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Salvation portrayed through paradox in the Divine poems of John DonneMcIlhaney, Anne. January 1991 (has links)
Thesis (M.A.)--Trinity Evangelical Divinity School, 1991. / Abstract. Includes bibliographical references (leaves 128-132).
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The poetry of Gerard Manley Hopkins and T.S. Eliot in the light of the Donne tradition : a comparative study /Morris, David. Hopkins, Gerard Manley. Eliot, T.S. January 1953 (has links)
Diss. Historisch-philosophischen Fak. der Univ. Bern.
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John Donne's Songs and sonnets a reinterpretation in light of their traditional backgrounds /Fiedler, Leslie A. January 1941 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1941. / Typescript. Includes abstract and vita. Includes bibliographical references (p. [171]-175).
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The use of sound patterns in some English poems of John DonneJohnson, Ralph Irvin. January 1954 (has links)
LD2668 .T4 1954 J65 / Master of Science
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Donne's cosmos : some aspects of his images of space and timeGorton, Lisa January 1999 (has links)
No description available.
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The philosophical unity behind John Donne's Songs and sonnetsBowers, John E January 2010 (has links)
Digitized by Kansas Correctional Industries
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Modes of address in the Songs and sonets of John DonneKalloo, Linnie. January 1968 (has links)
No description available.
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Plotinus and seventeenth-century poetry : a study of Donne, Milton and Traherne /Spellmeyer, Kurt. January 1983 (has links)
Thesis (Ph. D.)--University of Washington, 1983. / Vita. Bibliography: leaves [325]-342.
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The pictorial in the sermons of John DonnePerkins, Alice Maples, 1898- January 1940 (has links)
No description available.
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John Donne's ApocalypseHolmes, Michael M. (Michael Morgan) January 1991 (has links)
This thesis explores John Donne's vision of the Apocalypse as revealed by his religious poetry and prose. Donne believed himself to be alive in the last age of the world; however, he rejected historicist interpretations of the Apocalypse. Instead, he located the conflict with sin and death within the individual soul. Donne was concerned to create an image of the sinful soul restored to unity with the divine through its own exertions and by God's grace, free from social and political constraints. The Apocalypse presented Donne with a paradigm of unity which he appropriated in order to represent the interconnexion of God and humankind, as well as to situate himself within a present unfolding of ultimate conformity. Knowledge of the role of the Apocalypse in Donne's self-presentation, provides an awareness of the extent to which Donne understood himself to be an active participant in the fulfilment of the Providential design.
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