrift zum 65. Geburtstag von Prof. Reinhard Dietrich.

Beitrag zu Wasser und Eissatellitendaten zur Bilanzierung von Massentransporten anläßlich einer Festschrift zum 65. Geburtstag von Prof. Reinhard Dietrich.