Please note: this work is permanently embargoed in OpenBU. No public access is forecasted for this item. To request private access, please click on the locked Download file link and fill out the appropriate web form. / Though some of these five short stories seem related in theme, they were not written with any connection in mind. They were, instead, an exploration of different settings, different lives, either beginning or ending, but always aiming at a rebirth, forced or hoped for. The difference between these two movements—arrivals and departures—is often minute and almost impossible to discern. The fourth story, “Sandhill Cranes,” was broadcasted in podcast form by PenDust Radio in September 2020, and published in Carve Magazine the following month. It won the Editor’s Choice Award in the 2020 Raymond Carver Short Story Contest. “Sandhill Cranes” represents a turning point in my writing, and a moment in time just before I redefined myself as a writer, and allowed myself to be a writer, at last—it also represents the beginning of a new phase in my craft, and showed me the way to portraying immigration, the defining principle of my life, in my fiction; the other four stories in this collection were written after “Sandhill Cranes,” that is, after November 2019. / 2999-01-01T00:00:00Z

Novel excerpt, personal essays and short stories.

In the Drowning City and Other Stories is a collection of fiction written and revised during Malyn Segarra's graduate studies at the University of Central Florida. Most of the collection examines the transient nature and fragility of identity and shifting roles within the family unit. All focus on a particular span of time, the transition into young adulthood. Each character is faced with an obstacle or event that tests his or her beliefs, integrity and sense of self. As each one struggles to make a unique and permanent impression in the world, he or she must come to terms with the past, in some cases, breaking away from it. Although the characters come from varying backgrounds, the themes that thread the collection are universal. The three stories that serve as the backbone of the collection, "Slashing, Tripping and Other Offensive Plays," "In the Drowning City," and "This Is Just a Modern Love Song" find the protagonists striving to adapt to their newly transformed environments. As the situations they face become more complicated and the resolutions exceedingly compromised, the innocence and certainty associated with childhood is jeopardized.

This collection of fiction - a novella and a collection of short stories - focuses on the commonality of the human condition. While we create separations for ourselves by focusing on distinctions such as, religion, class, gender, and race, we are, I believe, spiritual beings sharing a human experience. My work tends to explore these distinctions and our motivations for embracing them. In the novella, Middle Ground, two sisters in alternating narrative voices share the story of their parents' struggles with separation, sobriety and cancer. Their voices, as distinct as their perspectives, explore the landscape of a family, the borders between forgiveness and acceptance, the self-preserving act of looking beyond imperfections and weaknesses, and the realization that truth is an illusion and flawed love the only certainty. The short story collection consists of eight pieces. Many of these stories explore characters in a state of recovery - a brain tumor operation, a death of a spouse, a shot to the head where a bullet rests and reminds - and plot occurs as these characters attempt to move on. They meet sandhill cranes who cry out in pain for the death of another, lovers who speak in italics, vets who swear that the blasted silence is louder than King Kong screaming in your ear. They sit with shrinks who lie, sleep with poets who stray, compete with incarcerated ex-husbands who were "man enough" to put a gun to a woman's head and pull the trigger. They are nothing - and everything - like all of us, and readers are invited to join the characters beside the mirror of our collective Middle Ground.

This short story collection follows diverse characters as they long to find their place in the chaos of modern world. As the trend of postmodern literature traces our failure to understand our lives and discover a larger context, we find that our reality is ever-changing and there is not a single constant to follow. We are disappointed by modern political systems, our lovers, and our own individual capabilities. The issue of belonging means finding a place that, both physically and mentally, provides context and meaning for our existence. The five short stories presented here examine social issues, such as immigration, political revolution, and social role of the media. At the same time, the subtleties of personal belonging--love, rejection, fear of the future, crisis of identity--are dissected under a looking glass, brought forward to emphasize the individual human element while the larger themes fade into the background. The main character of "Winter Velvet" speaks from the midst of the Velvet Revolution taking place in Prague, anxiously awaiting the outcome and attempting to understand the impact this revolution will have on his life. The narrator of "Metathesiophobia in Three Parts" possesses the kind of existential fears and anxieties we see in the eyes of American youth as they all face grim futures in a country without direction. "The Stage" explores the moments of terror an immigrant experiences when facing his first deportation scare. "El Pollo Negro" is the story of a Mexican man haunted by a black chicken as he attempts to build a life in America. Finally, "Jeremy Stock Live!" examines the role of morality in American reality TV shows ala Jerry Springer.; What is it that fascinates us about pitting tragically flawed people against an audience of judges and a host/executor? In all of these stories the characters experience a longing to hold onto a single place, to find firm ground in the world and allow home, whatever and wherever it is, to pour over them and never let them go.

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It is psychologists, psychiatrists, neuroscientists, and philosophers who most often attempt the formal study of consciousness: it is writers who observe the impossibility of any such study. In the spirit of Joseph O'Neill, Muriel Spark, and J.K. Rowling, with reference to cross-disciplinary thinkers like Donella Meadows, Douglas Hofstadter, and Rudy Rucker, Tree of Knowledge concerns itself with the mystery of mystery and the knowledge of knowledge. This collection of short stories bespeaks the human observer's paradoxical situation in all its the diverse implications, including moral confusion, tragedy, and violence, but also comedy, beauty, and the possibility of transcendence.

Nothing Remains Still is a collection of short stories and a novella. The series of short stories, "The Assortment 1-4" chronicle the childhood of a young girl, her siblings, and her mother, and the lives they lead in the gated, but impoverished, community, in which they live. The tone of the stories is meant to be surreal, approaching the dystopic, as a way to reveal the underlying horror of growing up in low-income housing. The story, as so many of these stories do in their real life correlates, ultimately ends in tragedy for the central family. The novella, Nothing Remains Still, is an epistolary tale of a young woman who rediscovers her mother, and herself, while training to become a psychoanalyst. The novella is about movement and stagnation, or false or artificial stagnation. In this context, the Heraclitus quote, "All entities move, and nothing remains still," which acts as the novella's epigraph, serves to introduce a kind of cosmological conceit concerning bodies of matter and how the study of physics situates inanimate objects. I had my narrator apply this conceit to people, as well, and to situate human bodies as also being physical objects subject to the same physical laws. The quote is meant to signal that the narrator's journey is in constant flux -- there are no endings, happy or otherwise, just a transfer of energy into one thing or another. / MFA

This story cycle focuses on the members of the Ordoñez family of Castroville, California from the time of the first generation’s migration from Mexico in the 1950s to the most recent generation who moves out of the town in the 2000s. “The Ordoñez Pride” shows the entire family as they experience a miracle. Cecilia, the matriarch, receives a belated wedding ring that bursts into flame that doesn’t burn her, but everything else it comes into contact with. The flame also magically sparks hers and her husband’s sex life into overdrive and, late in life, they produce three more children, for a total of nine. Following this framing story, we see snapshots of all the other family members at life-changing moments. In “After the Revolution” we see Ray Ordoñez , the family patriarch, grow from a boy into a man, as he defends his sister from what he perceives to be the American ranch owner practicing the right to first night—a custom that was still practiced in rural Mexico in the twentieth century. Eventually, Ray migrates to California and begins his family, becomes assimilated into American culture, and reluctantly welcomes an American boy—his oldest daughter’s boyfriend—into his household.