Thesis (M.S.C.I.T.)--Regis University, Denver, Colo., 2006. / "TrailTracker by Chicken Legs Solutions"--T.p. Title from PDF title page (viewed on Aug. 30, 2006). Includes bibliographical references.

Thesis (M.S.C.I.T.)--Regis University, Denver, Colo., 2006. / Title from PDF title page (viewed on Sept. 19, 2006). Includes bibliographical references.

Thesis (Ph.D.)--State University of New York at Buffalo, 2005. / Title from PDF title page (viewed on Apr. 18, 2006) Available through UMI ProQuest Digital Dissertations. Thesis adviser: Braswell, Geoffrey E. Includes bibliographical references.

Thesis (M.S.)--University of Montana, 2007. / Title from title screen. Description based on contents viewed Aug. 13, 2007. Includes bibliographical references (p. 52-53).

Thesis (M.S.C.I.T.)--Regis University, Denver, Colo., 2007. / Title from PDF title page (viewed on June 26, 2007). Includes bibliographical references.

Thesis (M.S.)--Oregon State University, 1986. / Typescript (photocopy). Includes bibliographical references (leaves 38-40). Also available on the World Wide Web.

Texte remanié de: Th. univ.--Archéol.--Lyon 2, 1987. / Textes en français et en égyptien. Bibliogr. p. 199-209. Index.

For practitioners and scholars of site-specific theatre, attempts to understand the relationship between a site and performance have often focused on performance. The many ways a site can inform and enhance the audience's experience of performance has been thoroughly explored, but what about the reverse? How can performance facilitate an experience of place and inform audiences about the value and potential of the places around us? I contend that site-specific performance which privileges place--including its varied histories and meanings--can foster a more thorough consideration of the places we inhabit and equip us to make better decisions about them. This thesis uses three case studies to explore the experience of place in performance and its potential implications. My case studies are Rob Ashford and Kenneth Branagh's production of Macbeth at the 2013 Manchester International Festival, We Players of San Francisco, and PlaceBase Productions of Minneapolis.

Made available in DSpace on 2016-08-26T15:19:17Z (GMT). No. of bitstreams: 1 tese_9299_Carolina_Cuquetto_dissertacao_2.pdf: 4512384 bytes, checksum: aa316e432412680eb0022855fe46d601 (MD5) Previous issue date: 2015-09-28 / Stephan Doitschinoff compõe narrativas visuais através de signos religiosos e políticos, representações de plantas enteógenas e anagramas que ora indicam fragmentos litúrgicos, ora inscrições alquímicas. Trabalha com a ressignificação de ícones e símbolos para provocar uma reflexão sobre o controle exercido por instituições e ideologias dominantes. Suas proposições artísticas avançam para além da tela e experimentam relações com o espaço e com o espectador para sugerir novas maneiras de olhar o mundo. A partir das reflexões teóricas de Miwon Kwon, Claire Bishop e Nicolas Bourriaud discutimos os nexos entre a especificidade do site e as possibilidades de participação nos trabalhos de Doitschinoff em que verificamos pontos de convergência entre esses eixos, a saber: Temporal (2008), Novo Asceticismo (2009), Brilho do Sol (2011) e Cras do Micélio (2013).

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