Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-12-04T21:23:19Z No. of bitstreams: 1 ArianeDoNascimentoMendes_DISSERT.pdf: 1882940 bytes, checksum: f9506363f4cefaae477e93382af75348 (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-12-09T00:34:11Z (GMT) No. of bitstreams: 1 ArianeDoNascimentoMendes_DISSERT.pdf: 1882940 bytes, checksum: f9506363f4cefaae477e93382af75348 (MD5) / Made available in DSpace on 2017-12-09T00:34:11Z (GMT). No. of bitstreams: 1 ArianeDoNascimentoMendes_DISSERT.pdf: 1882940 bytes, checksum: f9506363f4cefaae477e93382af75348 (MD5) Previous issue date: 2017-04-18 / Conselho Nacional de Desenvolvimento Cient?fico e Tecnol?gico (CNPq) / O objetivo desta pesquisa foi investigar a experi?ncia est?tica em Dan?a Contempor?nea a partir de obras constru?das com movimentos n?o-representativos, considerando que sua dramaturgia prima por ser n?o-linear, e sua constru??o se d? atrav?s da materialidade do movimento e do corpo, pela sua investiga??o. Assim, discutimos sobre como acontecem as experi?ncias est?ticas a partir de entrevistas com apreciadores das obras coreogr?ficas escolhidas para compor a pesquisa, al?m do referencial te?rico sobre Dan?a Contempor?nea e sua dramaturgia com autores como Laurence Louppe, Patr?cia Leal, Rosa Hercoles, Paulo Caldas, Ana Carolina Mundim, entre outros. A pesquisa foi conduzida pela metodologia qualitativa, de car?ter participante, e se caracteriza ainda em um estudo de caso, tendo como objeto norteador a dramaturgia e a experi?ncia est?tica do espet?culo ?Ego? (2015) do Grupo de Dan?a da UFRN, e do espet?culo ?ESCrito Absurdo? (2016) dos criadores Vladimir Rodriguez (Col?mbia) e Omar Carrum (M?xico). Tamb?m buscamos informa??es com Diana Fontes, coordenadora geral do Encontro de Dan?a de Natal/RN, por ser um evento que lida diretamente com apresenta??es e, portanto, com experi?ncias est?ticas em Dan?a Contempor?nea de diversas vertentes. Assim, fizemos recolhimento de material bibliogr?fico atrav?s das entrevistas realizadas com os artistas e apreciadores dos espet?culos supracitados. Al?m dos depoimentos recolhidos dos apreciadores do trabalho coreogr?fico ?Nuance?, que foi constru?do para experimentar a constru??o de dramaturgia apenas com o movimento n?o-representativo e a possibilidade de uma obra coreogr?fica ser atividade de media??o de si mesma, bem como atividade de forma??o de p?blico. A relev?ncia da pesquisa se d? pela contribui??o para as discuss?es sobre p?blico e experi?ncias est?ticas em Dan?a Contempor?nea, pois ainda h? poucos estudos registrados no Brasil, e mais especificamente em Natal/RN sobre este tema. / The objective of this research was to investigate the aesthetic experience in Contemporary Dance from works built with non-representative movements, considering that its dramaturgy is nonlinear, and its construction takes place through the materiality of movement and body, through its investigation. Like this, we discussed about how happen the aesthetic experiences starting from interviews with connoisseurs of the choreographic works chosen to compose the research, beyond the theoretical reference about Contemporary Dance and its dramaturgy with authors like Laurence Louppe, Patr?cia Leal, Rosa Hercoles, Paulo Caldas, Ana Carolina Mundim, among others. The research was conducted by the qualitative methodology, of participant character, and was characterized still in a case study, having as a guiding object the aesthetic experience of the spectacle ?Ego? (2015) of the Grupo de Dan?a da UFRN, and of the spectacle ?ESCrito Absurdo? (2016) of the creators Vladimir Rodriguez (Colombia) and Omar Carrum (Mexico). We also sought information with Diana Fontes, general coordinator of the Encontro de Dan?a de Natal/RN, as it is an event that deals directly with presentations and, therefore, with aesthetic experiences in Contemporary Dance from various perspectives. Like this, we collected bibliographical material in field research, produced through interviews with the artists and connoisseur of the two spectacles above mentioned. Beyond the testimonials collected from the connoisseur of the choreographic work ?Nuance?, which was built for to experience the construction of dramaturgy with only the non-representative movement and the possibility of a choreographic work as an activity of mediation of itself, as well as to be activity of formation of public. The relevance of the research is given by the contribution to the discussions about audiences and aesthetic experience in Contemporary Dance, because still there are few studies registered in Brazil, and more specifically in Natal/RN about this subject.