Disturbing the Peace is a short, 16mm sync-sound fiction film. Alone one stormy night, a woman must contend with an intruder breaking into her home. The intruder turns out to be a teenage boy. He claims to have broken in only to retrieve a family heirloom he hid there when he and his parents lived in the same house years ago. When the boy finds the heirloom, the woman begins to believe his story, and soon realizes he doesn't have a good home life. The boy asks permission to stay until the storm breaks. She agrees. Should the boy be trusted, or is he telling one lie after another? The police arrive to witness the outcome of the story.

This thesis is intended to guide the reader through the production process for Southern Illinois University Department of Theater’s 2021 production of Tuck Everlasting: The Musical. The document follows the journey of a technical director’s process through preproduction, design development, production process, and postproduction reflection. By joining the adventure through the backstage experience of the production process one should come to understand the work needed to produce a theatrical production.

The purpose of this thesis is to emphasize the lacking areas in the field of direction of arrival estimation and to propose building blocks for continued solution development in the area. A review of current methods are discussed and their pitfalls are emphasized. DOA estimators are compared to each other for usage on a conformal microphone array which receives impulsive, wideband signals. Further, many DOA estimators rely on the number of source signals prior to DOA estimation. Though techniques exist to achieve this, they lack robustness to estimate for certain signal types, particularly in the case where multiple radar targets exist in the same range bin. A deep neural network approach is proposed and evaluated for this particular case. The studies detailed in this thesis are specific to acoustic and radar applications for DOA estimation.

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Sound source localization is an important task for several applications and the use of deep learning for this task has recently become a popular research topic. While the majority of the previous work has focused on static sound sources, in this work we evaluate the performance of a deep learning classification system for localization of high-speed moving sound sources. In particular, we systematically evaluate the effect of a wide range of parameters at three levels including: data generation (e.g., acoustic conditions), feature extraction (e.g., STFT parameters), and model training (e.g., neural network architectures). We evaluate the performance of multiple metrics in terms of precision, recall, F-score and confusion matrix in a multi-class multi-label classification framework. We used four different deep learning models: feedforward neural networks, recurrent neural network, gated recurrent networks and temporal Convolutional neural network. We showed that (1) the presence of some reverberation in the training dataset can help in achieving better detection for the direction of arrival of acoustic sources, (2) window size does not affect the performance of static sources but highly affects the performance of moving sources, (3) sequence length has a significant effect on the performance of recurrent neural network architectures, (4) temporal convolutional neural networks can outperform both recurrent and feedforward networks for moving sound sources, (5) training and testing on white noise is easier for the network than training on speech data, and (6) increasing the number of elements in the microphone array improves the performance of the direction of arrival estimation.

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